A Study of the Modern Novel
Author : Annie Russell Marble
Publisher :
Page : 464 pages
File Size : 11,93 MB
Release : 1928
Category : American fiction
ISBN :
Author : Annie Russell Marble
Publisher :
Page : 464 pages
File Size : 11,93 MB
Release : 1928
Category : American fiction
ISBN :
Author :
Publisher :
Page : 852 pages
File Size : 38,85 MB
Release : 1926
Category : Electronic journals
ISBN :
Author : Library of Congress
Publisher :
Page : 708 pages
File Size : 20,26 MB
Release : 1970
Category : Catalogs, Union
ISBN :
Author : Library of Congress. Copyright Office
Publisher : Copyright Office, Library of Congress
Page : 2144 pages
File Size : 26,71 MB
Release : 1927
Category : American drama
ISBN :
Part 1, Books, Group 1, v. 23 : Nos. 1-128 (Issued April, 1926 - March, 1927)
Author : Mary Burnham
Publisher :
Page : 1612 pages
File Size : 14,80 MB
Release : 1928
Category : American literature
ISBN :
Author : Philip C. Duschnes (Firm)
Publisher :
Page : 1160 pages
File Size : 21,39 MB
Release : 1939
Category :
ISBN :
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 112 pages
File Size : 31,38 MB
Release : 1929
Category :
ISBN :
Author : R.R. Bowker Company. Department of Bibliography
Publisher :
Page : 1776 pages
File Size : 37,60 MB
Release : 1980
Category : United States
ISBN :
Author : Barbara E. Rosenbaum
Publisher :
Page : 820 pages
File Size : 34,18 MB
Release : 1974
Category : American fiction
ISBN :
Author : Richard Flanagan
Publisher : Vintage
Page : 353 pages
File Size : 43,31 MB
Release : 2018-04-03
Category : Fiction
ISBN : 0525520031
Kif Kehlmann, a young, penniless writer, thinks he’s finally caught a break when he’s offered $10,000 to ghostwrite the memoir of Siegfried “Ziggy” Heidl, the notorious con man and corporate criminal. Ziggy is about to go to trial for defrauding banks for $700 million; they have six weeks to write the book. But Ziggy swiftly proves almost impossible to work with: evasive, contradictory, and easily distracted by his still-running “business concerns”—which Kif worries may involve hiring hitmen from their shared office. Worse, Kif finds himself being pulled into an odd, hypnotic, and ever-closer orbit of all things Ziggy. As the deadline draws near, Kif becomes increasingly unsure if he is ghostwriting a memoir, or if Ziggy is rewriting him—his life, his future, and the very nature of the truth. By turns comic, compelling, and finally chilling, First Person is a haunting look at an age where fact is indistinguishable from fiction, and freedom is traded for a false idea of progress.