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Happy Endings in Hollywood Cinema

Author : James MacDowell

Publisher : Edinburgh University Press

Page : 224 pages

File Size : 36,45 MB

Release : 2013-07-22

Category : Performing Arts

ISBN : 0748680187

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Book Description

"e;Hollywood 'happy ending' has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies. This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliche, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films. "e;



Happy Endings in Hollywood Cinema

Author : James MacDowell

Publisher : Edinburgh University Press

Page : 194 pages

File Size : 28,67 MB

Release : 2014-11-28

Category : Performing Arts

ISBN : 0748680209

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Book Description

This wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemp



The Final Couple

Author : James MacDowell

Publisher :

Page : pages

File Size : 50,91 MB

Release : 2011

Category :

ISBN :

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Book Description

This thesis concerns a very common, yet surprisingly under-examined, concept: the Hollywood 'happy ending'. Focusing on an aspect of this convention that I call the 'final couple' (i.e.: an ultimate romantic union), the study examines movies from throughout the history of popular American cinema in order to interrogate common critical assumptions about 'happy endings'. Chapter 1 questions the existence of the homogenous norm the 'happy ending' by attempting to define it - a task more challenging than the convention's reputation would have us believe. Chapter 2 looks at the relationship between 'happy endings' and closure, arguing that, while some films succeed in making their final couples feel emphatically 'closed', others use different strategies to render the same convention comparatively 'open'. Chapter 3 examines the connection between 'happy endings' and 'unrealism', considering firstly the traditionally close conceptual relationship between the 'happy ending' and fiction tout court, before, secondly, exploring the ways in which the final couple relates to debates concerning the 'openness' of life and the 'closed' nature of narrative. Chapter 4 addresses the ideology of 'happy endings' by discussing (1) what potential the concept of the final couple might be said to have for structuring viewers' real-life romantic relationships, (2) the ideological implications of closure, and (3) the different ideological meanings that a final couple can convey in what is often taken to be an innately 'conservative' genre, the romantic comedy. The results of my analyses suggest that 'happy endings' are as conducive to variation as any other artistic convention - a fact that has significant ramifications for our thinking about Hollywood conclusions.



The End

Author : Richard John Neupert

Publisher : Wayne State University Press

Page : 220 pages

File Size : 11,78 MB

Release : 1995

Category : Literary Criticism

ISBN : 9780814325254

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Book Description

Given the importance that spectators grant to the final moments of a motion picture, it is surprising to find so little written on how films end and how audiences interpret those closing moments. This study investigates endings in film and the lively role they play in how and why viewers make sense of movies. Relying upon contemporary literary criticism and film theory, the author analyses narrative strategies in films ranging from the classical Hollywood motion picture to the more modern European art cinema. To assist readers in understanding the various functions of endings, the films are divided into four critical categories: the "Closed Text" film, typical of classical works; the "Open Story" films; the "Open Discourse" film; and the "Open Text" film which struggles to defy story resolution. Detailed textual analysis of sample films reveal how all of the devices of filmic narration - from "mise-en-scene" to soundtracks - direct a viewer's perception, comprehension and interpretation of closure in films. Among the sample films that are featured as test cases for studying endings are "The Quiet Man" (Ford, 1950), "The 400 Blows" (Truffaut, 1959), "Weekend" (Godard, 1967), "Tout va bien" (Godard, 1972), and "Earth" (Dovzhenko, 1930). To round out his informative study of endings in films, Neupert also examines a host of diverse titles, including "Do the Right Thing" (Lee, 1989), "Open City" (Rossellini, 1945) and "The Graduate" (Nichols, 1967).



Hollywood Aesthetic

Author : Todd Berliner

Publisher : Oxford University Press

Page : 321 pages

File Size : 20,54 MB

Release : 2017

Category : Art

ISBN : 0190658746

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Book Description

Hollywood makes the most widely successful pleasure-giving artworks the world has ever known. The industry operates under the assumption that pleasurable aesthetic experiences, among huge populations, translate into box office success. With that goal in mind, Hollywood has systematized the delivery of aesthetic pleasure, packaging and selling it on a massive scale. In Hollywood Aesthetic, Todd Berliner accounts for the chief attraction of Hollywood cinema worldwide: its entertainment value. The book examines films such as City Lights and Goodfellas that have earned aesthetic appreciation from both fans and critics. But it also studies some curious outliers, cult films, and celebrated Hollywood experiments, such as The Killing and Starship Troopers. And it demonstrates that even ordinary popular films, from Tarzan and His Mate to Rocky III, as well as action blockbusters, like Die Hard and The Dark Knight, offer aesthetic pleasure to mass audiences. Hollywood Aesthetic explains how Hollywood engages viewers by satisfying their aesthetic desires. Visit the companion website at www.oup.com/us/hollywoodaesthetic



Black Masculinity and the Cinema of Policing

Author : Jared Sexton

Publisher : Springer

Page : 218 pages

File Size : 27,56 MB

Release : 2017-11-07

Category : Language Arts & Disciplines

ISBN : 3319661701

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Book Description

This book offers a critical survey of film and media representations of black masculinity in the early twenty-first-century United States, between President George W. Bush’s 2001 announcement of the War on Terror and President Barack Obama’s 2009 acceptance of the Nobel Peace Prize. It argues that images of black masculine authority have become increasingly important to the legitimization of contemporary policing and its leading role in the maintenance of an antiblack social order forged by racial slavery and segregation. It examines a constellation of film and television productions—from Antoine Fuqua’s Training Day to John Lee Hancock’s The Blind Side to Barry Jenkin's Moonlight—to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture.



The Cinema of Terry Gilliam

Author : Jeff Birkenstein

Publisher : Columbia University Press

Page : 186 pages

File Size : 46,76 MB

Release : 2013-04-09

Category : Performing Arts

ISBN : 0231165358

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Book Description

Terry Gilliam has been making movies for more than forty years, and this volume analyses a selection of his thrilling directorial work, from his early films with Monty Python to The Imaginarium of Doctor Parnussus (2009). This collection argues that when Gilliam makes a movie, he goes to war: against Hollywood caution and convention.



When the Movies Mattered

Author : Jonathan Kirshner

Publisher : Cornell University Press

Page : 223 pages

File Size : 21,49 MB

Release : 2019-06-15

Category : Performing Arts

ISBN : 1501736116

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Book Description

In When the Movies Mattered Jonathan Kirshner and Jon Lewis gather a remarkable collection of authors to revisit the unique era in American cinema that was New Hollywood. Ten eminent contributors, some of whom wrote about the New Hollywood movement as it unfolded across the 1960s and 1970s, assess the convergence of film-industry developments and momentous social and political changes that created a new type of commercial film that reflected those revolutionary influences in American life. Even as New Hollywood first took shape, film industry insiders and commentators alike realized its significance. At the time, Pauline Kael compared the New Hollywood to the "tangled, bitter flowering of American letters in the 1850s" and David Thomson dubbed the era "the decade when movies mattered." Thomson's words provide the impetus for this volume in which a cohort of seasoned film critics and scholars who came of age watching the movies of this era reflect upon and reconsider this golden age in American filmmaking. Contributors: Molly Haskell, Heather Hendershot, J. Hoberman, George Kouvaros, Phillip Lopate, Robert Pippin, David Sterritt, David Thomson



Charles Walters

Author : Brent Phillips

Publisher : University Press of Kentucky

Page : 524 pages

File Size : 12,38 MB

Release : 2014-12-02

Category : Biography & Autobiography

ISBN : 0813147220

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Book Description

A “lively biography” of the director who choreographed Fred Astaire, Debbie Reynolds and more: “a real backstager” on the making of Hollywood musicals (Wall Street Journal). From the trolley scene in Meet Me in St. Louis to Fred Astaire and Ginger Rogers's last dance on the silver screen to Judy Garland's tuxedo-clad performance of "Get Happy", Charles Walters staged the iconic musical sequences of Hollywood's golden age. The Academy Award-nominated director and choreographer showcased the talents of stars such as Gene Kelly, Doris Day, and Frank Sinatra—yet Walters's name often goes unrecognized today. In the first full-length biography of Walters, Brent Phillips chronicles the artist's career from his days as a Broadway performer to his successes at Metro-Goldwyn-Mayer. Phillips takes readers behind the scenes of beloved musicals including Easter Parade, Lili, and High Society. He also examines the director's uncredited work on films like Gigi, and discusses his contributions to musical theater and American popular culture. This revealing book also considers Walters's personal life and explores how he navigated the industry as an openly gay man. Drawing on unpublished oral histories, correspondence, and new interviews, this biography offers an entertaining and important new look at an exciting era in Hollywood history.



Johnny Got His Gun

Author : Dalton Trumbo

Publisher : Kensington Publishing Corp.

Page : 288 pages

File Size : 35,68 MB

Release : 2013-11-15

Category : Fiction

ISBN : 0806537604

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Book Description

The Searing Portrayal Of War That Has Stunned And Galvanized Generations Of Readers An immediate bestseller upon its original publication in 1939, Dalton Trumbo?s stark, profoundly troubling masterpiece about the horrors of World War I brilliantly crystallized the uncompromising brutality of war and became the most influential protest novel of the Vietnam era. Johnny Got His Gun is an undisputed classic of antiwar literature that?s as timely as ever. ?A terrifying book, of an extraordinary emotional intensity.?--The Washington Post "Powerful. . . an eye-opener." --Michael Moore "Mr. Trumbo sets this story down almost without pause or punctuation and with a fury amounting to eloquence."--The New York Times "A book that can never be forgotten by anyone who reads it."--Saturday Review