Hawthorne and Melville


Book Description

Herman Melville and Nathaniel Hawthorne met in 1850 and enjoyed for sixteen months an intense but brief friendship. Taking advantage of new interpretive tools such as queer theory, globalist studies, political and social ideology, marketplace analysis, psychoanalytical and philosophical applications to literature, masculinist theory, and critical studies of race, the twelve essays in this book focus on a number of provocative personal, professional, and literary ambiguities existing between the two writers. Jana L. Argersinger and Leland S. Person introduce the volume with a lively summary of the known biographical facts of the two writers’ relationship and an overview of the relevant scholarship to date. Some of the essays that follow broach the possibility of sexual dimensions to the relationship, a question that “looms like a grand hooded phantom” over the field of Melville-Hawthorne studies. Questions of influence--Hawthorne’s on Moby-Dick and Pierre and Melville’s on The Blithedale Romance, to mention only the most obvious instances--are also discussed. Other topics covered include professional competitiveness; Melville’s search for a father figure; masculine ambivalence in the marketplace; and political-literary aspects of nationalism, transcendentalism, race, and other defining issues of Hawthorne and Melville’s times. Roughly half of the essays focus on biographical issues; the others take literary perspectives. The essays are informed by a variety of critical approaches, as well as by new historical insights and new understandings of the possibilities that existed for male friendships in nineteenth-century American culture.




The Divine Magnet


Book Description

These letters are full of passion, humor, doubt, and spiritual yearning, and offer an intimate view of Melville's personality. Lyrical and effusive, they are literary works in themselves. This correspondence has been out of print for decades, and even when it was in print it appeared in scholarly volumes of Melville's complete correspondence, aimed at the academy. The Divine Magnet will provide the general literary public as well as the college classroom with a reliable and beautifully produced volume of Melville's letters to Hawthorne, along with supplemental material, highlighting the relationship between these luminaries of American letters.




The Whale: A Love Story


Book Description

A rich and captivating novel set amid the witty, high-spirited literary society of 1850s New England, offering a new window on Herman Melville’s emotionally charged relationship with Nathaniel Hawthorne and how it transformed his masterpiece, Moby-Dick In the summer of 1850, Herman Melville finds himself hounded by creditors and afraid his writing career might be coming to an end—his last three novels have been commercial failures and the critics have turned against him. In despair, Melville takes his family for a vacation to his cousin’s farm in the Berkshires, where he meets Nathaniel Hawthorne at a picnic—and his life turns upside down. The Whale chronicles the fervent love affair that grows out of that serendipitous afternoon. Already in debt, Melville recklessly borrows money to purchase a local farm in order to remain near Hawthorne, his newfound muse. The two develop a deep connection marked by tensions and estrangements, and feelings both shared and suppressed. Melville dedicated Moby-Dick to Hawthorne, and Mark Beauregard’s novel fills in the story behind that dedication with historical accuracy and exquisite emotional precision, reflecting his nuanced reading of the real letters and journals of Melville, Hawthorne, Oliver Wendell Holmes, and others. An exuberant tale of longing and passion, The Whale captures not only a transformative relationship—long the subject of speculation—between two of our most enduring authors, but also their exhilarating moment in history, when a community of high-spirited and ambitious writers was creating truly American literature for the first time.







The Corporeal Self


Book Description

The Corporeal Self argues that questions about identity, conceived in bodily terms, are not only relevant for Melville and Hawthorne, the two nineteenth-century authors whose works are positioned at opposite extremes of the consideration of human identity, but lie at the heart of the American literary tradition, and have, in that tradition, their own revisionary status.




The Arbiters of Reality


Book Description

The Arbiters of Reality: Hawthorne, Melville, and the Rise of Mass Information Culture disrupts our critical sense of nineteenth-century American literature by examining the storytelling strategies of both Nathaniel Hawthorne and Herman Melville in light of an emerging information industry. Peter West reveals how these writers invoked telegraphic and penny press journalism, daguerreotypy, and moving panoramas in their fiction to claim for themselves a privileged access to a reality beyond the reach of a burgeoning mass audience.Locating Hawthorne and Melville in vivid and overlooked contexts-the Salem Murder scandal of 1830, which transformed Hawthorne's quiet city into a media-manufactured spectacle, and Melville's New York City of 1846-47, where the American Telegraph was powerfully articulating a nation at war-West portrays the romance as a reactive, deeply rhetorical literary form and a rich historical artifact. In the early twenty-first century, it has become a postmodern cliche to place the word "reality" in scare quotes. The Arbiters of Reality suggests that attending to the construction of the real in public life is more than simply a language of critique: it must also be understood as a specific kind of romantic self-invention."







Great American Short Stories


Book Description

Featuring 19 of the finest works in the American short-story tradition, this compilation includes: "The Tell-Tale Heart" by Edgar Allan Poe, "Bartleby" by Herman Melville, "To Build a Fire" by Jack London, "Bernice Bobs Her Hair" by F. Scott Fitzgerald, "The Killers" by Ernest Hemingway, plus stories by Hawthorne, Twain, Cather, and others.




Hawthorne and His Mosses


Book Description

"Hawthorne and His Mosses" (1850) is an essay and critical review by Herman Melville of the short story collection Mosses from an Old Manse written by Nathaniel Hawthorne in 1846. Published anonymously by "a Virginian spending July in Vermont," it appeared in the New York Literary World magazine in two issues: August 17 and August 24, 1850. An early, literary expression of the mid-nineteenth century Young America movement, the work has been cited as an important commentary on, and analysis of, the emerging "New American Literature." Melville met the author Nathaniel Hawthorne at a picnic and an ensuing hike up Monument Mountain in the Berkshires of western Massachusetts on August 5, 1850. Also among the hikers were James Thomas Fields, Cornelius Mathews, and Oliver Wendell Holmes, Sr. Melville and Hawthorne established an immediate and intense connection. As a local journalist would later write: "the two were compelled to take shelter in a narrow recess of the rocks... Two hours of enforced intercourse settled the matter. They learned so much of each other's character, and found that they held so much of thought, feeling and opinion in common, that the most intimate friendship for the future was inevitable." Melville had previously been given a copy of Mosses from an Old Manse as a gift but had not read it. It is unclear if he began writing the review of the book before or after meeting Hawthorne. He was, however, certainly impressed by Hawthorne and, though the book had been published four years previously, he completed his review. Another of the hikers, Evert Augustus Duyckinck, publisher of the periodical New York Literary World, offered to delay his departure for New York city until the manuscript was ready. As publisher of Hawthorne and friend of Melville, he saw its appearance in his magazine as a win-win situation. Before learning the identity of the then anonymous author, Hawthorne's wife Sophia declared the essay to be written by "the first person who has ever, in print apprehended Mr. Hawthorne." When she discovered it was Melville, she called him "an invaluable person, full of daring & questions, & with all momentous considerations afloat in the crucible of his mind." Herman Melville (August 1, 1819 - September 28, 1891) was an American novelist, writer of short stories, and poet from the American Renaissance period. The bulk of his writings was published between 1846 and 1857. Best known for his whaling novel Moby-Dick (1851), he is also legendary for having been forgotten during the last thirty years of his life. Melville's writing is characteristic for its allusivity. "In Melville's manipulation of his reading," scholar Stanley T. Williams wrote, "was a transforming power comparable to Shakespeare's." Born in New York City, he was the third child of a merchant in French dry-goods, with Revolutionary War heroes for grandfathers. Not long after the death of his father in 1832, his schooling stopped abruptly. After having been a schoolteacher for a short time, he signed up for a merchant voyage to Liverpool in 1839. A year and a half into his first whaling voyage, in 1842 he jumped ship in the Marquesas Islands, where he lived among the natives for a month. His first book, Typee (1846), became a huge best-seller, which called for a sequel, Omoo (1847). The same year Melville married Elizabeth Knapp Shaw; their four children were all born between 1849 and 1855.




Mosses from an Old Manse


Book Description