HB Playwrights Short Play Festival 2000


Book Description

The variety, originality, and spontaneity of these plays is a testament to what happens when you give gifted, committed playwrights the opportunity to write a short play knowing that it will be produced. In their hands it has been proven to be a risk that pays off. At the heart of this event is the imaginative impulse of a playwright writing a play knowing that it will be produced as opposed to hoping that it will be produced. How liberating that has proven to be for this talented group of writers and for all the actors, directors, and designers who have joined them to work on these plays. - William Carden, Artistic Director, HB Playwrights Theatre.







The Director as Collaborator


Book Description

The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction




Humana Festival 2003


Book Description










2004 the Best 10-minute Plays for Two Actors


Book Description

These plays were either produced during the 2003 theatrical season or written expressly for these volumes. Some are by well-known playwrights, but most are from "new voices" in the theater. Also, most of these plays feature characters who are 35 or younger to help acting students looking for plays to work on in class and young actors looking for plays to do in showcases.




The Best 10-minute Plays for Three Or More Actors, 2005


Book Description

Collected from theaters across America, this new ten-minute collection of 23 plays reveals the power and pleasures of this tightly knit form. Plays for 3 Actors:Shot Americans (3W) by Kayla CaganLarry Gets the Call (2W, 1M) by Matt CasarinoShades (1W, 2M) by Mark Harvey LevineEvery Man (2W, 1M) by Michael NiedermanMolly Whuppie (2W, 1M) by Don NigroIt's Called Development (3W) by Anne PhelanAn Ongoing Examination of the True Meaning of Life (2W, 1M or 1W, 2M) by S. W. SenekPistachio Stories (2W, 1M) by Laura ShamasThe Searcher (1W, 2M) by Frederick StroppelMore (1W, 2M) by Jeff TabnickWeird Water (1W, 2M) by Robert Lewis VaughanDead Boy (2W, 1M) by Craig WrightPlays for 4 Actors:Vinny's Vision (4M) by Jim GordonBetting the Karmic House (1W, 3M or 2W, 2M) by Bill JohnsonInfant Morality (3W, 1M) by Craig PospisilHow to Speak Man (4M) by Sharyn RothsteinRemind Me Again (3W, 1M) by Sharyn RothsteinHell Hath Three Furies (3W, 1M) by Aoise StratfordA Moment of Your Undivided Attention (3W, 1M) by Alina TrowbridgePlays for 5 Actors:Tina at the Times or Below the Fold (2W, 3M) by Wendy MacLeodPlays for 6 or More ActorsToys in Babeland (1W, 8M) by Delilah GomezAt the time (5W, 3M) by Winter MillerSmall World (3W, 3M) by Tracey Scott WilsonD. L. LEPIDUS is a freelance critic and editor who has covered the New York theater scene for more than twenty-five years. Since 1993, his work has appeared in theater columns for Chelsea Clinton News and the Westsider.