He korero pūrākau mo


Book Description

Sample collection of Maori oral maps, i.e. etiologies for various geographical points of New Zealand. Text in English and Maori.




Maps and History


Book Description

Explores the role, development, and nature of the atlas and discusses its impact on the presentation of the past.




Tauira


Book Description

In te reo Maori, tauira means both student and teacher, and this book by acclaimed educator and anthropologist Joan Metge shows that Maori educational practices had a particular form and philosophy. Maori focused on learning by doing, teaching in context, learning in a group, memorizing, and advancement when ready. Parents, grandparents, and community leaders imparted cultural knowledge as well as practical skills to the younger generation through daily life and storytelling, in whanau and community activities. In preserving this evidence and these voices from the past, this important book also offers much inspiration for the future.




Landscape in Language


Book Description

This volume focuses on how landscape is represented in language and thought and what this reveals about the relationships of people to place and to land. -- Back cover.




History of Māori of Nelson and Marlborough


Book Description

"Volume One, Te Tangata me te Whenua - the people and the land, encompasses myths and legends of the region, the succession of tribes who have inhabited Te Tau Ihu o te Waka and their interactions, early encounters with Europeans, the arrival of the New Zealand Company, the Treaty of Waitangi, land transactions, and the administration of Maori Resserves." - p. 16.




Boundary Markers


Book Description

In a country where land disputes were the chief cause of conflict between the coloniser and the colonised, surveying could never be a neutral, depoliticised pastime. In a groundbreaking piece of scholarship, Giselle Byrnes examines the way surveyors became figuratively and literally ‘the cutting edge of colonisation’. Clearing New Zealand’s vast forests, laying out town plans and deciding on place names, they were at every moment asserting British power. Boundary Markers also shows how the surveyors’ ‘commercial gaze’, a view of the countryside coloured by the desire for profit, put them at odds with the Māori view of land.




Weeping Waters


Book Description

Weeping Waters is a must read for anyone who wants to be informed about the current debate regarding the Treaty of Waitangi and a constitution for Aotearoa New Zealand. The book features essays from eighteen well-known and respected Maori figures including Professor Margaret Mutu, Bishop Muru Walters, Judge Caren Fox and lawyer Moana Jackson. This is the first book in recent years to offer a M?ori opinion on the subject of constitutional change. It shows how M?ori views have been ignored by successive governments and the courts and how M?ori have attempted to address constitutional issues in the past. The book also provides suggestions for a pathway forward if the Treaty of Waitangi is to be fully acknowledged as the foundation for a constitution for Aotearoa New Zealand.




The Big Questions


Book Description

New Zealand is at a crossroads. People are increasingly concerned about where we are headed. Can we improve our appalling statistics on poverty and violence? What about work - will we all be replaced by robots? Will our children (let alone our grandchildren) be able to afford to buy a house? Can we clean up our rivers? This book looks at many aspects of our lives and our nation. Experts in their fields write about the challenges that face us and the opportunities we have to make changes for the better. A fascinating set of perspectives and ideas on our way of life and our future as a nation. Writers are: Dame Anne Salmond, Judge Andrew Becroft; Rod Oram; Jacinta Ruru; Felicity Goodyear-Smith; Tim Watkin; Derek Handley; Jarrod Gilbert; Stuart McNaughton; David Brougham and Jarrod Haar; Golriz Ghahraman; Theresa Gattung; Peter O'Connor; and Leonie Freeman.




Tupaia, Captain Cook and the Voyage of the Endeavour


Book Description

Centring priest and navigator Tupaia and Pacific worldviews, this richly illustrated volume weaves a new set of cultural histories in the Pacific, between local islanders and the crew of the Endeavour on James Cook's first 'voyage of discovery' (1768-1771). Contributors consider material collections brought back from the voyage, paying particular attention to Tupaia's drawings, maps, cloth and clothes, and the attending narratives that framed Britain's engagement with Pacific peoples. Bringing together indigenous and Pacific-based artists, scholars, historians, theorists and tailors, this book presents a cross-cultural conversation around the concepts of acquired and curated artefacts that traversed oceans and entwined cultures. Each chapter draws attention to a particular material, object or process to reveal fresh insights on the voyage, the societies it brought together and the histories it transformed. Authors also explore animal iconography, instruments and ethnomusicology, and performances and rituals. This work challenges colonial museum collections and celebrations of Cook's voyages, using materials old and new to make connections between past and present, whilst reinforcing Tupaia's agency as both a historical figure and a contemporary muse. Tracing overlapping folds of symbolism, this book draws together a picture of the diverse materials and people at the centre of cultural exchange.




The Venice Biennale and the Asia-Pacific in the Global Art World


Book Description

This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the development of international contemporary art trends within the Asia-Pacific region, including Australia, Japan and Korea and 16 additional national entities who have had less continuous participation in this global art event. Analysing both the spatial and visual representation of contemporary art presented at the Venice Biennale and incorporating the politics behind national selections, this monograph provides insights into a range of important elements of the global art industry. Areas analysed include national cultural trends and strategies, the inversion of the peripheral to the centre stage of the Biennale, geopolitics in gaining exhibition space at the Venice Biennale, curatorial practices for contemporary art presentation and artistic trends that seek to deal with major economic, cultural, religious and environmental issues emerging from non-European art centres. This monograph will be of interest to scholars in art history, museum studies and Asia-Pacific cultural history.