Hear Me with Your Eyes


Book Description

Hear Me with Your Eyes examines the intrusion of the voice into the cinematographic gaze and the intersections (and ruptures) of the sound-image in Argentine women filmmakers from a feminist perspective. In different ways, Maria Luisa Bemberg, Lita Stantic, Lucrecia Martel, Albertina Carri, Maria Victoria Menis, Lucia Puenzo, Sabrina Farji, Paula de Luque, Anahi Berneri, Sandra Gugliotta, and Gabriela David explore the visual realm through the continuities, intrusions, irrelevancies, harmonies, and desynchronizations of the voice. Or, instead, they explore different voices and their modulations, including whispers, screams, singing, echoes, breathing, resonance, sighs, and the transcendent voice, the narrative voice, the silenced voice, the articulated and unarticulated voice, and that which is none of the above. These voices suggest another relationship with the audiovisual realm, one that seems to include a closeness that erases, if only intermittently, the unalterable relationship between subject and object that characterizes the patriarchal visual regime.




You Hear Me?


Book Description

An anthology of stories, poems, and essays by adolescent boys on issues that concern them, including identity, girls, death, anger, appearance, and family.




Can You Hear Me?


Book Description

A Washington Post Bestseller Your manual for remote and virtual work. Communicating virtually is cool, useful, and now even more ubiquitous and necessary than ever. But we're often reminded that the quality of human connection we experience in many forms of virtual communication is awful. We've all felt disconnected in a video conference, frustrated that we're not getting through on the phone, upset when our email is badly misinterpreted, or anxious that we're being misunderstood. How can we fix this? In this powerful, practical book, communication expert Nick Morgan outlines five big problems with communication in the virtual world--lack of feedback, lack of empathy, lack of control, lack of emotion, and lack of connection and commitment--and shows how to overcome them as we shift to working remotely more and more. Morgan argues that while virtual communication will never be as rich or intuitive as a face-to-face meeting, recent research suggests that we need to learn is to consciously deliver a whole set of cues, both verbal and nonverbal, that we used to deliver unconsciously in the pre-virtual era. He guides us through this important process, providing rules for virtual feedback, an empathy assessment and virtual temperature check, tips for creating trust in a virtual context, and advice for specific digital channels such as email and text, the conference call, Skype, and more. Whether you're an entrepreneur, an independent professional, or a manager in an organization that has more than one office or customers who aren't nearby, Can You Hear Me? is your essential communications manual for twenty-first-century work.




Holler If You Hear Me


Book Description

Acclaimed for his writings on Malcolm X and Martin Luther King, Jr., as well as his passionate defense of black youth culture, Michael Eric Dyson has emerged as the leading African American intellectual of his generation. Now Dyson turns his attention to one of the most enigmatic figures of the past decade: the slain hip-hop artist Tupac Shakur. Five years after his murder, Tupac remains a widely celebrated, deeply loved, and profoundly controversial icon among black youth. Viewed by many as a "black James Dean," he has attained cult status partly due to the posthumous release of several albums, three movies, and a collection of poetry. But Tupac endures primarily because of the devotion of his loyal followers, who have immortalized him through tributes, letters, songs, and celebrations, many in cyberspace. Dyson helps us to understand why a twenty-five-year-old rapper, activist, poet, actor, and alleged sex offender looms even larger in death than he did in life. With his trademark skills of critical thinking and storytelling, Dyson examines Tupac's hold on black youth, assessing the ways in which different elements of his persona-thug, confused prophet, fatherless child-are both vital and destructive. At once deeply personal and sharply analytical, Dyson's book offers a wholly original way of looking at Tupac Shakur that will thrill those who already love the artist and enlighten those who want to understand him. "In the tradition of jazz saxophonists John Coltrane and Charlie Parker, Dyson riffs with speed, eloquence, bawdy humor, and startling truths that have the effect of hitting you like a Mack truck."-San Francisco Examiner "Such is the genius of Dyson. He flows freely from the profound to the profane, from popular culture to classical literature." -- Washington Postbr Philadelphia Inquirer "Among the young black intellectuals to emerge since the demise of the civil rights movement" -- undoubtedly the most insightful and thought-provoking is Michael Eric Dyson." -- Manning Marable, Director of African American Studies, Columbia University




Prophecies, Visions, Occurrences, and Dreams


Book Description

Prophecies, Visions, Occurrences and Dreams is an apocalyptic book. Since 1990, Raymond Aguilera began to receive prophecies, visions and warnings from God about the end of our world as we know it. These messages range from abortion, to the New Age movement, to Pastors who have misled the flock. They reveal things to come, things that now are and things that should not be... From hope, to love, to doom, to a new beginning, herein lies a broad range of insight from a whole new perspective. The prophecies are simple and straight forward, written from a first-hand perspective. They fly in the face of orthodox tradition and are a thorn in the side to everyone who has already made up his mind and heart on how the end is to come and who God is. This has the potential of being one of the most controversial books of the year.




The holy Bible


Book Description




The One Year Bible NIV


Book Description

The entire New International Version arranged in 365 daily readings.




The Guardian


Book Description

Every epic tale begins with epic strife. From the outside Vivian Cross appears to be an average twenty-something with a knack for fixing things and a fervent addiction to fresh baked scones. On the inside, every day of her adult life has been a battle of momentous proportions. She struggles with the death of her beloved grandparents, her strange disconnection with her life, and the mysterious death of her parents. Yet little does she know the hands of Fate have more in store for her than a life of turmoil. Vivian has no idea that the world she knows is already in motion. She's given a rude awakening when she suddenly finds that her home town is populated by men, monsters and creatures of myth and legend. Even her two best friends turn out to be much more than they appear. And nearly everyone seems to want her dead. Running from one crisis to another, Vivian learns the truth of her amazing heritage and the story of a love that changed the entire way of life for mythical beings as we know them. She finds herself drawn into a battle that is older than time, against creatures that have only graced the inside of story books. Will she be able to find the answers she has so dearly sought, or will she lose everything to the darkness?




The Pumpkins Have Eyes - Haloween Collection


Book Description

Trick or Treat! Get a worm cup of tea, curl by the fire, and enjoy the cold chills of this meticulously edited horror collection, jam-packed with the darkest mysteries, supernatural thrillers and gothic romances: James Malcolm Rymer & Thomas Peckett Prest: Sweeney Todd, the Demon Barber of Fleet Street Edgar Allan Poe: The Tell-Tale Heart The Fall of the House of Usher The Cask of Amontillado The Masque of the Red Death The Murders in the Rue Morgue Mary Shelley: Frankenstein The Mortal Immortal The Evil Eye John William Polidori: The Vampyre Bram Stoker: Dracula Théophile Gautier: Clarimonde The Mummy's Foot Washington Irving: The Legend of Sleepy Hollow The Spectre Bridegroom Henry James: The Turn of the Screw The Ghostly Rental H. P. Lovecraft: The Dunwich Horror From Beyond M. R. James: Canon Alberic's Scrap-Book Lost Hearts Wilkie Collins: The Haunted Hotel The Dead Secret E. F. Benson: The Room in the Tower The Terror by Night Nathaniel Hawthorne: Rappaccini's Daughter Ambrose Bierce: The Death of Halpin Frayser One Summer Night Arthur Machen: The Great God Pan The Three Impostors William Hope Hodgson: The House on the Borderland The Night Land Carnacki, the Ghost-Finder M. P. Shiel: Shapes in the Fire Arthur Conan Doyle: The Leather Funnel The Beetle Hunter Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy Dr. Greatrex's Engagement Richard Marsh: The Beetle Thomas Hardy: What the Shepherd Saw The Grave by the Handpost Charles Dickens: The Signal-Man The Hanged Man's Bride Guy de Maupassant: The Horla The Flayed Hand Pedro De Alarçon: The Nail Walter Hubbell: The Great Amherst Mystery Francis Marion Crawford: The Dead Smile The Screaming Skull Man Overboard! For The Blood is the Life The Upper Berth By The Water of Paradise The Doll's Ghost John Buchan: No-Man's-Land The Watcher by the Threshold The Monkey's Paw The Severed Hand The Ghost in the Cap'n Brown House The Apparition of Mrs. Veal (Daniel Defoe) When the World Was Young (Jack London)...




The Holy Bible


Book Description

THE LSV IS FINALLY HERE: A BRAND NEW, LITERAL, EASY-TO-READ TRANSLATION OF THE COMPLETE HOLY BIBLE—BOTH OLD AND NEW TESTAMENTS. This is the first edition of the LSV available for Google Play. The LSV is published by Covenant Press, the publishing arm of the Covenant Christian Coalition. *A modern, literal, word-for-word (formal equivalence) English translation of the Holy Scriptures utilizing English word rearrangement when necessitated for readability. The LSV is the most literal translation of The Holy Bible, with significant improvement over previous literal translations, including Robert Young’s excellent Young’s Literal Translation. *Preservation of verb tenses wherever possible. *Utilization of the transliterated Tetragrammaton in the Old Testament. All uppercase LORD is used in the New Testament when a reference to YHWH is likely. *Removal of many Hebrew and Greek transliterations; remember, transliterations are generally not translations. *Unlike most translations, justified typographic alignment consistent with the style of the original Hebrew, Aramaic, and Greek biblical autographs. The ancient caesura mark is used for easy readability of poetic literature such as the Psalms. *Inclusion of the verses found in older English translations such as the King James Version (KJV) that are not found in many modern translations; and inclusion of the alternative LXX Genesis chronology set next to the MT. These are contained within bolded double brackets for distinction. *Capitalized pronouns and other nounal forms when referring to God, Christ, or the Holy Spirit. References to the Messenger of the LORD are also capitalized when the subject appears to be a clear reference to God or the Messiah (as found in translations such as the NKJV). The goal of any good translation is to produce a readable text that preserves the original autographic meaning and comes as close as possible to translating, word-for-word, manuscripts that accurately represent the original writings. It’s with this goal in mind that the Literal Standard Version (LSV) was written—a modern, yet literal English translation based upon the most prolific texts: the Masoretic Text (MT) for the Old Testament and the Textus Receptus (TR) and Majority Text (M) for the New. However, in certain, specific instances other manuscript versions and text-types are used where the evidence seems incontrovertible (e.g., the LXX and DSS in the Hebrew and Aramaic; the Alexandrian in the Greek). ANOTHER TRANSLATION, WHY? There have been a slew of new English translations in the past half-century, which may cause some to wonder why the need for another. The translators agree with the premise that different translations can serve different demographics and different reading levels to maximize exposure to God’s word. In this sense, the LSV is not a competitor to other excellent translations, but is complimentary. As the most literal modern English translation, the LSV is an excellent resource for deep and thoughtful Bible study and research, essentially an interlinear in terms of word-for-word translation, but arranged with English sentence structure.