Hearing Form - Textbook Only


Book Description

Hearing Form: Musical Analysis With and Without the Score is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by a workbook, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, audio streaming of recordings for the pieces in the anthology, and downloadable sound files. .The second edition has been updated to include: Additional score-based exercises, More music of the Romantic era and more vocal music, New scores included in the Anthology, with twice as many composers represented. With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. Please note: this is the Hearing Form textbook only. For the Hearing Form anthology, order ISBN 978-1-138-92967-8. For the textbook and anthology set, order ISBN 978-1-138-90069-1.




Anthology for Hearing Form


Book Description

Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology. Key updates in the third edition include: Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not New pieces added to the anthology widen the range of composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. This is the Hearing Form anthology only. For the Hearing Form textbook, see ISBN 978-0-367-70380-6. For the textbook and anthology package, see ISBN 978-0-367-70391-2.




Hearing Form--Anthology


Book Description

Hearing Form: Musical Analysis With and Without the Score is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by a workbook, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, audio streaming of recordings for the pieces in the anthology, and downloadable sound files. The second edition has been updated to include: Additional score-based exercises More music of the Romantic era and more vocal music New scores included in the Anthology, with twice as many composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. Please note: this is the Hearing Form anthology only. For the Hearing Form textbook, order ISBN 978-1-138-92968-5. For the textbook and anthology set, order ISBN 978-1-138-90069-1.




Hearing Form


Book Description

Supplemental material: Anthology for Hearing Form.




Hearing Form


Book Description

Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology. Key updates in the third edition include: Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences and those who teach that some phrases do not New pieces added to the anthology widen the range of composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. This is the Hearing Form textbook only. For the Hearing Form anthology, see ISBN 978-0-367-70388-2. For the textbook and anthology package, see ISBN 978-0-367-70391-2.




Model Rules of Professional Conduct


Book Description

The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.




Hearing Aids


Book Description

Praise for the first edition: I cannot praise this book too highly it is undoubtedly now the benchmark text in this area, and is an absolute essential for every audiologist and student. Graham Sutton, International Journal of Radiology, Vol. 41, No. 6, 2002 One of the best textbooks I have ever used...written by a researcher with a stellar reputation [who is also] an expert on the clinical aspects of the field...packed with information from both a theoretical and practical perspective...makes difficult concepts comprehensible...from an instructors point of view, it is a sheer delight. Adrienne Rubenstein, PhD, Professor, Department of Speech Communication Arts and Sciences, Brooklyn College, New York Key Features: Completely revised to reflect the research and technological advances of the last decade New chapters on directional microphones and the latest digital signal processing strategies Extensive coverage of all aspects of open-canal, thin-tube hearing aids Practical tips, tables, and procedures designed to be pinned on the walls of clinics Each cross-referenced chapter builds on the previous chapters Hearing Aids, Second Edition, is a book within a book: Each chapter has a one-page synopsis that captures the key concepts of each topic The material that students most need is contained in marked paragraphs that flow after each other to form a coherent thin book inside the larger book Intervening additional paragraphs add satisfying depth Written, comprehensively referenced, and extensively reviewed by leaders in the field, this book is ideal as a core graduate text as well as a standard reference for clinicians.




The Last Lecture


Book Description

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.




Structural Hearing


Book Description

Written by a pupil of Heinrich Schenker, this outstanding work develops and extends Schenker's approach. More than 500 examples of music from the Middle Ages to the 20th century complement the detailed discussions and analyses.




Fundamentals of Hearing


Book Description

The Fourth Edition of Yost's successful introductory book on hearing, this edition updates and expands the fundamental facts about hearing. Fundamentals of Hearing is still the only non-edited book that covers sound, auditory anatomy and physiolgy, and psychoaoustics and auditory perception in one book at an introductory level. An Instructor's Workbook contains 15 chapters, one for each in the textbook. Each chapter contains 12 problems and answers, suggested tracks form the ASA Audio CD-ROM (audio examples for understanding hearing provided by the Acoustical Society of America-this CD-ROM will not be included), suggestions for class exercises, and for some chapters, example figures and graphs. The CD-ROM provided with the Instructor's Workbook contains a copy of all the figures in the textbook, as well as text files that can be loaded into any spread sheet. These files contain the basic data and plots used in the book, a toolbox of MATLAB routines (a math program of Mathworks, Inc., used by many people who study all aspects of hearing), both MATLAB and executable Windows 95 programs for a) generating sounds, b) a simulation of measuring a neural tuning curve, and c) running psychophysical experiments for discrimination and detection of tones in noise (both diotic and dichotic).