Heartbeats in the Muck


Book Description

Heartbeats in the Muck traces the incredible arc of New York Harbor’s environmental history. Once a pristine estuary bristling with oysters and striped bass and visited by sharks, porpoises, and seals, the harbor has been marked by centuries of rampant industrialization and degradation of its natural environment. Garbage dumping, oil spills, sewage sludge, pesticides, heavy metals, poisonous PCBs, landfills, and dredging greatly diminished life in the harbor, in some places to nil. Now, forty years after the Clean Water Act began to resurrect New York Harbor, John Waldman delivers a new edition of his New York Society Library Award–winning book. Heartbeats in the Muck is a lively, accessible narrative of the animals, water quality, and habitats of the harbor. It includes captivating personal accounts of the author’s explorations of its farthest and most noteworthy reaches, treating readers to an intimate environmental tour of a shad camp near the George Washington Bridge, the Arthur Kill (home of the resurgent heron colonies), the Hackensack Meadowlands, the darkness under a giant Manhattan pier, and the famously polluted Gowanus Canal. A new epilogue details some of the remarkable changes that have come upon New York Harbor in recent years. Waldman’s prognosis is a good one: Ultimately, environmental awareness and action has allowed the harbor to begin cleaning itself. Although it will never regain its native biological glory, the return of oysters, herons, and a host of other creatures is an indication of New York Harbor’s rebirth. This excellent, engaging introduction to the ecological issues surrounding New York Harbor will appeal to students and general readers alike. Heartbeats in the Muck is a must-read for anyone who likes probing the wilds, whether country or city, and natural history books such as Beautiful Swimmers and Mannahatta.




Heartbeats in the Muck:The History, Sea Life, and Environment of New York Harbor, Revised Edition


Book Description

Heartbeats in the Muck traces the incredible arc of New York Harbor's environmental history. Once a pristine estuary bristling with oysters and striped bass and visited by sharks, porpoises, and seals, the harbor has been marked by centuries of rampant industrialization and degradation of its natural environment. Garbage dumping, oil spills, sewage sludge, pesticides, heavy metals, poisonous PCBs, landfills, and dredging greatly diminished life in the harbor, in some places to nil. Now, forty years after the Clean Water Act began to resurrect New York Harbor, John Waldman delivers a new edition of his New York Society Library Award--winning book. Heartbeats in the Muck is a lively, accessible narrative of the animals, water quality, and habitats of the harbor. It includes captivating personal accounts of the author's explorations of its farthest and most noteworthy reaches, treating readers to an intimate environmental tour of a shad camp near the George Washington Bridge, the Arthur Kill (home of the resurgent heron colonies), the Hackensack Meadowlands, the darkness under a giant Manhattan pier, and the famously polluted Gowanus Canal. A new epilogue details some of the remarkable changes that have come upon New York Harbor in recent years. Waldman's prognosis is a good one: Ultimately, environmental awareness and action has allowed the harbor to begin cleaning itself. Although it will never regain its native biological glory, the return of oysters, herons, and a host of other creatures is an indication of New York Harbor's rebirth. This excellent, engaging introduction to the ecological issues surrounding New York Harbor will appeal to students and general readers alike. Heartbeats in the Muck is a must-read for anyone who likes probing the wilds, whether country or city, and natural history books such as Beautiful Swimmers and Mannahatta.




Murder, Inc., and the Moral Life


Book Description

In 1940 and 1941 a group of ruthless gangsters from Brooklyn’s Brownsville neighborhood became the focus of media frenzy when they—dubbed “Murder Inc.,” by New York World-Telegram reporter Harry Feeney—were tried for murder. It is estimated that collectively they killed hundreds of people during a reign of terror that lasted from 1931 to 1940. As the trial played out to a packed courtroom, shocked spectators gasped at the outrageous revelations made by gang leader Abe “Kid Twist” Reles and his pack of criminal accomplices. News of the trial proliferated throughout the country; at times it received more newspaper coverage than the unabated war being waged overseas. The heinous crimes attributed to Murder, Inc., included not only murder and torture but also auto theft, burglary, assaults, robberies, fencing stolen goods, distribution of illegal drugs, and just about any “illegal activity from which a revenue could be derived.” When the trial finally came to a stunning unresolved conclusion in November 1941, newspapers generated record headlines. Once the trial was over, tales of the Murder, Inc., gang became legendary, spawning countless books and memoirs and providing inspiration for the Hollywood gangster-movie genre. These men were fearsome brutes with an astonishing ability to wield power. People were fascinated by the “gangster” figure, which had become a symbol for moral evil and contempt and whose popularity showed no signs of abating. As both a study in criminal behavior and a cultural fascination that continues to permeate modern society, the reverberations of “Murder, Inc.” are profound, including references in contemporary mass media. The Murder, Inc., story is as much a tale of morality as it is a gangster history, and Murder, Inc., and the Moral Life by Robert Whalen meshes both topics clearly and meticulously, relating the gangster phenomenon to modern moral theory. Each chapter covers an aspect of the Murder, Inc., case and reflects on its ethical elements and consequences. Whalen delves into the background of the criminals involved, their motives, and the violent death that surrounded them; New York City’s immigrant gang culture and its role as “Gangster City”; fiery politicians Fiorello La Guardia and Thomas E. Dewey and the choices they made to clean up the city; and the role of the gangster in popular culture and how it relates to “real life.” Whalen puts a fresh spin on the two topics, providing a vivid narrative with both historical and moral perspective.




Global Queens


Book Description

Winner, The David R. Coffin Publication Grant A vibrant exploration of the everyday life of one of the most diverse places in the world: Queens, New York. Remade by decades of immigration, Queens, New York, has emerged as an emblematic space of social mixing and encounters across multiple lines of difference. With its expansive subdivisions, tangled highways, and centerless form, it is also New York’s most enigmatic borough. It can feel alternately like a big city, a tight-knit village, a featureless industrial zone, or a sprawling suburban community. Through more than 200 contemporary photographs, Joseph Heathcott captures this multifaceted borough and one of the most diverse places in the United States. Drawn from more than a decade of roaming around Queens and snapping photos, Heathcott conveys the juxtaposition of the ordinary and the extraordinary, the mundane and the surprising, and the staggering social diversity that best characterizes Queens. At the heart of the story are two separate but entwined histories: the rapid expansion of the borough’s built environment through the twentieth century, and the millions of people who have traveled from near and far to call Queens home. Newcomers have had to confront discrimination, white racial hostility, legal challenges, and language barriers. They have had to struggle to find adequate housing, places to worship, and jobs that pay enough to survive. And they have done all of this in the borough’s jumbled collection of neighborhoods, housing types, civic and religious institutions, factories and warehouses, commercial streets, and strip malls. Heathcott makes primary use of documentary photography to bring these social and spatial realities of everyday life into relief. He also draws on demographic data, archival sources, planning documents, news stories, and reports. The result is a visual meditation on Queens that provides clues about an urban future where notions of citizenship and belonging are negotiated across multiple lines of difference, but where a sense of ”getting along”—however roughly textured and unfinished—has taken hold in the everyday life of the streets.




Hell on Color, Sweet on Song


Book Description

Reveals new and previously unknown biographical material about an important figure in nineteenth-century American architecture and music. Jacob Wrey Mould is not a name that readily comes to mind when we think of New York City architecture. Yet he was one-third of the party responsible for the early development of the city’s Central Park. To this day, his sculptural reliefs, tile work, and structures in the Park enthrall visitors. Mould introduced High Victorian architecture to NYC, his fingerprint most pronounced in his striking and colorful ornamental designs and beautiful embellishments found in the carved decorations and mosaics at the Bethesda Terrace. Resurfacing the forgotten contributions of Mould, Hell on Color, Sweet on Song presents a study of this nineteenth-century American architect and musical genius. Jacob Wrey Mould, whose personal history included a tie to Africa, was born in London in 1825 and trained there as an architect before moving to New York in 1852. The following year, he received the commission to design All Souls Unitarian Church. Nicknamed “the Church of the Holy Zebra,” it was the first building in America to display the mix of colorful materials and medieval Italian inspiration that was characteristic of High Victorian Gothic architecture. In addition to being an architect and designer, Mould was an accomplished musician and prolific translator of opera librettos. Yet anxiety over money and resentment over lack of appreciation of his talents soured Mould’s spirit. Unsystematic, impractical, and immune from maturity, he displayed a singular indifference to the realities of architecture as a commercial enterprise. Despite his personal shortcomings, he influenced the design of some of NYC’s revered landmarks, including Sheepfold, the Metropolitan Museum of Art, the American Museum of Natural History, the City Hall Park fountain, and the Morningside Park promenade. From 1875 to 1879, he worked for Henry Meiggs, the “Yankee Pizarro,” in Lima, Peru. Resting on the foundation of Central Park docent Lucille Gordon’s heroic efforts to raise from obscurity one of the geniuses of American architecture and a significant contributor to the world of music in his time, Hell on Color, Sweet on Song sheds new light on a forgotten genius of American architecture and music. Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund




Midnight Rambles


Book Description

A micro-biography of horror fiction’s most influential author and his love–hate relationship with New York City. By the end of his life and near financial ruin, pulp horror writer Howard Phillips Lovecraft resigned himself to the likelihood that his writing would be forgotten. Today, Lovecraft stands alongside J. R. R. Tolkien as the most influential genre writer of the twentieth century. His reputation as an unreformed racist and bigot, however, leaves readers to grapple with his legacy. Midnight Rambles explores Lovecraft’s time in New York City, a crucial yet often overlooked chapter in his life that shaped his literary career and the inextricable racism in his work. Initially, New York stood as a place of liberation for Lovecraft. During the brief period between 1924 and 1926 when he lived there, Lovecraft joined a creative community and experimented with bohemian living in the publishing and cultural capital of the United States. He also married fellow writer Sonia H. Greene, a Ukrainian-Jewish émigré in the fashion industry. However, cascading personal setbacks and his own professional ineptitude soured him on New York. As Lovecraft became more frustrated, his xenophobia and racism became more pronounced. New York’s large immigrant population and minority communities disgusted him, and this mindset soon became evident in his writing. Many of his stories from this era are infused with racial and ethnic stereotypes and nativist themes, most notably his overtly racist short story, “The Horror at Red Hook,” set in Red Hook, Brooklyn. His personal letters reveal an even darker bigotry. Author David J. Goodwin presents a chronological micro-biography of Lovecraft’s New York years, emphasizing Lovecraft’s exploration of the city environment, the greater metropolitan region, and other locales and how they molded him as a writer and as an individual. Drawing from primary sources (letters, memoirs, and published personal reflections) and secondary sources (biographies and scholarship), Midnight Rambles develops a portrait of a talented and troubled author and offers insights into his unsettling beliefs on race, ethnicity, and immigration.




New York After 9/11


Book Description

An estimated 2 billion people around the world watched the catastrophic destruction of the World Trade Center. The enormity of the moment was immediately understood and quickly took on global proportions. What has been less obvious is the effect on the locus of the attacks, New York City, not as a seat of political or economic power, but as a community; not in the days and weeks afterward, but over months and years. New York after 9/11 offers insightful and critical observations about the processes set in motion by September 11, 2001 in New York, and holds important lessons for the future. This interdisciplinary collection brings together experts from diverse fields to discuss the long-term recovery of New York City after 9/11. Susan Opotow and Zachary Baron Shemtob invited experts in architecture and design, medicine, health, community advocacy, psychology, public safety, human rights, law, and mental health to look back on the aftereffects of that tragic day in key spheres of life in New York City. With a focus on the themes of space and memory, public health and public safety, trauma and conflict, and politics and social change, this comprehensive account of how 9/11 changed New York sets out to answer three questions: What were the key conflicts that erupted in New York City in 9/11’s wake? What clashing interests were involved and how did they change over time? And what was the role of these conflicts in the transition from trauma to recovery for New York City as a whole? Contributors discuss a variety of issues that emerged in this tragedy’s wake, some immediately and others in the years that followed, including: PTSD among first responders; conflicts and design challenges of rebuilding the World Trade Center site, the memorial, and the museum; surveillance of Muslim communities; power struggles among public safety agencies; the development of technologies for faster building evacuations; and the emergence of chronic illnesses and fatalities among first responders and people who lived, worked, and attended school in the vicinity of the 9/11 site. A chapter on two Ground Zeros –in Hiroshima and New York – compares and historicizes the challenges of memorialization and recovery. Each chapter offers a nuanced, vivid, and behind-the-scenes account of issues as they unfolded over time and across various contexts, dispelling simplistic narratives of this extended and complicated period. Illuminating a city’s multifaceted response in the wake of a catastrophic and traumatic attack, New York after 9/11 illustrates recovery as a process that is complex, multivalent, and ongoing.




Only in New York


Book Description

No one denies that New York City is unique—but what makes it sui generis? Sam Roberts, a longtime city reporter, has puzzled over this in print and in his popular New York Times podcasts for years. In Only in New York, updated with new tales and fascinating glimpses into uniquely NYC life, he writes about what makes this city tick and why things are the way they are in the greatest of all metropolises on earth. The more than 75 essays in this book cover a variety of topics, including: -How do New Yorkers react during disasters? -Maritime history (the Hudson River) -Crowds, space, and population growth -1908: a year in History history -Jewish Daily Forward -What happens when a neighborhood loses its tony ZIP code? A winning and informative gift book for every fan of “the city,” Only in New York is elegantly written and solidly reported.




South Bronx Rising


Book Description

Thirty-five years after this landmark of urban history first captured the rise, fall, and rebirth of a once-thriving New York City borough—ravaged in the 1970s and ’80s by disinvestment and fires, then heroically revived and rebuilt in the 1990s by community activists—Jill Jonnes returns to chronicle the ongoing revival of the South Bronx. Though now globally renowned as the birthplace of hip-hop, the South Bronx remains America’s poorest urban congressional district. In this new edition, we meet the present generation of activists who are transforming their communities with the arts and greening, notably the restoration of the Bronx River. For better or worse, real estate investors have noticed, setting off new gentrification struggles.




City of Gods


Book Description

This study of a New York neighborhood’s remarkable religious diversity “deserves a place alongside Robert Orsi’s The Madonna of 115th Street” (Publishers Weekly, starred review). Known locally as the “birthplace of American religious freedom,” Flushing, Queens, in New York City is now so diverse and densely populated that it’s become a microcosm of world religions. City of Gods explores the history of Flushing from the colonial period to the aftermath of September 11, 2001, spanning the origins of the settlement called Vlissingen and early struggles between Quakers, Dutch authorities, Anglicans, African Americans, Catholics, and Jews to the consolidation of New York City in 1898, two World’s Fairs, and, finally, the Immigration Act of 1965 and the arrival of Hindus, Sikhs, Muslims, Buddhists, and Asian and Latino Christians. A synthesis of archival sources, oral history, and ethnography, City of Gods is a thought-provoking study of religious pluralism. Using Flushing as the backdrop to examine America's contemporary religious diversity and what it means for the future of the United States, R. Scott Hanson explores both the possibilities and limits of pluralism. Hanson argues that the absence of widespread religious violence in a neighborhood with such densely concentrated diversity suggests that there is no limit to how much pluralism a pluralist society can stand. The book is set against two interrelated questions: how and where have the different religious and ethnic groups in Flushing associated with others across boundaries over time, and when has conflict or cooperation arisen? Perhaps the most extreme example of religious and ethnic pluralism in the world, Flushing is an ideal place to explore how America’s long experiment with religious freedom and pluralism began and continues. City of Gods reaches far beyond Flushing to all communities coming to terms with immigration, religion, and ethnic relations, raising the question of whether Flushing will come together in new and lasting ways to build bridges of dialogue or further fragment into a Tower of Babel. “A delightful journey through American religious history and into the future, as witnessed in the streets of what the author says is the most religiously diverse community anywhere.” —America