Hellenistic Art (330-50 B.C.)
Author : Jean Charbonneaux
Publisher : George Braziller
Page : 440 pages
File Size : 14,24 MB
Release : 1973
Category : Art, Hellenistic
ISBN :
Author : Jean Charbonneaux
Publisher : George Braziller
Page : 440 pages
File Size : 14,24 MB
Release : 1973
Category : Art, Hellenistic
ISBN :
Author : William A. P. Childs
Publisher : Princeton University Press
Page : 517 pages
File Size : 18,93 MB
Release : 2018-04-10
Category : Art
ISBN : 1400890519
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
Author : Kristen Seaman
Publisher : Cambridge University Press
Page : 203 pages
File Size : 19,61 MB
Release : 2020-04-16
Category : Art
ISBN : 1108851568
Hellenistic artworks are celebrated for innovations such as narrative, characterization, and description. The most striking examples are works associated with the Hellenistic courts. Their revolutionary appearance is usually attributed to Alexander the Great's conquest of the Near East, the start of the Hellenistic kingdoms, and Greek-Eastern interactions. In Rhetoric and Innovation in Hellenistic Art, Kristen Seaman offers a new approach to Hellenistic art by investigating an internal development in Greek cultural production, notably, advances in rhetoric. Rhetorical education taught kings, artists, and courtiers how to be Greek, giving them a common intellectual and cultural background from which they approached art. Seaman explores how rhetorical techniques helped artists and their royal patrons construct Hellenism through their innovative art in the scholarly atmospheres of Pergamon and Alexandria. Drawing upon artistic, literary, and historical evidence, this interdisciplinary study will be of interest to students and scholars in art and archaeology, Classics, and ancient history.
Author : Barbara Hughes Fowler
Publisher : Univ of Wisconsin Press
Page : 244 pages
File Size : 47,96 MB
Release : 1989
Category : History
ISBN : 9780299120443
"Fowler's . . . own insights are apparent throughout, and they seem to distill the personal appreciation and understanding of a scholar who has devoted much of her career to both contemplating and enjoying Hellenistic poetry. . . . [This book] would make an excellent background text for courses in later Greek and Roman art, and it can be read with profit by anyone interested in exploring the character of Hellenistic culture."--J. J. Pollitt, American Journal of Archaeology "Outstanding is the range of examples discussed both in poetry and art. Theocritus, Callimachus, Appolonius, the epigrammatists, and others--that is, the major figures of the time--are considered at length and in several different contexts. Passages are quoted in the original Greek, translated, and analyzed. Fowler's sensitivity to poetic forms, evident in her other published writings, is again evident here. In addition, however, the philosophical context is not overlooked. . . . Also highly commendable are the liberal references to works of art. Sculpture in the round and in relief, portraits, terracotta figurines, original paintings (grave stelai) and Campanian murals, mosaics, gold and silver vessels, and jewelry are introduced at various points. Every work of art discussed is illustrated in astonishingly clear photographs, which are interspersed in the body of the text."--Christine Mitchell Havelock "The Hellenistic Aesthetic provides classicists with their first thorough discussion of the aesthetic unity found in Hellenistic art and literature. . . . Fowler examines parallels both in subject matter and in artistic approach among a diverse group of literary genres and artistic forms. In twelve chapters, The Hellenistic Aesthetic surveys Alexandrian epigrams, pastorals, epics, sculptural groups, mosaics, paintings, and jewelry to supply a convincing, and frequently unexpected, picture of a unified aesthetic vision."--Jeffrey Buller, Classical Outlook
Author : William A. P. Childs
Publisher : Princeton University Press
Page : 400 pages
File Size : 19,46 MB
Release : 2018-04-10
Category : Art
ISBN : 0691176469
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
Author : Graham Zanker
Publisher : Univ of Wisconsin Press
Page : 244 pages
File Size : 42,27 MB
Release : 2008-02-04
Category : Art
ISBN : 0299194531
Taking a fresh look at the poetry and visual art of the Hellenistic age, from the death of Alexander the Great in 323 B.C. to the Romans’ defeat of Cleopatra in 30 B.C., Graham Zanker makes enlightening discoveries about the assumptions and conventions of Hellenistic poets and artists and their audiences. Zanker’s exciting new interpretations closely compare poetry and art for the light each sheds on the other. He finds, for example, an exuberant expansion of subject matter in the Hellenistic periods in both literature and art, as styles and iconographic traditions reserved for grander concepts in earlier eras were applied to themes, motifs, and subjects that were emphatically less grand.
Author : Gloria S. Merker
Publisher : ASCSA
Page : 202 pages
File Size : 15,83 MB
Release : 2006
Category : Business & Economics
ISBN : 0876615353
A series of kilns at ancient Corinth known as the Tile Works are given final publication in this long-awaited book, based on excavations conducted in 1939 and 1940 (as war was closing in) by Carl Roebuck and Arthur Parsons, and renewed briefly in 1950 by Gladys Weinberg. The artisans at the Tile Works produced not only roof tiles but a whole range of terracotta articles from the 6th to 4th centuries B.C., with one break in production in the late 5th to early 4th century. These products included, at different periods, architectural sculpture and decorated revetments; heavy household pottery such as mortars and lekanai; loomweights; votive furniture such as altars and plaques; and even some fine and semi-fine pottery. The standard of craftsmanship was very high and the artifacts produced found enthusiastic markets in other parts of Greece; as the revetments of roofs at Delphi, for example, and as mortars in the markets of Athens. The Tile Works, therefore, along with the Potters' Quarter, was one of the major and most prolific industrial establishments in ancient Corinth. In this study, the principal features and deposits are first discussed, in order to establish the chronology of the three successive kilns on the site, and to try to relate them to known events in Corinth. The manufactures are then considered, beginning with a discussion of fabrics and techniques of manufacture, then moving on to typology and dating. The study concludes with a presentation of the Corinthian pottery and other artifacts found at the Tile Works but not made there, and a catalogue of terracottas by Charles K. Williams II.
Author : Pat Wheatley
Publisher : Oxford University Press
Page : 469 pages
File Size : 44,69 MB
Release : 2020-04-29
Category : History
ISBN : 0192573047
Demetrius the Besieger offers the first historical and historiographical biography of Demetrius Poliorcetes (336-282 BC) to be published in English. Also known as 'The Besieger of Cities', Demetrius is an outstanding, yet enigmatic figure who presided over the disintegration of Alexander the Great's Empire after 323 BC, and the most fascinating and high profile of the Diadochoi, or Successors to Alexander the Great. His campaigns, initiatives, and personal life bestride the opening forty years of the so-called 'Hellenistic' age and are pivotal in its formation as he became the first of the Hellenistic Kings. As his name suggests, Demetrius was prodigious in his military adventures, and profligate in his private life, rendering him an icon for artists, writers, politicians, and soldiers for many centuries. He was especially famous for his spectacular siege operations against enemy cities, and gained his unique nickname from his innovation in building gigantic siege engines, which became legendary in the ancient world. However, much of Demetrius' life was enigmatic, oscillating wildly between successful and catastrophic ventures, and his intrinsic qualities remain debatable to this day. What is indisputable is that he presided over a formative period in history marked by great flux and enormous change. His endeavours resulted in the fusion of Asiatic and Greek cultures, producing the hybrid Hellenistic kingdoms which dominated the ancient world for some 200 years until the rise of the Roman Empire. The period is of crucial importance in ancient Greek history, and marks the point from which Hellenistic influence became fundamental in the development of modern Western culture.
Author : P.G. Maxwell-Stuart
Publisher : BRILL
Page : 264 pages
File Size : 33,48 MB
Release : 2018-08-14
Category : Literary Criticism
ISBN : 9004327835
Author : Charles Reginald Dodwell
Publisher : Cambridge University Press
Page : 256 pages
File Size : 25,45 MB
Release : 2000
Category : Art
ISBN : 9780521661881
This 1999 book is concerned with the pictorial language of gesture revealed in Anglo-Saxon art, and its debt to classical Rome. Reginald Dodwell was an eminent art historian and former Director of the Whitworth Art Gallery in Manchester. In this, his last book, he notes a striking similarity of both form and meaning between Anglo-Saxon gestures and those in illustrated manuscripts of the plays of Terence. He presents evidence for dating the archetype of the Terence manuscripts to the mid-third century, and argues persuasively that their gestures reflect actual stage conventions. He identifies a repertory of eighteen Terentian gestures whose meaning can be ascertained from the dramatic contexts in which they occur, and conducts a detailed examination of the use of the gestures in Anglo-Saxon manuscripts. The book, which is extensively illustrated, illuminates our understanding of the vigour of late Anglo-Saxon art and its ability to absorb and transpose continental influence.