Hellenistic Painted Goblets in Alexandria


Book Description

Les gobelets peints ont été durant de longues années considérés comme un groupe de céramique égyptienne unique et difficile à définir. Leur riche iconographie restait incomprise et leur datation placée à l'époque romaine ou romaine tardive. L'examen de la collection de tessons réunie par Lukas Benaki dans les années 1930 dans la nécropole de Hadra à Alexandrie et conservée au British Museum, au Musée gréco-romain d'Alexandrie et au Musée Benaki d'Athènes et de quelques vases complets, ainsi que des fragments mis au jour dans des fouilles récentes bien stratifiées à Alexandrie a permis de conforter la datation à l'époque hellénistique (IIe-Ier siècle av.0J. -C.), proposée par D. Bailey et de fixer leur lieu de production en Maréotide. Il a été possible d'identifier des scènes de procréation, d'accouchement et de banquet, associées à des représentations d'une nature prolifique, qui placent ces vases dans un contexte cultuel de célébration de la vie et de la renaissance. Ce volume a recu le prix "A la Mémoire de Jean Leclant" décerné par la Fondation Michela Schiff Giorgini en 2020.




Hellenistic Alexandria: Celebrating 24 Centuries – Papers presented at the conference held on December 13–15 2017 at Acropolis Museum, Athens


Book Description

This proceedings volume includes high-level dialogues and philosophical discussions between international experts on Hellenistic Alexandria. The goal was to celebrate the 24 centuries which have elapsed since its foundation and the beginning of the Library and the Museum of Alexandria.




La necropole hellenistique de Plinthine


Book Description

The Hellenistic necropolis of Plinthine, located about 800 m west of the urban settlement of Kom el Nogus/Plinthine, on the western margins of the Alexandrian chora, was built on and in the calcarenite ridge or taenia that separates the Mediterranean from Lake Mariut. It has been celebrated as a miniature version of the great Alexandrian necropolises since the first excavations by Achille Adriani in 1937, followed by various unpublished explorations. Nevertheless, it had not been the subject of a comprehensive study combining architectural analysis and investigation of funerary practices. The policy followed by the French expedition (MFTMP)-systematic architectural survey of a necropolis too often previously analyzed through the prism of a few hypogeas, emphasis on phasing, anthropological studies-made it possible to give a more global vision of the Plinthine necropolis than that provided by earlier studies: the dead are no longer absent and the necropolis reveals a history parallel to that of the Plinthine Hellenistic town.




Macedonia – Alexandria: Monumental Funerary Complexes of the Late Classical and Hellenistic Age


Book Description

This book explores the influence of Macedonians and Greeks settling in Alexandria ad Aegyptum on the structural form of underground tombs, comparing in synthetic form the structural elements of the cist graves, chamber and rock-cut tombs of Macedonia with the Alexandrian hypogea, while taking into account geographical factors that conditioned them.




Art in the Hellenistic Age


Book Description

This 1986 book is an interpretative history of Greek art during the Hellenistic period.




Hellenistic Pottery: Text


Book Description




Hellenistic Art (330-50 B.C.)


Book Description




Greek Painted Pottery


Book Description

Greek Painted Pottery has been used by classics and classical archaeology students for some thirty years. It thoroughly examines all painted pottery styles from the Protogeometric to the Hellenistic period from all areas of Greece and from the colonies in parts of Italy. In each case it covers the development of iconography and the use of colour, decorative motifs and the distinctive styles of each stage. It examines the most utilitarian pottery objects as well as some of the finest pieces produced by a flourishing civilisation. Other chapters cover the pottery industry and pottery-making techniques, including firing, the types of local clay which were used and inscription. This study also considers how one can date pottery and establish a chronology and the various methods by which these artefacts have been classified, preserved and collected. This is the third edition of this classic text, which has been extensively revised and includes a fully updated bibliography. This edition also includes coverage of new evidence and new theories which have surfaced since the book was last revised in 1972. With over 100 black and white photographs and plentiful line drawings, the new edition of this comprehensive text will be invaluable to students studying classical art, archaeology and art history.




Hellenistic History and Culture


Book Description

In a 1988 conference, American and British scholars unexpectedly discovered that their ideas were converging in ways that formed a new picture of the variegated Hellenistic mosaic. That picture emerges in these essays and eloquently displays the breadth of modern interest in the Hellenistic Age. A distrust of all ideologies has altered old views of ancient political structures, and feminism has also changed earlier assessments. The current emphasis on multiculturalism has consciously deemphasized the Western, Greco-Roman tradition, and Nubians, Bactrians, and other subject peoples of the time are receiving attention in their own right, not just as recipients of Greco-Roman culture. History, like Herakleitos' river, never stands still. These essays share a collective sense of discovery and a sparking of new ideas—they are a welcome beginning to the reexploration of a fascinatingly complex age.




Hellenistic Art


Book Description

In this beautifully illustrated volume, Burn (Keeper of Antiquities, Fitzwilliam Museum, Cambridge) introduces the Hellenistic world to students and readers interested in ancient Greek society. After a brief political and cultural overview, Burn identifies several distinctly Hellenistic artistic developments emerging in fourth-century Macedon. She then examines representations of royal and private individuals; the design, furnishing and appearances of cities, sanctuaries, houses and tombs; and the characteristic themes of Hellenistic iconography.