Henri Bremond's "Apologia"


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Apologia Pro Vita Sua


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Apologia Pro Vita Sua


Book Description

Apologia Pro Vita Sua (Latin: A defence of one's life) is the classic defence of the religious opinions of John Henry Newman, published in 1864 in response to what he saw as an unwarranted attack on himself, the Catholic priesthood, and Roman Catholic doctrine by Charles Kingsley. The work quickly became a bestseller and has remained in print to this day. The work was tremendously influential in turning public opinion for Newman, and in establishing him as one of the foremost exponents of Catholicism in England. After a brief and unsatisfactory correspondence with Kingsley, Newman began work on the Apologia. A revised version, with many passages re-written and some parts omitted was published in 1865. (Wikipedia) This text is the unrevised version of the book.




Apologia Pro Vita Su


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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.







APOLOGIA PRO VITA SUA


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Pure Love, Pure Poetry, Pure Prayer


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By the time of his death in 1933 Henri Bremond, priest and member of the elite Académie française, had established himself in France, and increasingly in England and the United States, as a distinguished historian of Christian spirituality and as a Catholic modernist who helped to shake the church out of its dogmatic slumbers by embracing "pure love," artistic-poetic expression, and mystical prayer as the privileged manifestations of spiritual truth. Drawing on substantial new scholarship in France, that has resuscitated and reinterpreted Bremond's work for our own times, and that sees Bremond as an important precursor of current trends in literary interpretation as well as spirituality, Gorday surveys the entirety of Bremond's corpus of writing, setting his work in its context of his personal struggles, as well as the wider setting of French historical and cultural development.