The Representation of the Savage in James Fenimore Cooper and Herman Melville


Book Description

Since the seventeenth century, ethnicity has been the central issue in the American search for a national identity. The articulation of this issue can clearly be seen in the representation of non-white others in the literature of the nineteenth century, specifically in the works of James Fenimore Cooper and Herman Melville. This book examines how both Cooper and Melville manipulated literary images of Native Americans, African Americans, and other non-Europeans, thus revealing how America created the image of the savage - by which it was alternately attracted and repulsed - as a way of defining its own identity.




Herman Melville


Book Description

A comprehensive exploration of Melville’s formative years, providing a new biographical foundation for today’s generations of Melville readers Herman Melville: A Half Known Life, Volumes 1 and 2, follows Herman Melville’s life from early childhood to his astonishing emergence as a bestselling novelist with the publication of Typee in 1846. These volumes comprise the first half of a comprehensive biography on Melville, grounded in archival research, new scholarship, and incisive critical readings. Author John Bryant, a distinguished Melville scholar, editor, critic, and educator, traces the events and experiences that shaped the many-stranded consciousness of one of literature’s greatest writers. This in-depth and innovative biography covers Melville’s family history and literary friendships, his father-longing, god-hunger, and search for the hidden nature of Being, the genesis of his liberal politics, his empathy for African Americans, Native Americans, Polynesians, South Americans, and immigrants. Original perspectives on Melville’s earliest identities—orphaned son, sibling, farmer, teacher, debater, lover, actor, sailor—provide the context for Melville’s evolution as a writer. The biography presents new information regarding Melville’s reading, his early orations and acting experience, his life at sea and on the road, and the unsettling death of his older, rival brother from mercury poisoning. It provides insights on experiences such as Melville’s trauma at the loss of his father, his learning to write amidst a coterie siblings, his struggles to find work during economic depression, his journey West, his life in whaling and in the navy, and his vagabondage in the South Pacific during the moment of American and European imperial incursions. A significant addition to Melville scholarship, this important biographical work: Explores the nature and development of Melville’s creative consciousness, through the lens of his revisions in manuscript and print Assesses Melville’s sexual growth and exploration of the spectrum of his masculinities Highlights Melville’s relevance in contemporary democratic society Discusses Melville’s blending of dark humor and tragedy in his unique version of the picturesque Examines the ‘replaying’ of Melville’s life traumas throughout his entire works, from Typee, Omoo, Redburn, White-Jacket, Moby-Dick, Pierre, Israel Potter, and The Confidence-Man to his shorter works, including “Bartleby,” his epic Clarel, his poetry, and his last novella Billy Budd Covers such cultural and historical events as the American revolution of his grandparents, the whaling industry, New York slavery, street life and theater in Manhattan, the transatlantic slave trade, the Jacksonian economy, Indian removal, Pacific colonialism, and westward expansion Written in an engaging style for scholars and general readers alike, Herman Melville: A Half Known Life, Volumes 1 and 2 is an indispensable new source of information and insights for those interested in Melville, 19th-century and modern literature and culture, and readers of general American history and literary culture.







Herman Melville's Moby-Dick


Book Description

Herman Melville was already considered to be a successful author when he wrote Moby-Dick in just under two years. Yet despite his earlier success, the novel was widely misunderstood by its 19th-century readers, who expected a more traditional adventure novel. Today Moby-Dick is considered to be an undisputed classic, and many believe it to be the epitome of the great American novel. With an unforgettable cast of characters, inluding the mad Captain Ahab, Melville skillfully documents the Pequod crew's tragic hunt for the great white whale. The full-length essays presented in Herman Melville's Moby Dick, Updated Edition provide expert commentary on the huge canvas of symbols themes, and subjects presented in this novel, as well as an introduction, a chronology, a bibliography, and an index, that will help students navigate confidently through Melville's masterpiece.




The Lure of the Savage in Melville's Prose


Book Description

This thesis is concerned with Herman Melville's study of the peculiar relations existing between 'savages'-- be they Negroes, Polynesians or Indians-- and 'civilised men'-- especially white, New-England protestants~~ whenever they meet. Their relations may be described as ambivalent.For the white man, the savage is inexplicably attractive and, at the same time, intensely repugnant. In Melville's first (and partly autobiographical) novel, the white narrator of Typee is impelled to flee from the paradisiac valley in the South Seas because he yeai;s for the company of fellow white men. Paradoxically, he finds life with the primitive tribe preferable to the artificiality of life in a civilised community. "We can't go back," D. H. Lawrence asserts in his commentary on Typee.This thesis attempts to ask "Why?", to make an analysis of this impulse in Melville's heroes to go back.




Bloom's how to Write about Herman Melville


Book Description

Although he spent much of his career in obscurity, Herman Melville, the author of classics such as ""Moby-Dick"", ""Billy Budd"", and ""Bartleby, the Scrivener,"" has since become known as one of America's greatest writers. ""How to Write about Herman Melville"" offers valuable paper-topic suggestions, clearly outlined strategies on how to write a strong essay, and an insightful introduction by Harold Bloom on writing about Melville. This new volume is designed to help students develop their analytical writing skills and critical comprehension of the author and his major works.







A Companion to Herman Melville


Book Description

In a series of 35 original essays, this companion demonstrates the relevance of Melville’s works in the twenty-first century. Presents 35 original essays by scholars from around the world, representing a range of different approaches to Melville Considers Melville in a global context, and looks at the impact of global economies and technologies on the way people read Melville Takes account of the latest and most sophisticated scholarship, including postcolonial and feminist perspectives Locates Melville in his cultural milieu, revising our views of his politics on race, gender and democracy Reveals Melville as a more contemporary writer than his critics have sometimes assumed




White Bound


Book Description

Discussions of race are inevitably fraught with tension, both in opinion and positioning. Too frequently, debates are framed as clear points of opposition—us versus them. And when considering white racial identity, a split between progressive movements and a neoconservative backlash is all too frequently assumed. Taken at face value, it would seem that whites are splintering into antagonistic groups, with differing worldviews, values, and ideological stances. White Bound investigates these dividing lines, questioning the very notion of a fracturing whiteness, and in so doing offers a unique view of white racial identity. Matthew Hughey spent over a year attending the meetings, reading the literature, and interviewing members of two white organizations—a white nationalist group and a white antiracist group. Though he found immediate political differences, he observed surprising similarities. Both groups make meaning of whiteness through a reliance on similar racist and reactionary stories and worldviews. On the whole, this book puts abstract beliefs and theoretical projection about the supposed fracturing of whiteness into relief against the realities of two groups never before directly compared with this much breadth and depth. By examining the similarities and differences between seemingly antithetical white groups, we see not just the many ways of being white, but how these actors make meaning of whiteness in ways that collectively reproduce both white identity and, ultimately, white supremacy.