Gods, Heroes, & Kings


Book Description

The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and myths. In Gods, Heroes, and Kings, medievalist Christopher Fee and veteran myth scholar David Leeming unearth the layers of the British Isles' unique folkloric tradition to discover how this body of seemingly disparate tales developed. The authors find a virtual battlefield of myths in which pagan and Judeo-Christian beliefs fought for dominance, and classical, Anglo-Saxon, Germanic, and Celtic narrative threads became tangled together. The resulting body of legends became a strange but coherent hybrid, so that by the time Chaucer wrote "The Wife of Bath's Tale" in the fourteenth century, a Christian theme of redemption fought for prominence with a tripartite Celtic goddess and the Arthurian legends of Sir Gawain-itself a hybrid mythology. Without a guide, the corpus of British mythology can seem impenetrable. Taking advantage of the latest research, Fee and Leeming employ a unique comparative approach to map the origins and development of one of the richest folkloric traditions. Copiously illustrated with excerpts in translation from the original sources,Gods, Heroes, and Kings provides a fascinating and accessible new perspective on the history of British mythology.




Before They Were Heroes at King's Mountain (Virginia Edition)


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The story of the campaign, fighting, and aftermath connected to the Battle of King's Mountain and the British Southern Campaign during the American Revolution.




Kings, Beasts and Heroes


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Poet and Hero in the Persian Book of Kings


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A masterpiece of Persian Classical epic, the Shahnama or Book of Kings was composed by Abu'l-Qasem Ferdowsi at the beginning of the eleventh century. Because the Shahnama presents itself as a chronicle of the reigns of the shahs from the primordial founders to the Sasanian dynasty which ended in 651, scholarly attention has centered on the question of its historical accuracy. Addressing the literary as well as the historical and mythological aspects of the Shahnama, Olga M. Davidson makes this centerpiece of Iranian culture accessible to Western readers. Drawing on recent work in epic studies and oral poetics, Davidson considers analogies with Classical and medieval European narratives as she investigates the poem's social contexts. Her interpretation of the Shahnama focuses on both the figure of the poet himself and on his protagonists-the superhuman hero Rostam and the historical or historicized shahs. Exploring the Shahnama as an example of court poetry designed to glorify the idea of empire, Davidson identifies as a driving force of Ferdowsi's narrative a strong current of antagonism between king and hero. Ironically, she shows, it is the epic hero himself who poses the greatest threat to the concept of kingship that he is sworn to defend. Poet and Hero in the Persian Book of Kings will be welcomed by readers working in such fields as comparative literature, Middle Eastern Studies, folklore, literary theory, and comparative religion.




King's Mountain and Its Heroes


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Legends of the Hero-Kings


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Kings, Heroes, and Lovers


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Examines the folk art depicted in the rugs woven by villagers and nomadic tribespeople in Iran




A March of Kings (Book #2 in the Sorcerer's Ring)


Book Description

After he escapes from the dungeon, Thor is horrified to learn of another assassination attempt on King MacGil. When MacGil dies, the kingdom is set into turmoil. As everyone vies for the throne, King’s Court is more rife than ever with its family dramas, power struggles, ambitions, jealousy, violence and betrayal. An heir must be chosen from among the children, and the ancient Dynasty Sword, the source of all their power, will have a chance to be wielded by someone new. But all this might be upended: the murder weapon is recovered, and the noose tightens on finding the assassin. Simultaneously, the MacGils face a new threat by the McClouds, who are set to attack again from within the Ring. Thor fights to win back Gwendolyn’s love, but there may not be time: he is told to pack up, to prepare with his brothers in arms for The Hundred, a hundred grueling days of hell that all Legion members must survive. The Legion will have to cross the Canyon, beyond the protection of the Ring, into the Wilds, and set sail across the Tartuvian Sea for the Isle of Mist, said to be patrolled by a dragon, for their initiation into manhood. Will they make it back? Will the Ring survive in their absence? And will Thor finally learn the secret of his destiny? With its sophisticated world-building and characterization, A MARCH OF KINGS is an epic tale of friends and lovers, of rivals and suitors, of knights and dragons, of intrigues and political machinations, of coming of age, of broken hearts, of deception, ambition and betrayal. It is a tale of honor and courage, of fate and destiny, of sorcery. It is a fantasy that brings us into a world we will never forget, and which will appeal to all ages and genders. It is 60,000 words. Book #3 in the series will be published soon.




A Quest of Heroes (Book #1 in the Sorcerer's Ring)


Book Description

“A breathtaking new epic fantasy series. Morgan Rice does it again! This magical saga reminds me of the best of J.K. Rowling, George R.R. Martin, Rick Riordan, Christopher Paolini and J.R.R. Tolkien. I couldn’t put it down!” --Allegra Skye, Bestselling author of SAVED From #1 Bestselling author Morgan Rice comes the debut of a dazzling new fantasy series. A QUEST OF HEROES (BOOK #1 IN THE SORCERER’S RING) revolves around the epic coming of age story of one special boy, a 14 year old from a small village on the outskirts of the Kingdom of the Ring. The youngest of four, the least favorite of his father, hated by his brothers, Thorgrin senses he is different from the others. He dreams of becoming a great warrior, of joining the King’s men and protecting the Ring from the hordes of creatures on the other side of the Canyon. When he comes of age and is forbidden by his father to try out for the King’s Legion, he refuses to take no for an answer: he journeys out on his own, determined to force his way into King’s Court and be taken seriously. But King’s Court is rife with its own family dramas, power struggles, ambitions, jealousy, violence and betrayal. King MacGil must choose an heir from amongst his children, and the ancient Dynasty Sword, the source of all their power, still sits untouched, waiting for the chosen one to arrive. Thorgrin arrives as an outsider and battles to be accepted, and to join the King’s Legion. Thorgrin comes to learn he has mysterious powers he does not understand, that he has a special gift, and a special destiny. Against all odds he falls in love with the king’s daughter, and as their forbidden relationship blossoms, he discovers he has powerful rivals. As he struggles to make sense of his powers, the king’s sorcerer takes him under his wing and tells him of a mother he never knew, in a land far away, beyond the Canyon, beyond even the land of the Dragons. Before Thorgrin can venture out and become the warrior he yearns to be, he must complete his training. But this may be cut short, as he finds himself propelled into the center of royal plots and counterplots, ones that may threaten his love and bring him down—and the entire kingdom with him. With its sophisticated world-building and characterization, A QUEST OF HEROES is an epic tale of friends and lovers, of rivals and suitors, of knights and dragons, of intrigues and political machinations, of coming of age, of broken hearts, of deception, ambition and betrayal. It is a tale of honor and courage, of fate and destiny, of sorcery. It is a fantasy that brings us into a world we will never forget, and which will appeal to all ages and genders. It is 82,000 words. Book #2 in the series, A MARCH OF KINGS, is now available, too. “Grabbed my attention from the beginning and did not let go....This story is an amazing adventure that is fast paced and action packed from the very beginning. There is not a dull moment to be found.” --Paranormal Romance Guild {regarding Turned} “Jam packed with action, romance, adventure, and suspense. Get your hands on this one and fall in love all over again.” --vampirebooksite.com (regarding Turned) “A great plot, and this especially was the kind of book you will have trouble putting down at night. The ending was a cliffhanger that was so spectacular that you will immediately want to buy the next book, just to see what happens.” --The Dallas Examiner {regarding Loved}




Wayward Heroes


Book Description

“Drawing on historical events, including King Olaf’s reign in Norway and the burning of Chartres Cathedral, Laxness revises and renews the bloody sagas of Icelandic tradition, producing not just a spectacular historical novel but one of coal-dark humor and psychological depth.” – Publishers Weekly First published in 1952, Halldór Laxness’s Wayward Heroes offers an unlikely representation of modern literature. A reworking of medieval Icelandic sagas, the novel is set against the backdrop of the medieval Norse world. Laxness satirizes the spirit of sagas, criticizing the global militarism and belligerent national posturing rampant in the postwar buildup to the Cold War. He does that through the novel’s main characters, the sworn brothers Þormóður Bessason and Þorgeir Hávarsson, warriors who blindly pursue ideals that lead to the imposition of power through violent means. The two see the world around them only through a veil of heroic illusion: kings are fit either to be praised in poetry or toppled from their thrones, other men only to kill or be killed, women only to be mythic fantasies. Replete with irony, absurdity, and pathos, the novel more than anything takes on the character of tragedy, as the sworn brothers’ quest to live out their ideals inevitably leaves them empty-handed and ruined.