Hilda Rix Nicholas


Book Description

Hilda Rix Nicholas was an assertive and accomplished woman who conscientiously set out to carve a place for herself alongside the most important male painters in Australia between the wars. The great strength of her work and her career lies in her determined quest for equal rights and in her passionate commitment to Australia at a time when women were excluded from its representation.




Hilda Rix Nicholas and Elsie Rix's Moroccan Idyll


Book Description

Hilda Rix Nicholas's Moroccan oils are fascinating early experiments in the post impressionist technique learned by the Australian artist in the ateliers of Belle poque Paris of Henri Matisse. But they are not the only legacy of the time she spent in Tangier in 1912 and 1914. Together with her sister Elsie, Hilda wrote postcards and letters to their mother Elizabeth in London. Published here in detail for the first time, Jeanette Hoorn draws upon the letters written from Tangier by the Rix sisters to illuminate the artwork and the amazing travel adventures of these two Edwardian women. Adorned with sketches and drawings, the letters provide vivid descriptions of the people and landscape of this cosmopolitan North African city. Her study brings to life the experiences of Hilda and Elsie Rix in North Africa before World War I, presenting a critical reading of Orientalism and how the two women came to understand a place and a culture very different from anything they had previously known.




To Paint a War


Book Description

Among all the forms of national memory and commemoration, it falls to the artists to paint a war. When war is as traumatic as the Great War, the artists' burden is so much the greater. The Australian artists who painted World War I approached their subject personally, in ways that reflected their experience of the war. Grace Cossington Smith painted on the home front. Hilda Rix Nicholas suffered personal loss beyond words. Tom Roberts, George Coates and Arthur Streeton served as wardsmen in a military hospital in London. George Lambert travelled to Anzac Cove in 1919 to make the definitive record of the war at Gallipoli. Some contributed as members of the official war artists' scheme. Others painted as eye witnesses of the unfolding tragedy. Yet others painted from their hearts. Their work, in all its richness and variety, is a sweeping painterly chronicle of the war, and a vital part of Australia's heritage. Richard Travers, the author of Diggers in France: Australian Soldiers on the Western Front, now turns his attention to the Australians who painted World War I. He follows the artists as they leave Australia in search of inspiration and fame in London and Paris. They formed an Australian commune in Chelsea on the banks of the Thames. There they lived an enviable life that was cut short, abruptly, by the outbreak of war. To Paint a War is the story of their response to the crisis.




Hilda Rix Nicholas


Book Description




In Search of Beauty


Book Description

Like so many Australian women artists of her era, Hilda Rix Nicholas (1884 - 1961) has been rediscovered by contemporary art historians. For the first time, In Search of Beauty showcases her two sketchbooks held by the National Library of Australia. The child of a creative Melbourne household, Hilda was always with pencil in hand, persuading obliging cousins and neighbours to pose for her. Travelling to Europe in 1907, she trained at some of the finest studios in London and Paris. The experience would not only help the young student to develop her artistic skills but would also nurture a lifetime love of capturing the essence of Australia on canvas. Studies from her early years in Melbourne and in Europe provide glimpses into Hilda¿s coming of age. In Search of Beauty features page after page of glorious, full-colour works of art, introduced by a thoughtful biography of the artist.




Modern Australian Women Artists


Book Description

A rich and focused collection of works by over fifty outstanding Australian women artists who worked in Australia and abroad between 1880 and 1960. This book also provides great insights into women's professional and economic strategies of the time, in a predominately male environment and how women played a crucial role in the development of impressionism and modern art in Australia in the first decades of the 20th century. Some of Australia's most important women artists represented here include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. An impressive selection of prints from Australia's most influential print makers, including Thea Proctor, Dorrit Black and Ethel Spowers. Also included are rarely or never before displayed works by artists including paintings by Dora Meeson, Florence Rodway, Grace Cossington Smith and Hilda Rix Nicholas. This important book brings much deserved attention to a group of talented, dedicated and determined women artists for whom the desire to create was paramount.




Hilda Rix Nicholas


Book Description




Stars in the River


Book Description

This eagerly awaited publication celebrates the artistic career of one of Australia's most important printmakers of the twentieth century, Jessie Traill. Embracing the medium of etching in the early 1900s, Jessie Traill forged a radical path for printmaking in Australia through the duality of her vision. This generously illustrated volume documents her achievements and illustrates a wide range of her iconic images.




Paris to Monaro


Book Description

The award-winning, Paris to Monaro was first produced to accompany a smash hit exhibition at the National Portrait Gallery, Canberra in 2013. This second edition brings the studio, its exotic contents, its idiosyncratic inhabitant, its bright artworks and an endearing miscellany of visitors, neighbours, children, nannies and animals to vivid life once again. The young Australian artist Hilda Rix went to Europe at the beginning of 1907, hankering to learn. For some fifteen years she lived and worked in London, Paris, Etaples and Morocco. There were good times, artistic success and dress-up parties. There was sorrow, too, typical of the times, as her mother and sister succumbed to typhus and her new husband was butchered at the Western Front. Returning to Sydney to heal in the sun, she took an ambitious automobile tour before she met a grazier, also a veteran, Edgar Wright. In 1928 she moved to his property, Knockalong, near the town of Delegate on the bleached plains of the Southern Monaro region of New South Wales. In the flower-filled garden she created at Knockalong,Hilda Rix designed a studio, loosely French Provincial in style, as big as acountry church with a massive fireplace, huge windows, a soaring ceiling, aloft and a stage.