Hindu Tales From the Sanskrit


Book Description

Delightful classic stories from ancient India. Includes questions after each chapter to enhance understanding and help readers apply the lessons learned. Hindu mythology is large body of traditional narratives related to Hinduism as contained in Sanskrit literature Ancient Tamil literature several other works, most notably the Bhagavata Purana, claiming the status of a Fifth Veda and other religious regional literature of South Asia. As such, it is a subset of mainstream Indian and Nepali culture. Rather than one consistent, monolithic structure, it is a range of diverse traditions, developed by different sects, people and philosophical schools, in different regions and at different times, which are not necessarily held by all Hindus to be literal accounts of historical events, but are taken to have deeper, often symbolic, meaning, and which have been given a complex range of interpretations. ** (Excerpt) Thanks to Mr. S. M. Mitra, the well-known Hindu psychologist and politician, who has done so much to draw more closely together the land of his birth and that of his adoption, I am able to bring within reach of English children a number of typical Hindu Tales, translated by him from the Sanskrit, some of them culled from the ancient classics of India, others from widely separated sources. The latter have hitherto been quite inaccessible to western students, as they are not yet embodied in literature, but have been transmitted orally from generation to generation for many centuries. These tales are not only of a kind to enchain the attention of children. They also illustrate well the close affinity between the two chief branches of the great Aryan race, and are of considerable ethical value, reflecting, as they do, the philosophy of self-realisation which lies at the root of Hindu culture. They have been used from time immemorial by the best teachers of India as a means of building up the personalities of the young and maintaining the efficiency of the adult. They serve in fact as text-books of the unique system of Mind-Training which has been in use in India from remote Vedic times, the root principle of which is as simple as it is effective. Hindu children become familiar at their mothers' knees with these stories, and are trained to answer questions on them, subtly chosen to suit their ages and call into action their mental faculties. Appealing to them as an amusing game, in which they vie with each other in trying to solve the problems presented for their consideration, the boys and girls, who are educated together till they are ten or twelve years old, early learn to concentrate their attention; whilst the simultaneous development of all their powers is encouraged and they are, imperceptibly to themselves led to control their thoughts and emotions from within, instead of having to obey orders which they do not understand from without. They realize indeed, whilst still in the nursery, the ideal suggested by the sage Vidura in the Mahabharata: "Seek to know thyself by means of thyself, keeping thy mind, intellect and senses, under control; for self is thy friend as it is also thy foe." About the Author: Siddha Mohana Mitra born in 1856 and died in 1925 Siddha Mohana Mitra was born in 1856 and died in 1925. He was of Hindu-Bengali origin and had lived in Hyderabad for a number of years. Mitra had been editor of the Deccan Post. From the begining of the twentieth century, Mitra wrote a number of books, published in London, on India. He was a regular contributor to the Asiatic Quarterly Review. He was a member of the Royal Asiatic Society and met a number of high-ranking Anglo-Indian officials. His book, Indian Problems, cited by Lord Curzon in a House of Lords debate in 1912 revealed Mitra's argument that the partition of Bengal had not had a detrimental effect on the region. George Birdwood wrote an introduction to this book, and encouraged Mitra to publish his work of fiction, Hindupore.




Hindu Myths


Book Description

Recorded in sacred Sanskrit texts, including the Rig Veda and the Mahabharata, Hindu Myths are thought to date back as far as the tenth century BCE. Here in these seventy-five seminal myths are the many incarnations of Vishnu, who saves mankind from destruction, and the mischievous child Krishna, alongside stories of the minor gods, demons, rivers and animals including boars, buffalo, serpents and monkeys. Immensely varied and bursting with colour and life, they demonstrate the Hindu belief in the limitless possibilities of the world - from the teeming miracles of creation to the origins of the incarnation of Death who eventually touches them all.




Classical Hindu Mythology


Book Description

The Mahapuranas embody the received tradition of Hindu mythology. This anthology contains fresh translations of these myths, only a few of which have ever been available in English before, thus providing a rich new portion of Hindu mythology. The book is organized into six chapters. "Origins" contains myths relating to creation, time, and space. "Seers, Kings and Supernaturals" relates tales of rivers, trees, animals, demons, and men, particularly heroes and sages. Myths about the chief gods are dealt with in three separate chapters: Krsna, Visnu, and Siva. The chapter The Goddess presents stories of the wives and lovers of the gods, as well as of Kali, the savage battle goddess. In their introductions, the editors provide a historical setting in which to discuss Hindu mythology as well as a full analysis of its basic sources. The many names are given the original. The editors have provided a thorough glossary to make these names accessible.







God of Desire


Book Description

God of Desire presents Sanskrit tales of the Indian deity Kāmadeva as he battles the ascetic god Śiva, assists the powerful goddess Devī, and incarnates as the charming son of Kṛṣṇa. Exploring the imagery and symbolism of the god of desire in art and ritual, Catherine Benton reflects on the connection of Kāmadeva to parrots, makaras (gharials), and apsarases (celestial nymphs), and to playful devotional rituals designed to win his favor. In addition to examining the Hindu literature, Benton also highlights two Buddhist forms of Kamadeva, the demonic Māra, who tries to persuade the Buddha to trade enlightenment for the delights of a woman, and the ever-youthful Mañjuśri, who cuts through ignorance with the bodhisattva sword of wisdom. Tales of Kāmadeva from the Hindu and Buddhist traditions present desire as a powerful force continually redefining the boundaries of chaos and order and gently pulling beyond the ephemeral lure of passionate longings.




Vikram and the Vampire


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The Hungry God


Book Description

India's folklore and classical literature abound with stories of parents who sacrifice their children. In The Hungry God, David Shulman examines one set of such tales—Hindu texts that bear similarities to the biblical aqedah, the account of Abraham's near-sacrifice of Isaac. In all the stories that Shulman explores, the sacrifice proceeds from a divine command and has no utilitarian explanation or rationale.




365 Tales of Indian Mythology


Book Description

From the preserver of the universe Lord Vishnu to the mighty Hanuman, from the mysterious Ganesha to the dutiful son Rama, the rich Hindu spiritual landscape is populated by characters that empower millions even today. Featuring 365 colourful artworks of significant mythological figures from across India, this fascinating book opens the doors to a spellbinding world of legends and stories.




The Panchatantra


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Suleiman Charitra


Book Description

A Hindu poet, Kalyana Malla, renders in classical Sanskrit a biblical story for his Muslim patron, a Lodhi prince of the sixteenth century, in this unusual intermingling of cultural traditions. The sensual unfolding of David and Bathsheba’s love story-the bathing scene, David’s infatuation, his pursuit of Bathsheba, and their eventual union-is strikingly portrayed in the language of the gods through its shringara rasa, or the erotic mode, by a writer better known for the sex manual Ananga Ranga. This marvellous, first-ever English translation of Suleiman Charitra-a delightful Sanskrit rendering of Hebraic and Arabic tales-elegantly brings together the east and the west.