Hindu Temple Art of Orissa


Book Description




Hindu Temple Art of Orissa


Book Description




Studies in Hindu and Buddhist Art


Book Description

It Is A Collection Of Thirty Essays On Various Aspects Of Hindu And Buddhist Art And Iconography Contributed By Indian And Foreign Scholars. These Represent Deep Insight And New Interpretation Based On Sound Scholarship And Accounts. While Intended To Commemorate The Loving Memory Of Professor Kalyan Kumar Dasgupta, The Book Is A Fitting Tribute To The Great Savant. Professor P.K. Mishra And Publisher M/S Abhinav Publications Have Spared No Pains To Make It An Outstanding Publication Of The Year




Hindu Art


Book Description

From the linga of Shiva to ritual lamps, from a Vishnu temple to a heap of stones streaked with sacred vermilion, from illustrations of the epic adventures of Rama to a terracotta goddess figurine, the art Hinduism has inspired over the centuries is as rich and various as the religion itself - and, for most Westerners, as unknown. Hindu Art offers a key to this mystery. A splendid, richly illustrated introduction, the book opens to readers the manifold glories of the religious art of the Indian subcontinent. The narratives that Hindu artists illustrate, the gods they depict, and the forms they observe are the products of thousands of years of tradition and development. In a survey that stretches back to prehistory, T. Richard Blurton discusses religious, cultural and historical influences that figure in Hindu art, as well as those that Hinduism shares with Buddhism and Jainism. Tracing the development of Hindu art, he shows how it has come to embrace the widely varying styles of regions from Nepal to Afghanistan, from Sri Lanka to Bangladesh. Against this historical background, Blurton considers the use of images from the three major cults of Hinduism - the worship of Shiva, Vishnu and the Great Goddess - in painting, sculpture and temple architecture. As fascinating as it is informative, Hindu Art offers invaluable insight into one of the world's great and ancient cultures. It will prove an indispensable resource for anyone with an interest in the art of India.




'Yogini' in South Asia


Book Description

In different stages in the history of South Asian religions, the term yoginī has been used in various contexts to designate various things: a female adept of yoga, a female tantric practitioner, a sorceress, a woman dedicated to a deity, or a certain category of female deities. This book brings together recent interdisciplinary perspectives on the medieval South Asian cults of the Yoginis, such as textual-philological, historical, art historical, indological, anthropological, ritual and terminological. The book discusses the medieval yoginī cult, as illustrated in early Śaiva tantric texts, and their representations in South Asian temple iconography. It looks at the roles and hypostases of yoginīs in contemporary religious traditions, as well as the transformations of yoginī-related ritual practices. In addition, this book systematizes the multiple meanings, and proposes definitions of the concept and models for integrating the semantic fields of ‘yoginī.’ Highlighting the importance of research from complementary disciplines for the exploration of complex themes in South Asian studies, this book is of interest to scholars of South Asian Studies and Religious Studies.







Hindu Temple Art of Orissa


Book Description




Bonding with the Lord


Book Description

Few other Hindu gods guide a regional consciousness, pervade walks of everyday life and define a collective psyche the way Lord Jagannath does in Odisha and its contiguous areas. Jagannath is metonymic of Odisha and the Odia way of life, arguably much more than any other god for a particular geography or its peoples. While not derecognising the historical and the spiritual aspects of Jagannath, Bonding with the Lord attempts to look at the deployment of Jagannath in contemporary cultural practices involving the sensorium in the widest sense. The project of a cultural Jagannath not only materialises him in people's everyday practices but also democratises scholarship on him. The expansion of the scope of research on Jagannath to cultural expressions in a more encompassing way rather than confining to 'elitist' religious/literary sources makes him an everyday presence and significantly enhances his sphere of influence. Jagannath's 'tribal' origin, his association with Buddhism and Jainism and his avatari status make him an all-encompassing, multilayered symbol and a treasure trove for multiple interpretations.