History of France


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France in the World


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This dynamic collection presents a new way of writing national and global histories while developing our understanding of France in the world through short, provocative essays that range from prehistoric frescoes to Coco Chanel to the terrorist attacks of 2015. Bringing together an impressive group of established and up-and-coming historians, this bestselling history conceives of France not as a fixed, rooted entity, but instead as a place and an idea in flux, moving beyond all borders and frontiers, shaped by exchanges and mixtures. Presented in chronological order from 34,000 BC to 2015, each chapter covers a significant year from its own particular angle--the marriage of a Viking leader to a Carolingian princess proposed by Charles the Fat in 882, the Persian embassy's reception at the court of Louis XIV in 1715, the Chilean coup d'état against President Salvador Allende in 1973 that mobilized a generation of French left-wing activists. France in the World combines the intellectual rigor of an academic work with the liveliness and readability of popular history. With a brand-new preface aimed at an international audience, this English-language edition will be an essential resource for Francophiles and scholars alike.




Metronome


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A phenomenal bestseller in France, Metronome presents a fascinating history of Paris through the lens of the city's iconic Metro system Did you know that the last Gallic warriors massacred by the Romans lie beneath the Eiffel Tower? That the remains of Paris's first cathedral are under a parking lot in the Fifth District? Metronome follows Loránt Deutsch, historian and lifelong Francophile, as he goes on a compelling journey through the ages, treating readers to Paris as they've never seen it before. Using twenty-one stops of the subway system as focal points—one per century—Deutsch shows, from the underground up, the unique, often violent, and always striking events that shaped one of the world's most romanticized city. Readers will find out which streets are hiding incredible historical treasures in plain sight; peer into forgotten nooks and crannies of the City of Lights and learn what used to be there; and discover that, however deeply buried, something always remains.




A History of the Grandparents I Never Had


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A French historian chronicles his meticulous efforts to document the lives of his Polish Jewish grandparents who were killed in the Holocaust. Ivan Jablonka’s grandparents’ lives ended long before his began: although Matès and Idesa Jablonka were his family, they were perfect strangers. When he set out to uncover their story, Jablonka had little to work with. Neither of them was the least bit famous, and they left little behind except their two orphaned children, a handful of letters, and a passport. Persecuted as communists in Poland, as refugees in France, and then as Jews under the Vichy regime, Matès and Idesa lived their short lives underground. They were overcome by the tragedies of the twentieth century: Stalinism, the mounting dangers in Europe during the 1930s, World War II, and the destruction of European Jews. Jablonka’s challenge was, as a historian, to rigorously distance himself and yet, as family, to invest himself completely in their story. Imagined oppositions collapsed—between scholarly research and personal commitment, between established facts and the passion of the one recording them, between history and the art of storytelling. To write this book, Jablonka traveled to three continents; met the handful of survivors of his grandparents’ era, their descendants, and some of his far-flung cousins; and investigated twenty different archives. And in the process, he reflected on his own family and his responsibilities to his father, the orphaned son, and to his own children and the family wounds they all inherited. A History of the Grandparents I Never Had cannot bring Matès and Idesa to life, but Jablonka succeeds in bringing them, as he soberly puts it, to light. The result is a gripping story, a profound reflection, and an extraordinary history. Praise for A History of the Grandparents I Never Had “A deeply moving, poignant, and sad book, but one also filled with hope, light, and inspiration.” —Jewish Book Council “Ivan Jablonka is a tremendous writer—compassionate and searching, intimate and ambitious—and A History of the Grandparents I Never Had is a painstakingly researched and profoundly heartfelt book that teaches us new and necessary things about family, history and the extraordinary power of storytelling. It’s one of the most beautiful books I’ve read in years.” —Molly Antopol, author of The UnAmericans “An extraordinary book—at once a breathtaking work of historical investigation and a deeply personal meditation on the possibilities and limits of historical knowledge. By uncovering the traces left behind by people who literally vanished into thin air, Ivan Jablonka sheds new light on the Holocaust as well as on our own desire to grasp what cannot be grasped.” —Maurice Samuels, Yale University




The Story of Helen Keller


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The life of Helen Keller.







The History of Tom Jones


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Based on a True Story


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'A wonderful literary trompe l'oeil: a book about friendship, writing and the boundary between reality and fantasy ... Dark, smart, strange, compelling' Harriet Lane, bestselling author of Her Overwhelmed by the huge success of her latest novel, exhausted and suffering from a crippling inability to write, Delphine meets L. L. embodies everything Delphine admires; sophisticated and unusually intuitive, she slowly but deliberately carves herself a niche in the writer's life. However, as she makes herself indispensable to Delphine, the intensity of this unexpected friendship manifests itself in increasingly sinister ways. And as their lives become further entwined, L. begins to threaten Delphine's identity and her safety.




Vénus Noire


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Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.




God's Plagiarist


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Migne harnessed a will of iron and boundless personal energy to the latest innovations in print technology and marketing. Most famous for his massive 469-volume edition of the Church Fathers, Migne was the founder of the Ateliers catholiques of Paris and owned a total of ten newspapers during the course of his life. Bloch shows how closely Migne's activities in the newspaper world coincided with his editing and marketing of the Church Fathers. He sold the Fathers by means of advertising and merchandising ploys so creative and modern that Bloch is able to link Migne and his methods to the rise of wholesale exchange and large department stores in Paris. Migne's assembly-line production and innovative pyramid sales schemes placed him a the forefront of France's new commerce.