Racinet's Historic Ornament in Full Color


Book Description

DIVThe 19th-century French illustrator's classic reference to the decorative ornament of history's major cultures; over 2,000 royalty-free motifs in 100 beautiful full-color plates. /div




Full-color Picture Sourcebook of Historic Ornament


Book Description

Classic sourcebook of spectacular design collages, all royalty-free, featuring over 1,500 decorative elements and motifs from major cultures in world history through the 19th century.




Historic Ornament


Book Description

900 fine examples from Ancient Egypt to 1800, human figures, animals, floral motifs, architectural flourishes, much more, in numerous styles.







Designs and Patterns from Historic Ornament


Book Description

This well-known book was prepared more than 75 years ago by two British architects, and its reputation has grown steadily since. The Audsleys' clear rendering of ornaments and designs from a wide variety of sources and national traditions, their excellent sense of space and proportion, and their straightforward execution of these ornaments in line have made the collection among the most valuable of its kind. The 60 plates contain over 250 large-scale line drawings, mostly executed by the authors. The designs and patterns shown are derived from architectural decorative motifs, textile designs, patterns from ceramics and tiles, and more from Egypt, Greece, Italy, Japan, Persia, Medieval Europe, and other places. A brief text specifies sources for many of the designs, and captions identify national origin and often the original color scheme.




Ornament


Book Description

This text is a wide-ranging consideration of the cultural and symbolic significance of ornament, its rejection by modernism and its subsequent reinvention. Trilling explains how ornament works, why it has to be explained and why it matters.




Pictorial Encyclopedia of Historic Ornament


Book Description

One of the great anthologies of historic ornament and design, on a par with Owen Jones' Grammar of Ornament and Racinet's Historic Ornament, Dolmetsch's dazzling collection of over 1,500 illustrations — most in full color — is a veritable treasure chest of royalty-free images. Artists, designers, and hobbyists will also find design inspiration on every page, with images of artistic ornaments from antiquity through the 19th century, when this volume was originally assembled. Arranged chronologically, coverage begins in the ancient world, with designs from Roman architecture and sculpture, mosaic floors of Pompeii, and Byzantine embroidery. From the Middle Ages come illuminated manuscripts and stained glass decorations. Items dating from the Renaissance and later include Italian glass painting, pottery, and lace; French tapestry and block printing; and German metal work and weaving.







A Manual of Historic Ornament


Book Description

Reproduction of the original: A Manual of Historic Ornament by Richard Glazier




Histories of Ornament


Book Description

This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); María Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Rémi Labrusse (Université Paris Ouest Nanterre la Défense); Gülru Necipoğlu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaroğlu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).