The Historical Novel from Scott to Sabatini


Book Description

Sir Walter Scott defined the parameters of the historical novel and illustrated his concept of the genre by writing a long series of novels dealing with medieval times, the Elizabethan Age and the 18th Century. Later novels written by his contemporaries and successors attracted smaller audiences. When Robert Louis Stevenson, in the early 1880s, enthusiastically expanded the boundaries of romantic fiction, he became a standard-bearer and an inspiration to many of his fellow-novelists: Walter Besant, Richard Doddridge Blackmore, Arthur Quiller-Couch, Arthur Conan Doyle, Stanley John Weyman, Anthony Hope, Henry Rider Haggard, and Rafael Sabatini.







The Historical Novel from Scott to Sabatini


Book Description

"Sir Walter Scott, in theory and practice, established a rationale for the writing of historical novels. He identified the relative importance of the roles to be played by real men and women of the past, and discussed the significance of language, the importance of research as opposed to the claims of the imagination, and the proper use of strong passions in his fictional characters. Some of his contemporaries and successors thought that they could surpass his achievement by being more faithful to the 'facts' of history, or by moralizing about more up-to-date issues, but their efforts proved less successful." "Not until Robert Louis Stevenson redefined the possibilities inherent in the genre - beginning in the 1880s - did the historical romance attract a wider audience. The resurgence of this type of fiction, called by some 'The New Historical Novel', attracted the impressive storytelling talents of Sir Walter Besant, Richard Doddridge Blackmore, Sir Arthur Quiller-Couch, Sir Arthur Conan Doyle, Stanley John Weyman, Anthony Hope, Sir Henry Rider Haggard, and Rafael Sabatini. The Armistice that concluded the Great War brought to an abrupt end this amazing forty-year vogue for costume novels. The story of how and why they became so popular is well worth reviewing."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




The Strolling Saint


Book Description

Rafael Sabatini (1875 - 1950) was an Italian/British writer of novels of romance and adventure. At a young age, Rafael was exposed to many languages. By the time he was seventeen, he was the master of five languages. He quickly added a sixth language - English - to his linguistic collection. After a brief stint in the business world, Sabatini went to work as a writer. He wrote short stories in the 1890s, and his first novel came out in 1902. Sabatini was a prolific writer; he produced a new book approximately every year. He consciously chose to write in his adopted language, because, he said, "all the best stories are written in English." In all, he produced thirty one novels, eight short story collections, six nonfiction books, numerous uncollected short stories, and a play. He is best known for his world-wide bestsellers: The Sea Hawk (1915), Scaramouche (1921), Captain Blood (1922) and Bellarion the Fortunate (1926). Other famous works by Sabatini are The Lion's Skin (1911), The Strolling Saint (1913) and The Snare (1917).




The Greatest Works of Rafael Sabatini


Book Description

DigiCat presents to you this unique Rafael Sabatini collection, formatted for your eReader with a functional and detailed table of contents: Novels: Scaramouche Captain Blood The Lovers of Yvonne The Tavern Knight Bardelys the Magnificent The Trampling of the Lilies Love-at-Arms The Shame of Motley St. Martin's Summer Mistress Wilding The Lion's Skin The Strolling Saint The Gates of Doom The Sea Hawk The Snare Fortune's Fool The Carolinian Short Stories: The Justice of the Duke: The Honour of Varano The Test Ferrante's jest Gismondi's wage The Snare The Lust of Conquest The pasquinade The Banner of the Bull: The Urbinian The Perugian The Venetian Other Stories: The Red Mask The Curate and the Actress The Fool's Love Story The Sacrifice The Spiritualist Mr. Dewbury's Consent The Baker of Rousillon Wirgman's Theory The Abduction Monsieur Delamort The Foster Lover The Blackmailer The Justice of the Duke The Ordeal The Tapestried Room The Wedding Gift The Camisade In Destiny's Clutch The Vicomte's Wager Sword and Mitre The Dupes The Malediction The Red Owl Out of the Dice Box The Marquis' Coach Tommy The Lottery Ticket The Duellist's Wife The Ducal Rival The Siege of Savigny The Locket The Devourer of Hearts The Matamorphasis of Colin Annabel's Wager The Act of The Captain of the Guard The Copy Hunter Sequestration Gismondi's Wage Playing with Fire The Scourge Intelligence The Night of Doom The Driver of the Hearse The Plague of Ghosts The Risen Dead The Bargain Kynaston's Reckoning Duroc The Poachers The Opportunist The Sentimentalist Casanova's Alibi The Augmentation of Mercury The Priest of Mars The Oracle Under the Leads The Rooks and the Hawk The Polish Duel Casanova in Madrid The Outlaw of Falkensteig D'Aubeville's Enterprise The Nuptials of Lindenstein The Outlaw and the Lady The Jealousy of Delventhal The Shriving of Felsheim Loaded Dice Of What Befel at Bailienochy After Worcester Field The Chancellor's Daughter... Historical Works: The Life of Cesare Borgia Torquemada and the Spanish Inquisition The Historical Nights' Entertainment – 1st and 2nd Series




Captain Blood


Book Description

Physician and country gentleman Peter Blood is forced to turn from medicine to piracy in this swashbuckling classic brimming with stolen treasure, adventure on the high seas, and romance.




Love-At-Arms


Book Description

Rafael Sabatini (1875-1950) was an Italian/British writer of novels of romance and adventure. He is best known for his worldwide bestsellers: The Sea Hawk, Scaramouche, Captain Blood, and Bellarion the Fortunate.




The Historical Nights' Entertainment, Second Series


Book Description

This book is a collection of narratives about historical events. Included are: The Absolution; The False Demetrius; The Hermosa Fembra; The Pastry-Cook of Madrigal; The End of the Very Galant; The Barren Wooing; Sir Judas; His Insolence of Buckingham; The Path of Exile; The Tragedy of Herrenhausen; The Tyrannicide; The Honor of Varano; The Lust of Conquest; and The Pasquinade. From the author's preface: As in the case of the narratives that made up the first volume, I set out again with the same ambitious aim of adhering scrupulously in every instance to actual, recorded facts; and once again I find it desirable at the outset to reveal how far the achievement may have fallen short of the admitted aim . . .




The Lion's Skin


Book Description

"The man that once did sell the lion's skin while the beast lived, was killed with hunting him. Remember that!" His back to the wall, the shadow of the noose over him, Justin Caryll flung these words at the brother who sought to destroy him. Since childhood and his mother's cruel death, young Caryll had been bred in France by his guardians for one purpose -- to wreak their vengeance on the father who had never known him. But Caryll did not complete his mission. Instead, he sailed for England and plunged into a maelstrom of dissension and revolt that teemed with danger for him -- and for beautiful woman who loved him.




Understanding Genre and Medieval Romance


Book Description

Unique in combining a comprehensive and comparative study of genre with a study of romance, this book constitutes a significant contribution to ongoing critical debates over the definition of romance and the genre and artistry of Malory's Morte Darthur. K.S. Whetter offers an original approach to these issues by prefacing a comprehensive study of romance with a wide-ranging and historically diverse study of genre and genre theory. In doing so Whetter addresses the questions of why and how romance might usefully be defined and how such an awareness of genre-and the expectations that come with such awareness-impact upon both our understanding of the texts themselves and of how they may have been received by their contemporary medieval audiences. As an integral part the study Whetter offers a detailed examination of Sir Thomas Malory's Le Morte Darthur, a text usually considered a straightforward romance but which Whetter argues should be re-classified and reconsidered as a generic mixture best termed tragic-romance. This new classification is important in helping to explain a number of so-called inconsistencies or puzzles in Malory's text and further elucidates Malory's artistry. Whetter offers a powerful meditation upon genre, romance and the Morte which will be of interest to faculty, graduate students and undergraduates alike.