Historically motivated gender ambiguity in Nathaniel Hawthorne's "The Scarlet Letter"


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Seminar paper from the year 2017 in the subject American Studies - Literature, grade: 1,0, University of Rostock (Anglistik/ Amerikanistik), course: Early American Literature, US History and Its Aftermath, language: English, abstract: Breaking with the tradition of examining "The Scarlet Letter" by Nathaniel Hawthorne for traces of (proto-)feminism, the paper approaches the idea of gender in analyzing the interplay of the time periods underlying the literary work - the 19th century as the time of writing and Puritan times as the setting of the plot. In the 200 years between the two moments, ideas of gender have changed with commencing ideas of female empowerment in Hawthorne's time. Looking at the shifting understanding of gender, the construction of femininity and masculinity is analyzed with a focus on the two protagonists - Hester Prynne and Arthur Dimmesdale. Overall, the gender relations between the two main characters change into opposite directions. Thus, Hawthorne's writing destabilizes conventional Puritan ideas of pre-ascribed spheres and gender roles. It has become an academic tradition over the past decades to scrutinize historical literary pieces for traces of feminism. Nathaniel Hawthorne's "The Scarlet Letter" has been a prime object of interest for several scholars in this pursuit. The story of Hester Prynne who is outlawed by Puritan society after having committed adultery represents an early work to have a protagonist who breaks with the law of her time. This might be the reason why in an earlier tradition the novel has been read with Arthur Dimmesdale, the young reverend and Hester's lover, as the central figure. Approaches involving feminism and gender studies challenged this reading. Their focus however primarilyseems to be the tracing of feminist attitudes in Hawthorne's writing. In this approach the historical perspective of the literary work is often read from a contemporary angle creating a hybrid reading that involves three time frames, namely the Puritan time of theplot, the 19th century setting of the novel's writing and the contemporary moment of thenovel's reading.




The Scarlet Letter


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Seduction and Theory


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Sexton, Anne; Dietrich, Marlene; Freud; Lacan.




Human Sexuality


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First Published in 1994. The purpose of an encyclopedia is to gather in one place information that otherwise would be difficult to find. Bring together a collection of articles that are authoritative and reflect a variety of viewpoints. The contributors come from a wide range of disciplines— from nursing to medicine, from biology to history— and include sociologists, psychologists, anthropologists, political scientists, literary specialists, academics and non-academics, clinicians and teachers, researchers and generalists.




Nathaniel Hawthorne in Context


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This volume provides a comprehensive overview of Nathaniel Hawthorne and demonstrates why he continues to be a critically significant figure in American literature. The first section focuses on Hawthorne's interest in and knowledge of past (Puritan and colonial) and contemporary nineteenth-century history (women's, African American, Native American) as the inspiration for his writings and the source of his literary success. The second section explores his fascination with social history and popular culture by examining topics as mesmerism, utopian life styles, theatrical performances, and artistic innovations. The third section looks at how Hawthorne succeeded and excelled in the literary marketplace, as an author of children's literature, literary sketches, and historical romances. In the fourth section, Hawthorne's literary precursors, peers, colleagues, and successors are analyzed. In the final section, Hawthorne's attachment to family, nature, and home is examined as the source of creative inspiration and philosophical questing.




A New England Nun


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Imperial Leather


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Imperial Leather chronicles the dangerous liaisons between gender, race and class that shaped British imperialism and its bloody dismantling. Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.




The Peabody Sisters


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Pulitzer Prize Finalist: “A stunning work of biography” about three little-known New England women who made intellectual history (The New York Times). Elizabeth, Mary, and Sophia Peabody were in many ways the American Brontës. The story of these remarkable sisters—and their central role in shaping the thinking of their day—has never before been fully told. Twenty years in the making, Megan Marshall’s monumental biography brings the era of creative ferment known as American Romanticism to new life. Elizabeth Peabody, the oldest sister, was a mind-on-fire influence on the great writers of the era—Emerson, Hawthorne, and Thoreau among them—who also published some of their earliest works; it was she who prodded these newly minted Transcendentalists away from Emerson’s individualism and toward a greater connection to others. Middle sister Mary Peabody was a passionate reformer who finally found her soul mate in the great educator Horace Mann. And the frail Sophia, an admired painter among the preeminent society artists of the day, married Nathaniel Hawthorne—but not before Hawthorne threw the delicate dynamics among the sisters into disarray. Casting new light on a legendary American era, and on three sisters who made an indelible mark on history, Marshall’s unprecedented research uncovers thousands of never-before-seen letters as well as other previously unmined original sources. “A massive enterprise,” The Peabody Sisters is an event in American biography (The New York Times Book Review). “Marshall’s book is a grand story . . . where male and female minds and sensibilities were in free, fruitful communion, even if men could exploit this cultural richness far more easily than women.” —The Washington Post “Marshall has greatly increased our understanding of these women and their times in one of the best literary biographies to come along in years.” —New England Quarterly