Noah and the Devil


Book Description

A retelling of the story of Noah's ark, embellished with elements from Romanian folklore, including how the devil sneaked aboard, the reason Noah threw a cat overboard, and the role of a snake in saving the ark. In this Romanian folk version of the Noah story, getting the animals to march, two by two, onto the ark is the easy part. It's Noah's stubborn wife who insists that she's staying on dry land. Frustrated, Noah finally declares, "Oh, you devil, come in!" and not only persuades his wife but also gives the Devil himself the invitation he needed to come aboard.




Romanian Folk Tales


Book Description

Please note - these are not "politically correct" tales. . In the Queen of Fairies (in the original, The Fairy of Fairies) as also in The Enchanted Prince, the plain-spoken expression has in several places been somewhat toned down. In all these cases the translator has cravenly yielded to the fear of bruising the delicate susceptibilities of civilized folks, who, while not exactly more moral, are certainly more squeamish than the artless old-world peasant. The book contains 7 original Romanian tales, as published in 1870s by Petre Ispirescu, as well as their English translation.




Folkloric Aspects of the Romanian Imaginary and Myth


Book Description

This volume explores a selection of significant and topical elements from the vast amount of Romanian folkloric and mythological material. It sheds light on the mythical-ritualistic aspects of three complex calendar holydays (specifically The Lads of Brașov, Călușarii, and Sânzienele), whose ritualistic sequences, laden with mythical-symbolical reminiscences, were lost during the Communist period and are known today thanks to their spectacular features. Such aspects include demonic mythical beings (such as Iele, Rusalii, Știma Apei, The Woodwoman, and Strigoi) that define the collective imaginary; significant myths that have found their artistic expression in fairytales and legends; and the role of women in traditional Romanian society.




Romanian Stories (Illustrated)


Book Description

A collection of fifteen stories written by some of Romania's best writers of the late 19th century, early 20th century period, translated by Lucy Byng, revised by Tiberian Press, illustrated by Francesca Ibba: The Fairy of the Lake(Mihail Sadoveanu) The Easter Torch(Ion Luca Caragiale) At Manjoala's Inn(Ion Luca Caragiale) Alexandru Lapushneanu, 1564-1569(Costache Negruzzi) Zidra(Marc Beza) Gardana(Marc Beza) The Dead Pool(Marc Beza) Old Nichifor, the Impostor(Ion Creanga) Cozma Racoare(Mihail Sadoveanu) The Wanderers(Mihail Sadoveanu) The Fledgeling(Ioan Alexandru Bratescu-Voinesti) Popa Tanda(Ioan Slavici) Out in the World(Ion Popovici-Banateanu) The Bird of Ill Omen(Ioan Alexandru Bratescu-Voinesti) Irinel(Barbu Stefanescu Delavrancea)










A World Full of Animal Stories


Book Description

This beautiful book of stories takes readers on a journey around the world with 50 best-loved tales, featuring creatures big and small. Prepare for a story time like no other as you delve into this beautifully-illustrated collection of classic stories featuring tales about your favourite animals from every corner of the globe. This anthology of animal stories brings together the most loved animal-themed fables, myths and legends including The Three Little Pigs, The Ugly Duckling, Why the Swallow's Tail is Forked and the story of Ananse and the Python. Lively retellings from best-selling author Angela McAllister are brought to life with sumptuous illustrations from Romanian-born illustrator, Aitch, in this treasury to treasure for a lifetime. For story lovers young and old this is the perfect anthology for all the family and animal lovers everywhere.




After the Fall


Book Description

Noemi Marin analyzes famous writers from the area as critical intellectuals and exiles in order to explore the role of rhetoric and identity in writers' own experiences during the long history of communism. Along with examinations of discursive relationships among power, culture and resistance in works by George Konrad, Andrei Codrescu, and Siavenka Drakulic before and after the fall of communism, Marin proposes specific dimensions for a rhetoric of exile pertinent to communist Eastern and Central Europe. After the Fall shows how critical works on identity, culture, and communist history by the writers studied aid in reconstituting a rhetoric of dissidence, identity, and legitimation in the public discourse of a changing Europe. The book offers a unique perspective on the complex contexts of political transition, in which competing public discourse on freedom and democracy intersect with totalitarian regimes, unsettled societies, and issues of resistance.