History and Race in Caryl Phillips’s The Nature of Blood


Book Description

This monograph examines Caryl Phillips’s The Nature of Blood (1997), a novel exploring recurring expressions of exclusion and discrimination throughout history with particular focus on Jewish and African diasporas and the storytelling of its migrant characters. Particular attention is given to the analysis of characters revealing different facets of the Jewish question. Maria Festa also provides a historical excursus on the notion of race and considers another character alluding to Shakespeare’s Othello to expose the paradoxes of the relationship between subjugator and subjugated. The study makes the case that among the novel’s most remarkable achievements is Phillips’s effort to redress the absence of the Other from our history, that by depicting experiences of displacement, and by confronting readers with seemingly disconnected narrative fragments, The Nature of Blood is a reminder of the missing stories, the voices—marginalised and often racialized—that Western history has consistently failed to include in its accounts of the past and arguably its present.




The Nature of Blood


Book Description

A German Jewish girl whose life is destroyed by the atrocities of World War II . . . her uncle, who undermines the sureties of his own life in order to fight for Israeli statehood . . . the Jews of a 15th-century Italian ghetto . . Othello, newly arrived in Venice . . . a young Ethiopian Jewish woman resettled in Israel. These are the extraordinary people who inhabit Caryl Phillips' eloquent and moving new novel, and whose stories are connected by circumstance, spirit, and blood across the centuries.




The Final Passage


Book Description

From the British-West Indian novelist who is rapidly emerging as the bard of the African diaspora comes a haunting work about “the final passage”—the exodus of black West Indians from their impoverished islands to the uncertain opportunities of England. In her village of St. Patrick’s, Leila Preston has no prospects, a young son, and a husband, Michael, who seems to prefer the company of his mistress. So when her ailing mother travels to England for medical care, Leila decides to follow her. As Caryl Phillips follows the Prestons’ outward voyage—and their bewildered attempt to find a home in a country whose rooming houses post signs announcing “No vacancies for coloureds”—he produces a tragicomic portrait of hope and dislocation. The Final Passage is a novel rich in language, acute in its grasp of character, and unforgettable in its vision of the colonial legacy. “Like Isabel Allende and Gabriel García Márquez, Phillips writes of times so heady and chaotic and of characters so compelling that time moves as if guided by the moon and dreams.”—Los Angeles Times Book Review




Caribbean Jewish Crossings


Book Description

Caribbean Jewish Crossings is the first essay collection to consider the Caribbean's relationship to Jewishness through a literary lens. Although Caribbean novelists and poets regularly incorporate Jewish motifs in their work, scholars have neglected this strain in studies of Caribbean literature. The book takes a pan-Caribbean approach, with chapters addressing the Anglophone, Francophone, Hispanophone, and Dutch-speaking Caribbean. Part 1 traces the emergence of a Caribbean-Jewish literary culture in Suriname, St. Thomas, Jamaica, and Cuba from the late eighteenth century through the early twentieth century. Part 2 brings into focus Sephardic and crypto-Jewish motifs in contemporary Caribbean literature, while Part 3 turns to the question of colonialism and its relationship to Holocaust memory. The volume concludes with the compelling voices of contemporary Caribbean creative writers.




Metaphor and Diaspora in Contemporary Writing


Book Description

Choose ten major contemporary diasporic writers (from Abdulrazak to Zadie), ask ten leading authorities to write about their use of metaphor, and this is the result: a timely reassertion of metaphor's unrivalled capacity to encompass sameness and difference and create understanding and empathy across boundaries of nationality, race and ethnicity.




Under Postcolonial Eyes


Book Description

In the Western literary tradition, the "jew" has long been a figure of ethnic exclusion and social isolation--the wanderer, the scapegoat, the alien. But it is no longer clear where a perennial outsider belongs. This provocative study of contemporary British writing points to the figure of the "jew" as the litmus test of multicultural society. Efraim Sicher and Linda Weinhouse examine the "jew" as a cultural construction distinct from the "Jewishness" of literary characters in novels by, among others, Salman Rushdie, Anita Desai, Doris Lessing, Monica Ali, Caryl Philips, and Zadie Smith, as well as contemporary art and film. Here the image of the "jew" emerges in all its ambivalence, from postcolonial migrant and modern everyman to more traditional representations of the conspirator and malefactor. The multicultural discourses of ethnic and racial hybridity reflect dissolution of national and personal identities, yet the search for transnational, cultural forms conceals both the acceptance of marginal South Asian, Caribbean, and Jewish voices as well as the danger of resurgent antisemitic tropes. Innovative in its contextualization of the "jew" in the multiculturalism debate in contemporary Britain, Under Postcolonial Eyes: Figuring the "jew" in Contemporary British Writing analyzes the narrative of identities in a globalized culture and offers new interpretations of postmodern classics.




The Routledge History of Literature in English


Book Description

The Routledge History of Literature in English covers the main developments in the history of British and Irish literature from AD 600 to the present day. Accompanying language notes explore the interrelationships between language and literature, emphasising the growth of literary writing, its traditions, conventions and changing characteristics. Extensive quotations from poetry, prose and drama underpin the narrative. With a new chapter on novels, drama and poetry in the 21st century and an extensive companion website, The Routledge History of Literature in English will be an invaluable reference for any student of English literature and language.




Caryl Phillips


Book Description

This examination of Caryl Phillips' novels ranges from the Final Passage to The Nature of Blood and considers them in relation to his plays and essays. Starting with a textual analysis of his fiction, it examines how it charts a diasporic awareness.




Anti-Black Racism in Early Modern English Drama


Book Description

This is the first book to deploy the methods and ensemble of questions from Afro-pessimism to engage and interrogate the methods of Early Modern English studies. Using contemporary Afro-pessimist theories to provide a foundation for structural analyses of race in the Early Modern Period, it engages the arguments for race as a fluid construction of human identity by addressing how race in Early Modern England functioned not only as a marker of human identity, but also as an a priori constituent of human subjectivity. Chapman argues that Blackness is the marker of social death that allows for constructions of human identity to become transmutable based on the impossibility of recognition and incorporation for Blackness into humanity. Using dramatic texts such as Othello, Titus Andronicus, and other Early Modern English plays both popular and lesser known, the book shifts the binary away from the currently accepted standard of white/non-white that defines "otherness" in the period and examines race in Early Modern England from the prospective of a non-black/black antagonism. The volume corrects the Afro-pessimist assumption that the Triangle Slave Trade caused a rupture between Blackness and humanity. By locating notions of Black inhumanity in England prior to chattel slavery, the book positions the Triangle Trade as a result of, rather than the cause of, Black inhumanity. It also challenges the common scholarly assumption that all varying types of human identity in Early Modern England were equally fluid by arguing that Blackness functioned as an immutable constant. Through the use of structural analysis, this volume works to simplify and demystify notions of race in Renaissance England by arguing that race is not only a marker of human identity, but a structural antagonism between those engaged in human civil society opposed to those who are socially dead. It will be an essential volume for those with interest in Renaissance Literature and Culture, Shakespeare, Contemporary Performance Theory, Black Studies, and Ethnic Studies.




Performing Migrancy and Mobility in Africa


Book Description

Performing Migrancy and Mobility in Africa focuses on a body of performance work, the work of Magnet Theatre in particular but also work by other artists in Cape Town and other parts of the continent or the world, that engages with the Cape as a real or imagined node in a complex system of migration and mobility. Located at the foot of the African continent, lodged between two oceans at the intersection of many of the earth's major shipping lanes, Cape Town is a stage for a powerful mixing of cultures and peoples and has been an important node in a network of flows, circuits of movement and exchange. The performance works studied here attempt to get to grips with what it feels like to be on the move and in the spaces in-between that characterises the lives, now and for centuries before, of multiple peoples who move around and pass through places like the Cape. The contributors are a broad range of mostly African authors from various parts of the continent and as such the book offers an insight into new thinking and new approaches from an emerging and important location.