History of Art in Primitive Greece, Vol. 2 of 2


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Excerpt from History of Art in Primitive Greece, Vol. 2 of 2: Mycenian Art The only sepultures that we may safely call archaic are those that have been recognized towards the foot of Mount Hanai' Tepeh, on the summit of which stood the Hellenic temple of 'l'hymbraeus Apollo.l Below the ruins of this sacred building, relics of a prehistoric village have been uncovered. The pottery is as uncouth as in the lowest strata at Hissarlik: nearly all the implements are made of stone and bone, and bronze hardly. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




History of Art in Primitive Greece


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




History of Art in Primitive Greece


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




History of Art in Primitive Greece, Vol. 1 of 2: Mycenian Art (Classic Reprint)


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Excerpt from History of Art in Primitive Greece, Vol. 1 of 2: Mycenian Art Since the beginning of the present century numerous monu ments have'been brought to light, old writings have been read and translated, chronologies have been discovered, thousands of inscriptions have been deciphered, and sculptures of the most varied kind have been exhumed, giving faithful portraitures of civilizations that had their being thousands of years before our era; ancient history, therefore, has had to be entirely te-written. There is scarcely a day, so to speak, that does not add to the knowledge we already possessed as to the frequent and intimate intercourse which Hellas entertained with those Eastern nations whose territories extended to her own borders, and who were in the enjoyment of a culture little inferior to that of Babylon and Egypt at an age when the Hellenes were still semi-savages. Accordingly, no Art-history of Greece can now be undertaken without reference to Oriental art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.













The History of Ancient Art, Vol. 2 (Classic Reprint)


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Excerpt from The History of Ancient Art, Vol. 2 29. These statements refer to art under the Romans at the time of the republic. Those relating to it between the point at which I here stop and the fall of Roman freedom will be found in the second part, because they are more intermixed with Greek history. They have this value at least that, if any one should wish to pursue them more at length, they will save him a portion of the labor which is occasioned by reading the ancient authors with so much care and with reference to the succession of events. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The John Crerar


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