History of Cosmopolite


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Ministers and Masters


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In Ministers and Masters Charity R. Carney presents a thorough account of the way in which Methodist preachers constructed their own concept of masculinity within -- and at times in defiance of -- the constraints of southern honor culture of the early nineteenth century. By focusing on this unique subgroup of southern men, the book explores often-debated concepts like southern honor and patriarchy in a new way. Carney analyzes Methodist preachers both involved with and separate from mainstream southern society, and notes whether they served as itinerants -- venturing into rural towns -- or remained in city churches to witness to an urban population. Either way, they looked, spoke, and acted like outsiders, refusing to drink, swear, dance, duel, or even dress like other white southern men. Creating a separate space in which to minister to southern men, women, and children, oftentimes converting a dancehall floor into a pulpit, they raised the ire of non- Methodists around them. Carney shows how understanding these distinct and often defiant stances provides an invaluable window into antebellum society and also the variety of masculinity standards within that culture. In Ministers and Masters, Carney uses ministers' stories to elucidate notions of secular sinfulness and heroic Methodist leadership, explores contradictory ideas of spiritual equality and racial hierarchy, and builds a complex narrative that shows how numerous ministers both rejected and adopted concepts of southern mastery. Torn between convention and conviction, Methodist preachers created one of the many "Souths" that existed in the nineteenth century and added another dimension to the well-documented culture of antebellum society.







The Journal of Negro History


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The scope of the Journal include the broad range of the study of Afro-American life and history.







Murder in a Mill Town


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A master storyteller presents a riveting drama of America's first "crime of the century"--from murder investigation to a church sex scandal to celebrity trial--and its aftermath. In December 1832 a farmer found the body of a young, pregnant woman hanging near a haystack outside a New England mill town. When news spread that Methodist preacher Ephraim Avery was accused of murdering Sarah Maria Cornell, a factory worker, the case gave the public everything they found irresistible: sexually charged violence, adultery, the hypocrisy of a church leader, secrecy and mystery, and suspicions of insanity. Murder in a Mill Town tells the story of how a local crime quickly turned into a national scandal that became America's first "trial of the century." After her death--after she became the country's most notorious "factory girl"--Cornell's choices about work, survival, and personal freedom became enmeshed in stories that Americans told themselves about their new world of industry and women's labor and the power of religion in the early republic. Writers penned seduction tales, true-crime narratives, detective stories, political screeds, songs, poems, and melodramatic plays about the lurid scandal. As trial witnesses, ordinary people gave testimony that revealed rapidly changing times. As the controversy of Cornell's murder spread beyond the courtroom, the public eagerly devoured narratives of moral deviance, abortion, suicide, mobs, "fake news," and conspiracy politics. Long after the jury's verdict, the nation refused to let the scandal go. A meticulously reconstructed historical whodunit, Murder in a Mill Town exposes the troublesome workings of criminal justice in the young democracy and the rise of a sensational popular culture.




The Methodists and Revolutionary America, 1760-1800


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The Methodists and Revolutionary America is the first in-depth narrative of the origins of American Methodism, one of the most significant popular movements in American history. Placing Methodism's rise in the ideological context of the American Revolution and the complex social setting of the greater Middle Atlantic where it was first introduced, Dee Andrews argues that this new religion provided an alternative to the exclusionary politics of Revolutionary America. With its call to missionary preaching, its enthusiastic revivals, and its prolific religious societies, Methodism competed with republicanism for a place at the center of American culture. Based on rare archival sources and a wealth of Wesleyan literature, this book examines all aspects of the early movement. From Methodism's Wesleyan beginnings to the prominence of women in local societies, the construction of African Methodism, the diverse social profile of Methodist men, and contests over the movement's future, Andrews charts Methodism's metamorphosis from a British missionary organization to a fully Americanized church. Weaving together narrative and analysis, Andrews explains Methodism's extraordinary popular appeal in rich and compelling new detail.




History of Cosmopolite


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