History of Prose Fiction, Vol. 2 (Classic Reprint)


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Excerpt from History of Prose Fiction, Vol. 2 In all the versions the tales are enclosed in a frame. A mode of composition subsequently adopted in many writings of a similar description. We are told that a powerful king, after being tired one day with the chase. Came, accompanied by his vizier, to a place of retreat and refreshment. Here the prince and his minister enter into a discourse on human life and government, a conversation which seems to have been suggested by a swarm of bees, which were at labour in the trunk of a neighbouring oak. During this discussion, the vizier mentions the story of Bidpai, and the Indian king who ruled according to his counsels. This frame is not believed to be more ancient than the Turkish version; but the story of Bidpai, which the king expresses a curiosity to hear, is supposed to be as old as the earliest Persian translation, and is of the follow ing tenor Dabchelim, the Indian king, after a feast in which his liberality had been much commended by all his guests, made a great distribution of gold among his friends and the poor. In the course of the following night, an old man appeared to him in a dream, and, as a reward generosity, informed him where he would find a treasure. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




History of Prose Fiction, Vol. 1 (Classic Reprint)


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Excerpt from History of Prose Fiction, Vol. 1 HE value of Dunlop's History of Fiction, now again, after a long lapse of years, placed within reach of the English reader, needs no demonstration it is amply attested by the numerous quotations from and references to it in all works, even of the most recent date, upon the history of imaginative literature. The explorations in the field of the genesis and genealogy of fiction have, indeed, recently attained such extensive development that pro bably no single writer could now be found bold enough to review such a vast domain as forms the scope of Dunlop's undertaking. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




History of Prose Fiction;


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




History of Prose Fiction


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




History of Prose Fiction, Volume 2 - Primary Source Edition


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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




The History of Fiction, Vol. 2 of 3


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Excerpt from The History of Fiction, Vol. 2 of 3: Being a Critical Account of the Most Celebrated Prose Works of Fiction, From the Earliest Greek Romances to the Novels of the Present Age The French writers, on the other hand, and pair tic'ularly the' Comte de Tressan, iii his preface to the Traduction libre d' Amadis de Gaule, have insisted that the work (or at least the three first of the four books it contains) Was originally written in French, in the reign of Philip Augustus, or one' of his predecessors. His arguments rest on some vague assertions in old French manuscripts, that Amadis had been at one tithe extant, and on the similarity of the manners, and even incidents, de scribed in Amadis, with those of Tristan and Lan celot, which are avowedly French: he thinks it also iniprobable that while such hatred subsisted between the French and Spaniards, an author of the latter nation should have chosen a Gallic knight for his favourite hero; but this argument strikes only against a Spanish and not a Portugueza ori ginal. To the reasons of Tressan, however, may be added the testimony of one Portugueze poet. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Prose, Vol. 2 of 2 (Classic Reprint)


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Excerpt from Prose, Vol. 2 of 2 Among the victims, however, there were some, splendidly apparelled, whose business it was to preserve the rest from being crushed by his steps, yet who appeared to delight in the misfortunes of their fellow creatures, whom they urged to push one another down in the path of the monster, for their own amusement. At the same time, with goads in their hands, which had been entrusted to them expressly for the purpose of keeping him off, they incessantly pricked him on, even when he would have been quiet, or have taken a different road. One of these especially distinguished himself; he was a little man, in a green coat, with an eagle's head on his shoulders, and a cook's comb upon it, of which he was prodigiously vain. This nondescript being had the power of driving the destroyer whithersoever he pleased, - except across the straits of Dover. After the giant had thus exercised himself (with one short interval of slumber) for more than twenty years, - twenty years in a reverie may be passed in twenty seconds, - he appeared utterly exhausted. Suddenly, as if he had been struck by apoplexy, he lay down, and stretching himself out at full length, from the rock of Gibraltar, a cross the whole continent of Europe, and beyond the arctic circle, he made his pillow of the polar ices, and fell fast asleep, - for Peace is only the sleep of war. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The History of Fiction, Vol. 2 of 2


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Excerpt from The History of Fiction, Vol. 2 of 2: Being a Critical Account of the Most Celebrated Prose Works of Fiction, From the Earliest Greek Romances to the Novels of the Present Day Having said this much of the general features, and in troduction of the Decameron, we shall now direct our attention to the tales of which it is composed; the merit of their incidents; the sources from which they have ori ginated, and their influence on the literature of subsequent ages. These tales have been variously classified by dif ferent critics. The most complete division of them has been made by Jason de Nores in his Poetica, (par. Si dimostra dalla distinzione del Decamerone che l' au tore le divide tacitamente nel proemio in Novelle, come son quelle di Calandrino;'in Parabole, come is quella di Mitridanes, e di Milesio, e di Giosepho; in Islam's come la Marchese di Saluzzo e Griselda; e in Favole come Guglielmo Rossiglione, Conte Anguersa, e Minghino, e infinite altre; intendendo per favola, nel modo che Aristo tile nella sua poetica, argomenti e azione, o tragiche eroiche o comiche This classification is extremely vague and fanciful, nor would it be easy to fix on one more satisfactory and defined. The only division to which the Decameron can properly be subjected, is the artificial one contrived by the author. In eight of the ten days into which it is distributed, a particular subject is assigned to the relaters, as stories of comical or melan choly vicissitudes of life, splendid examples of generosity, &c. Dioneo, however, is exempted from this restriction, and is allowed to indulge in whatever topic he chooses. His story is always the last, and generally the most licen tious, of the day. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Catalogue of the English Prose Fiction (Classic Reprint)


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Excerpt from Catalogue of the English Prose Fiction The present list of Fiction is put forth to supply a want that has long been felt. Although the need of a Catalogue of this department is not so urgent as that of the other departments of the Library, yet it was thought desirable, in view of the great expense attending, and time necessary for compiling and printing a complete Catalogue of our collection, to print this first, and as soon as the income of the Library will permit, to publish the Catalogue of the other departments. The following list includes all the Library possesses in this department, to October, 1874. The Authors and Titles are arranged in one. alphabet, the easier mode of reference.it is thought. In cases of Pseudonyms, (printed pseud.) a cross reference from the assumed to the real name (when known) will be found, after which the assumed name follows in parentheses and italics, as: Markel, Ik, pseud. See Mitchell, D. G. Mitchell, Donald Grant. (It Martel.) Initials or names within parentheses and in Roman type, are such as belong to. but seldom used by, such authors, as: Hook, Theodore (Edward.) Many works in this department are published, as: By the author of. In all such cases they have been placed under the title of the first or best known work of that author, as: Taken upon trust, By the author of Recommended to mercy. Under Recommended to mercy will be found all works by that author. A few titles have been classified, as: Fairy tales; French, translations from: Herman, Swedish, Danish and Norwegian, translations from; and Musical stories. A class of Historical Fiction would have been very desirable, but the shortness of time given for the mere clerical work on the volume, precluded this; the Library, however, possesses such a list, issued by the Public Library of Boston, which may be consulted, upon application. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The History of Fiction, Vol. 1 of 3


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Excerpt from The History of Fiction, Vol. 1 of 3: Being a Critical Account of the Most Celebrated Prose Works of Fiction, From the Earliest Greek Romances to the Novels of the Present Age The mind with shadows when it cannot enjoy the substance: For, upon a narrow inspec tion, Fiction strongly shows that a greater va riety if things, a more perfect order, a more beautiful variety, than can any where he found in nature, is pleasing to the mind. And as real history gives us not the success of things according to the deserts of vice and virtue, Fiction corrects it, and presents us with the fates and fortunes of persons rewarded or pu nished according to merit. And as real his tory disgusts us with a familiar and constant similitude of things, F ictz'oa relieves us expected turns and changes, and thus not only delights, but inculcates morality and no bleness of soul. It raises the mind by so commodating the images of things to our de sires, and, not like history and reason, subs jecting the mind to things. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.