Book Description

Excerpt from History of Roman Literature, From Its Earliest Period to the Augustan Age, Vol. 2 of 2 Thus, in the first ages of Greece, verse was the ordinary written language, and prose was subsequently introduced as an art and invention. In like manner, at Rome, during the early advances of poetry, the progress of which has been detailed in the preceding volume, prose composition continued in a state of neglect and barbarism. The most ancient prose writer, at least of those whose works have descended to us, was a man of little feeling or imagination, but of sound judgment and inflexible character, who exercised his pen on the subject of Agriculture, which, of all the peaceful arts, was most highly esteemed by his countrymen. The long winding coast of Greece, abounding in havens, and the innumerable isles with which its seas were studded, rendered the Greeks, from the earliest days, a trafficking, seafaring, piratic people: And many of the productions of their oldest poets, are, in a great measure, addressed to what may be called the maritime taste or feeling which prevailed among their countrymen. This sentiment continued to be cherished as long as the chief literary state in Greece preserved the sovereignty of the seas - compelled its allies to furnish vessels of war, and trusted to its naval armaments for the supremacy it maintained during the brightest ages of Greece. In none, either of the Doric or Ionian states, was agriculture of such importance as, to exercise much influence on manners or literature. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.