From Pictland to Alba, 789-1070


Book Description

In the 780s northern Britain was dominated by two great kingdoms; Pictavia, centred in north-eastern Scotland and Northumbria which straddled the modern Anglo-Scottish border. Within a hundred years both of these kingdoms had been thrown into chaos by the onslaught of the Vikings and within two hundred years they had become distant memories. This book charts the transformation of the political landscape of northern Britain between the eighth and the eleventh centuries. Central to this narrative is the mysterious disappearance of the Picts and their language and the sudden rise to prominence of the Gaelic-speaking Scots who would replace them as the rulers of the North. From Pictland to Alba uses fragmentary sources which survive from this darkest period in Scottish history to guide the reader past the pitfalls which beset the unwary traveller in these dangerous times. Important sources are presented in full and their value as evidence is thoroughly explored and evaluated.




A Companion to the English Dominican Province


Book Description

An account of Dominican activities in England, Ireland, Scotland and Wales from their arrival in 1221 until their dissolution at the Reformation




The Athenaeum


Book Description




From Alchemy to Chemistry in Picture and Story


Book Description

Praise for From Alchemy to Chemistry in Picture and Story "The timeline from alchemy to chemistry contains some of the most mystifying ideas and images that humans have ever devised. Arthur Greenberg shows us this wonderful world in a unique and highly readable book." —Dr. John Emsley, author of The Elements of Murder: A History of Poison "Art Greenberg takes us, through text and lovingly selected images, on a 'magical mystery tour' of the chemical universe. No matter what page you open, there is a chemical story worth telling." —Dr. Roald Hoffmann, Nobel Laureate and coauthor of Chemistry Imagined "Chemistry has perhaps the most intricate, most fascinating, and certainly most romantic history of all the sciences. Arthur Greenberg's essays-delightful, learned, quirky, highly personal, and richly illustrated with contemporary drawings (many of great rarity and beauty)-provide a kaleidoscope of intellectual landscapes, bringing the experiments, the ideas, and the human figures of chemistry's past intensely alive." —Dr. Oliver Sacks, author of Awakenings From Alchemy to Chemistry in Picture and Story takes you on an illustrated tour of chemistry's fascinating history, from its early focus on the spiritual relationship between man and nature to some of today's most cutting-edge applications. Drawing from rare publications and artwork that span over five centuries, the book contains nearly 200 essays and over 350 illustrations-including 24 in full color-that tell the engaging story of the development of this fundamental science and its connection with human history. Join Arthur Greenberg as he combines the "best of the best" from his previous works (as well as several new essays) to paint a colorful picture of chemistry's remarkable origins!







The Oxford Handbook of Jonathan Edwards


Book Description

This Handbook offers a state-of-the-art summary of scholarship on Jonathan Edwards by a diverse, international, and inter-disciplinary group of active Edwards scholars.




Saturday Review


Book Description







Private Collecting, Exhibitions, and the Shaping of Art History in London


Book Description

The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen’s club with a singular remit – to exhibit members’ art collections. Exhibitions were proposed, organized, and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members’ social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and interpretation to a grand domestic-style gallery space, they also brought two forms of curatorial and art historical practice together in one unusual setting, enabling an unrestricted form of connoisseurship, where new categories of art were defined and old ones expanded. The history of this remarkable group of people has yet to be presented and is explored here for the first time. Through a framework of exhibition themes ranging from Florentine painting to Ancient Egyptian art, a study of lenders, objects, and their interpretation paints a picture of private collecting activities, connoisseurship, and art world practice that is surprisingly diverse and interconnected.