Holderlin's Philosophy of Nature


Book Description

In our age of climate change, the work of the decidedly philosophical poet Friedrich Holderlin has gained renewed urgency with its emphasis on the forces of nature that produce life and at the same time threaten to devour it. At the heart of his work lies an understanding of nature and the role that consciousness plays within it. This responds to, but also revises, the concerns of 18th and 19th-century philosophy of nature.This collection of 15 essays by distinguished international scholars reconsiders what his work reveals about the impulses toward form and formlessness in nature and the role that poetry plays in creating Holderlin's 'harmonious opposition'. The collection shows that Hlderlin anticipates many of the concerns that motivate contemporary environmental thinking.




Holderlin's Philosophy of Nature


Book Description

This collection of 15 essays by distinguished international scholars reconsiders what Friedrich Hölderlin's work reveals about the impulses toward form and formlessness in nature and the role that poetry plays in creating Holderlin's 'harmonious opposition'.




Hölderlin's Hymns


Book Description

“Translated with skill and precision, these lectures . . . present the most penetrating analysis of two of Hölderlin’s most significant hymns” (Choice). Martin Heidegger’s 1934–1935 lectures on Friedrich Hölderlin’s hymns “Germania” and “The Rhine” are considered the most significant among Heidegger’s lectures on Hölderlin. Coming at a crucial time in his career, the text illustrates Heidegger’s turn toward language, art, and poetry while reflecting his despair at his failure to revolutionize the German university and his hope for a more profound revolution through the German language, guided by Hölderlin’s poetry. These lectures are important for understanding Heidegger’s changing relation to politics, his turn toward Nietzsche, his thinking about the German language, and his breakthrough to a new kind of poetic thinking. “[This translation], including a clear and concise introduction and useful glossaries, attains both accuracy and clarity, rarely faltering in its choice of words.” —Notre Dame Philosophical Reviews




Aristotle on the Nature of Truth


Book Description

This book reconsiders the traditional correspondence theory of truth, which takes truth to be a matter of correctly representing objects. Drawing Heideggerian phenomenology into dialogue with American pragmatic naturalism, Christopher P. Long undertakes a rigorous reading of Aristotle that articulates the meaning of truth as a co-operative activity between human beings and the natural world that is rooted in our endeavours to do justice to the nature of things. By following a path of Aristotle's thinking that leads from our rudimentary encounters with things in perceiving through human communication to thinking, this book traces an itinerary that uncovers the nature of truth as ecological justice, and it finds the nature of justice in our attempts to articulate the truth of things.




Hölderlin's Hymn "The Ister"


Book Description

Martin Heidegger's 1942 lecture course interprets Friedrich Hölderlin's hymn "The Ister" within the context of Hölderlin's poetic and philosophical work, with particular emphasis on Hölderlin's dialogue with Greek tragedy. Delivered in summer 1942 at the University of Freiburg, this course was first published in German in 1984 as volume 53 of Heidegger's Collected Works. Revealing for Heidegger's thought of the period are his discussions of the meaning of "the political" and "the national," in which he emphasizes the difficulty and the necessity of finding "one's own" in and through a dialogue with "the foreign." In this context Heidegger reflects on the nature of translation and interpretation. A detailed reading of the famous chorus from Sophocles' Antigone, known as the "ode to man," is a key feature of the course.




Romanticism, Hellenism, and the Philosophy of Nature


Book Description

This book investigates intersections between the philosophy of nature and Hellenism in British and German Romanticism, focusing primarily on five central literary/philosophical figures: Friedrich Schelling, Friedrich Hölderlin, Johann Wolfgang von Goethe, Percy Shelley, and Lord Byron. Near the end of the eighteenth century, poets and thinkers reinvented Greece as a site of aesthetic and ontological wholeness, a move that corresponded with a refiguring of nature as a dynamically interconnected web in which each part is linked to the living whole. This vision of a vibrant materiality that allows us to become “one with all that lives,” along with a Romantic version of Hellenism that wished to reassemble the broken fragments of an imaginary Greece as both site and symbol of this all-unity, functioned as a two-pronged response to subjective anxiety that arose in the wake of Kant and Fichte. The result is a form of resistance to an idealism that appeared to leave little room for a world of beauty, love, and nature beyond the self.




Words in Blood, Like Flowers


Book Description

Why did Nietzsche claim to have "written in blood"? Why did Heidegger remain silent after World War II about his participation in the Nazi Party? How did Hölderlin's voice and the voices of other, more ancient poets come to echo in philosophy? Words in Blood, Like Flowers is a classical expression of continental philosophy that critically engages the intersection of poetry, art, music, politics, and the erotic in an exploration of the power they have over us. While focusing on three key figures—Hölderlin, Nietzsche, and Heidegger—this volume covers a wide range of material, from the Ancient Greeks to the vicissitudes of the politics of our times, and approaches these and other questions within their hermeneutic and historical contexts. Working from primary texts and a wide range of scholarly sources in French, German, and English, this book is an important contribution to philosophy's most ancient quarrels not only with poetry, but also with music and erotic love.




Friedrich Hölderlin


Book Description

Hölderlin's essays and letters constitute essential documents for an understanding of the transitional period from neo-classical poetics to what can only be characterized as a unique and, in its frequently experimental structure, essentially modernist poetics. This book contains virtually all of Hölderlin's theoretical writings translated for the first time. In spite of the great significance of Hölderlin''s ideas for contemporary critical thought, most of his highly important theoretical oeuvre has been unavailable to English readers until now. Here also are a number of letters which chart the development of Hölderlin's thought on issues that today remain fundamental to poetics and philosophy. The work's critical introduction discusses both the historical genesis of Hölderlin's theoretical writings out of the enlightenment as well as their systematic interaction with post-Kantian Idealism. Through interpretations of three short fragments, Pfau indicates that it would be insufficient to consider Hölderlin as the mere precursor of the great systematic philosophers of German Idealism--Fichte, Schelling, and Hegel. Instead, Hölderlin's earliest theoretical fragments already mark a turn away from the rigorous systematicity that underlies the philosophical discourse of his contemporaries. Hölderlin's theoretical writings may be the most seminal texts in the widely discussed interimplication of Idealistic philosophy and Romantic poetry and poetics.




Heidegger, Hölderlin, and the Subject of Poetic Language


Book Description

Gosetti-Ferencei argues that Heidegger has overlooked central elements in Hlderlin's poetics, such as a Kantian understanding of aesthetic subjectivity and a commitment to Enlightenment ideals. These elements, she argues, resist the more politically distressing aspects of Heidegger's interpretations, including Heidegger's nationalist valorization of the German language and sense of nationhood, or Heimat.




Hyperion, Or the Hermit in Greece


Book Description

Friedrich Hölderlin's only novel, Hyperion (1797-99), is a fictional epistolary autobiography that juxtaposes narration with critical reflection. Returning to Greece after German exile, following his part in the abortive uprising against the occupying Turks (1770), and his failure as both a lover and a revolutionary, Hyperion assumes a hermitic existence, during which he writes his letters. Confronting and commenting on his own past, with all its joy and grief, the narrator undergoes a transformation that culminates in the realisation of his true vocation. Though Hölderlin is now established as a great lyric poet, recognition of his novel as a supreme achievement of European Romanticism has been belated in the Anglophone world. Incorporating the aesthetic evangelism that is a characteristic feature of the age, Hyperion preaches a message of redemption through beauty. The resolution of the contradictions and antinomies raised in the novel is found in the act of articulation itself. To a degree remarkable in a prose work of any length, what it means is inseparable from how it means. In this skilful translation, Gaskill conveys the beautiful music and rhythms of Hölderlin's language to an English-speaking reader.