Hollywood's Dirtiest Secret


Book Description

In an era when many businesses have come under scrutiny for their environmental impact, the film industry has for the most part escaped criticism and regulation. Its practices are more diffuse; its final product, less tangible; and Hollywood has adopted public-relations strategies that portray it as environmentally conscious. In Hollywood’s Dirtiest Secret, Hunter Vaughan offers a new history of the movies from an environmental perspective, arguing that how we make and consume films has serious ecological consequences. Bringing together environmental humanities, science communication, and social ethics, Hollywood’s Dirtiest Secret is a pathbreaking consideration of the film industry’s environmental impact that examines how our cultural prioritization of spectacle has distracted us from its material consequences and natural-resource use. Vaughan examines the environmental effects of filmmaking from Hollywood classics to the digital era, considering how popular screen media shapes and reflects our understanding of the natural world. He recounts the production histories of major blockbusters—Gone with the Wind, Singin’ in the Rain, Twister, and Avatar—situating them in the contexts of the development of the film industry, popular environmentalism, and the proliferation of digital technologies. Emphasizing the materiality of media, Vaughan interweaves details of the hidden environmental consequences of specific filmmaking practices, from water use to server farms, within a larger critical portrait of social perceptions and valuations of the natural world.




Hollywood's Dirtiest Secret


Book Description

Hunter Vaughan offers a new history of the movies from an environmental perspective, arguing that how we make and consume films has serious ecological consequences. He examines the environmental effects of filmmaking from Hollywood classics to the digital era, considering how screen media shapes and reflects our understanding of the natural world.




Operation Hollywood


Book Description

Directors of war and action movies receive access to billions of dollars worth of military equipment and personnel, but it comes with a hidden cost. As a veteran Hollywood journalist shows, the final product is often not just what the director intends but also what the powers-that-be in the military want to project about America's armed forces.




Where Film Meets Philosophy


Book Description

The formal techniques two classic French filmmakers developed to explore cinema's philosophical potential.




Indecent Exposure


Book Description

When the head of Columbia Pictures, David Begelman, got caught forging Cliff Robertson's name on a $10,000 check, it seemed, at first, like a simple case of embezzlement. It wasn't. The incident was the tip of the iceberg, the first hint of a scandal that shook Hollywood and rattled Wall Street. Soon powerful studio executives were engulfed in controversy; careers derailed; reputations died; and a ruthless, take-no-prisoners corporate power struggle for the world-famous Hollywood dream factory began. First published in 1982, this now classic story of greed and lies in Tinseltown appears here with a stunning final chapter on Begelman's post-Columbia career as he continued to dazzle and defraud . . . until his last hours in a Hollywood hotel room, where his story dramatically and poignantly would end.




Change Mummified


Book Description

Exploring the modern category of history in relation to film theory, film textuality, and film history, Change Mummified makes a persuasive argument for the centrality of historicity to film as well as the special importance of film in historical culture. What do we make of the concern for recovering the past that is consistently manifested in so many influential modes of cinema, from Hollywood to documentary and postcolonial film? How is film related to the many modern practices that define themselves as configuring pastness in the present, such as architectural preservation, theme parks, and, above all, professional historical research? What is the relation of history in film to other media such as television and digital imaging? How does emphasizing the connection between film and modern historicity affect the theorization and historicization of film and modern media culture? Pursuing the full implications of film as cultural production, Philip Rosen reconceptualizes modern historicity as a combination of characteristic epistemological structures on the one hand, and the social imperative to regulate or manage time on the other. Emphasizing a fundamental constellation of pursuit of the real, indexical signification and the need to control time, he interrogates a spectrum of film theory and film texts. His argument refocuses the category of temporality for film and cultural theory while rethinking the importance of historicity. An original and sustained meditation on the historiographic status of cinematic signs, Change Mummified is both an intervention in film and media studies and an argument for the continuing necessity of modern historical thinking in its contradictions.




Hitler's Foreign Executioners


Book Description

In Hitler’s Foreign Executioners, Heinrich Himmler’s secret master plan for Europe is revealed: an SS empire that would have no place for either the Nazi Party or Adolf Hitler. His astonishingly ambitious plan depended on the recruitment of tens of thousands of ‘Germanic’ peoples from every corner of Europe, and even parts of Asia, to build an ‘SS Europa’. This revised and fully updated book, researched in archives all over Europe and using first-hand testimony, exposes Europe’s dirty secret: nearly half a million Europeans and more than a million Soviet citizens enlisted in the armed forces of the Third Reich to fight a deadly crusade against a mythic foe, Jewish Bolshevism. Even today, some apologists claim that these foreign SS volunteers were merely soldiers ‘like any other’ and fought a decent war against Stalin’s Red Army. Historian Christopher Hale demonstrates conclusively that these surprisingly common views are mistaken. By taking part in Himmler’s murderous master plan, these foreign executioners hoped to prove that they were worthy of joining his future ‘SS Europa’. But as the Reich collapsed in 1944, Himmler’s monstrous scheme led to bitter confrontations with Hitler – and to the downfall of the man once known as ‘loyal Heinrich’.




The Anthem Handbook of Screen Theory


Book Description

The Anthem Handbook of Screen Theory offers a unique and progressive survey of screen theory and how it can be applied to a range of moving-image texts and sociocultural contexts. Focusing on the “handbook” angle, the book includes only original essays from established authors in the field and new scholars on the cutting edge of helping screen theory evolve for the twenty-first-century vistas of new media, social shifts and geopolitical change. This method guarantees a strong foundation and clarity for the canon of film theory, while also situating it as part of a larger genealogy of art theories and critical thought, and reveals the relevance and utility of film theories and concepts to a wide array of expressive practices and specified arguments. The Anthem Handbook of Screen Theory is at once inclusive, applicable and a chance for writers to innovate and really play with where they think the field is, can and should be heading.




Living the Braveheart Life


Book Description

“Every man dies. Not every man really lives.” —William Wallace, Braveheart More than twenty years ago Braveheart captured the hearts of moviegoers around the world. The film was nominated for ten Academy Awards, winning five. Now, for the first time, author and screenwriter Randall Wallace shares the journey that led him to the famous Scottish warrior and how telling the story of William Wallace changed the direction of his life and career—from that surprising first moment in Edinburgh, Scotland, to selling the script to a major Hollywood studio. Part autobiography, part master class, Living the Braveheart Life invites us to explore five major archetypes in Braveheart that resonate not only in Randall’s life but in the modern-day lives of both men and women: the Father, Teacher, Warrior, Sage, and Outlaw. Join blockbuster film director Randall Wallace on the journey of his creative and personal life. Discover why thousands of moviegoers continue to say Braveheart is their all-time favorite film and how its creator and architect came to believe that he must write as if his life depended on it. Living the Braveheart Life is a challenge to all of us to engage in the greatest battle of all—the one inside the human heart. “I don’t think I’ve ever read anything like it . . . a prescription for what ails the contemporary soul.” —Steven Pressfield, screenwriter & author of ­The War of Art Front Flap During his prolific Hollywood career, Randall Wallace has amassed an enviable body of work. Films such as The Man in the Iron Mask, We Were Soldiers, and Secretariat have become box office standards. Yet no film defines his life and career more than Braveheart, written from a well of deep personal passion, steeped in years of reflection. With roots in small-town Tennessee, Randall’s hunger for adventure and unlimited horizons leads him to Duke University. ­There he sits under the tutelage of Thomas A. Langford, whose infectious love and learning and faith light up a classroom and a young man’s vision of life’s possibilities. A decade later, while on a trip to Scotland, Randall is introduced to an unfamiliar statue with an inscription that bears his last name. After hearing the first fragments of the Scottish hero’s tale, Randall recognizes the seeds of a truly great story. His William Wallace and his band of warriors forever changed the way we view love, war, and freedom. Living the Braveheart Life is a personal narrative of how an epic feature film came to life and breathed life into its author. It is the kind of book that will change the way we approach our internal battles, creative or personal. Welcome to a master class in storytelling from the consummate storyteller.




Ecologies of the Moving Image


Book Description

This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube’s expanding audio-visual universe.