Down and Dirty


Book Description

Taboo breakers and trendsetters, shameless hucksters and famous directors. Exploitation filmmaking has seen it all. Fred Olen Ray made his first movie for $298. In 1936 Marijuana-Weed with Roots in Hell showed drug use and nudity on screen in an effort to "educate the public." Kroger Babb, the man behind Mom and Dad, spliced color medical footage of a baby's birth into his black and white "classic." Russ Meyer, John Waters, Andy Milligan, Doris Wishman, and many others are covered. "Classic" films such as The Immoral Mr. Teas, The Texas Chainsaw Massacre, and Nude on the Moon are examined. Production techniques and innovations are also discussed.




Hollywood’s Exploited


Book Description

This book provides an interdisciplinary and collaborative anthology that seeks to make a compelling and exciting analysis of contemporary Hollywood film texts (and the larger industry and society to which they are dialectically related) in light of Giroux's ideas about public pedagogy. Foreword by Lawrence Grossberg.




Seduction


Book Description

The host of the podcast You Must Remember This explores Hollywood’s golden age via the cinematic life of Howard Hughes and the women who encountered him. Howard Hughes’s reputation as a director and producer of films unusually defined by sex dovetails with his image as one of the most prolific womanizers of the twentieth century. The promoter of bombshell actresses such as Jean Harlow and Jane Russell, Hughes supposedly included among his off-screen conquests many of the most famous actresses of the era, among them Billie Dove, Katharine Hepburn, Ava Gardner, Ginger Rogers, and Lana Turner. Some of the women in Hughes’s life were or became stars and others would stall out at a variety of points within the Hollywood hierarchy, but all found their professional lives marked by Hughes’s presence. In Seduction, Karina Longworth draws upon her own unparalleled expertise and an unpreceded trove of archival sources, diaries, and documents to produce a landmark—and wonderfully effervescent and gossipy—work of Hollywood history. It’s the story of what it was like to be a woman in Hollywood during the industry’s golden age, through the tales of actresses involved with Howard Hughes. This was the era not only of the actresses Hughes sought to dominate, but male stars such as Errol Flynn, Cary Grant, and Robert Mitchum; directors such as John Ford, Howard Hawks, and Preston Sturges; and studio chiefs like Irving Thalberg, Darryl Zanuck, and David O. Selznick—many of whom were complicit in the bedroom and boardroom exploitation that stifled and disappointed so many of the women who came to Los Angeles with hopes of celluloid triumph. In his films, Howard Hughes commodified male desire more blatantly than any mainstream filmmaker of his time and in turn helped produce an incredibly influential, sexualized image of womanhood that has impacted American culture ever since. As a result, the story of him and the women he encountered is about not only the murkier shades of golden-age Hollywood, but also the ripples that still slither across today’s entertainment industry and our culture in general. Praise for Seduction “Guaranteed to engross anyone with any interest at all in Hollywood, in movies, in #MeToo and in the never-ending story of men with power and women without.” —New York Times Book Review “The stories Longworth uncovers—about Katharine Hepburn and Jane Russell, yes, but also Ida Lupino and Faith Domergue and Anita Loos—are so rich, so compelling, that they urge you to question how much else in history has been lost within the swirling vortex of Great Men.” —Atlantic “A compelling and relevant must-read.” —Entertainment Weekly




Hollywood’s Exploited


Book Description

This book provides an interdisciplinary and collaborative anthology that seeks to make a compelling and exciting analysis of contemporary Hollywood film texts (and the larger industry and society to which they are dialectically related) in light of Giroux's ideas about public pedagogy. Foreword by Lawrence Grossberg.




Manufacturing Celebrity


Book Description

Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture.




"Bold! Daring! Shocking! True!"


Book Description

A social and cultural history of exploitation films, which were produced on the fringes of Hollywood and often dealt with subjects forbidden by the Production Code.




Remade in Hollywood


Book Description

This book describes how notions of Chinese identity, culture, and popular film genres have been reinvented and repackaged by major U.S. studios, spurring a surge in Chinese visibility in Hollywood.




The Style of Sleaze


Book Description

The Style of Sleaze reasons that the aesthetic and thematic approach of the key texts within three distinct exploitation demarcations - blaxploitation, horror and sexploitation - indicate a concurrent evolution of filmmaking that could be seen as an identifiable cinematic movement.




Scandals of Classic Hollywood


Book Description

Celebrity gossip meets history in this compulsively readable collection from Buzzfeed reporter Anne Helen Peterson. This guide to film stars and their deepest secrets is sure to top your list for movie gifts and appeal to fans of classic cinema and hollywood history alike. Believe it or not, America’s fascination with celebrity culture was thriving well before the days of TMZ, Cardi B, Kanye's tweets, and the #metoo allegations that have gripped Hollywood. And the stars of yesteryear? They weren’t always the saints that we make them out to be. BuzzFeed's Anne Helen Petersen, author of Too Fat, Too Slutty, Too Loud, is here to set the record straight. Pulling little-known gems from the archives of film history, Petersen reveals eyebrow-raising information, including: • The smear campaign against the original It Girl, Clara Bow, started by her best friend • The heartbreaking story of Montgomery Clift’s rapid rise to fame, the car accident that destroyed his face, and the “long suicide” that followed • Fatty Arbuckle's descent from Hollywood royalty, fueled by allegations of a boozy orgy turned violent assault • Why Mae West was arrested and jailed for "indecency charges" • And much more Part biography, part cultural history, these stories cover the stuff that films are made of: love, sex, drugs, illegitimate children, illicit affairs, and botched cover-ups. But it's not all just tawdry gossip in the pages of this book. The stories are all contextualized within the boundaries of film, cultural, political, and gender history, making for a read that will inform as it entertains. Based on Petersen's beloved column on the Hairpin, but featuring 100% new content, Scandals of Classic Hollywood is sensationalism made smart.




Liberating Hollywood


Book Description

Winner of the 2018 Richard Wall Memorial Award​ from the Theater Library Association Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio films: Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.