A Song for the Horse Nation


Book Description

Presents an illustrated examination of the role of horses in Native American culture and history, providing information on the depiction of horses in tribal clothing, tools, and other objects.




Homage to Chiapas


Book Description

Vividly depicts the grassroots struggles for land and local autonomy.




Sacred Legacy


Book Description

Reproduces nearly two hundred photographs of Native Americans taken by Edward Sheriff Curtis in the early 1900s, with essays that discuss aspects of life common to all tribes, including spirituality, ceremony, arts, and daily activities.




The Sound the Stars Make Rushing Through the Sky


Book Description

Introducing a dramatic new chapter to American Indian literary history, this book brings to the public for the first time the complete writings of the first known American Indian literary writer, Jane Johnston Schoolcraft (her English name) or Bamewawagezhikaquay (her Ojibwe name), Woman of the Sound the Stars Make Rushing Through the Sky (1800-1842). Beginning as early as 1815, Schoolcraft wrote poems and traditional stories while also translating songs and other Ojibwe texts into English. Her stories were published in adapted, unattributed versions by her husband, Henry Rowe Schoolcraft, a founding figure in American anthropology and folklore, and they became a key source for Longfellow's sensationally popular The Song of Hiawatha. As this volume shows, what little has been known about Schoolcraft's writing and life only scratches the surface of her legacy. Most of the works have been edited from manuscripts and appear in print here for the first time. The Sound the Stars Make Rushing Through the Sky presents a collection of all Schoolcraft's extant writings along with a cultural and biographical history. Robert Dale Parker's deeply researched account places her writings in relation to American Indian and American literary history and the history of anthropology, offering the story of Schoolcraft, her world, and her fascinating family as reinterpreted through her newly uncovered writing. This book makes available a startling new episode in the history of American culture and literature.




North American Indians


Book Description

From 1831 to 1837, George Catlin traveled extensively among the native peoples of North America—from the Muskogee and Miccosukee Creeks of the Southeast to the Lakota, Mandan, and Pawnee of the West, and from the Winnebagos and Menominees of the North to the Comanches of eastern Texas. Studying their habits, customs, and modes of life, he made copious notes and numerous sketches of ceremonies, buffalo hunts, symbols, and totems. Catlin’s unprecedented fieldwork culminated in more than five hundred oil paintings and his now-legendary journals, which, as Peter Matthiessen writes in his introduction, “taken together... constitute the first, last, and only ‘complete’ record of the Plains Indians ever made at the height of their splendid culture, so soon destroyed by traders’ liquor and disease, rapine and bayonets.” A one-volume edition of Catlin's journals Illustrated with more than fifty reproductions of Catlin's incomparable paintings







Stand in the Light


Book Description

"This book is a selection of historic photographs of American Indians by Edward Sheriff Curtis, with each photograph accompanied by an appropriate verse, poem, song, or prose from the associated tribe. There are ten tribes featured in the book. While there were many photographs taken of American Indians beginning in the 1860s, very few match Curtis's quality and beauty. Between 1900 and 1927, Curtis would visit eighty different tribes, travelling from the U.S.-Mexico border to the Arctic Circle, from the Great Plains to the Pacific Coast. He would take over 40,000 photographs, record songs and stories, interview famous tribal leaders, and produce a full-length silent film of the Kwakiutl people. The interviews Curtis conducted with individuals give incredible insight into their lives. His biographical sketches and personal observations of ceremonies and daily life of American Indians are unequalled. While the photographs are beautiful and works of art, they also serve a greater purpose. They allow American Indians of today to look back on a way of life their ancestors experienced, as well as give some of them the ability to see pictures of their relatives that would have been nonexistent if not for Edward S. Curtis. The beautiful words accompanying the photos are the prayers, songs, and wisdom of the American Indian tribes included in this book. They give voice to the artistic photographs. Wisdom comes from teachings through stories and instruction. From father to son, mother to daughter, and grandparents to grandchildren, ancient stories are handed down through generations. The words in this collection give the reader a respect and understanding for the philosophy and ideals of these tribal cultures and an appreciation for their love of the natural world"--







Miko Kings


Book Description

Fiction. Native American Studies. MIKO KINGS: AN INDIAN BASEBALL STORY is an homage to the dusty roads and wind-blown diamonds of America's first moving picture about baseball, His Last Game. Just as Henri Day and his team, the Miko Kings, are poised to win the 1907 Twin Territories' Pennant against their archrivals, the Seventh Cavalrymen from Fort Sill, pitcher Hope Little Leader finds himself embroiled in a plot that will destroy him and the Indian team. Only the town's chimeric postal clerk, Ezol Day, understands the outcome of Hope's last game and how it will affect Indians and baseball for the next four generations. Set in Indian Territory that is about to become part of Oklahoma, MIKO KINGS tells of the turbulent days before statehood when white settlers and gamblers are swindling the Indians out of their land and what has already happened will change its course. "They're stories that travel now as captured light in someone else's telescope," Ezol Day will tell the woman who should have been her granddaughter. In MIKO KINGS, LeAnne Howe bends the pitch of time to return us to the roots of a national game.




Bitterroot


Book Description

2019 High Plains Book Award (Creative Nonfiction and Indigenous Writer categories) 2021 Barbara Sudler Award from History Colorado In Bitterroot Susan Devan Harness traces her journey to understand the complexities and struggles of being an American Indian child adopted by a white couple and living in the rural American West. When Harness was fifteen years old, she questioned her adoptive father about her "real" parents. He replied that they had died in a car accident not long after she was born--except they hadn't, as Harness would learn in a conversation with a social worker a few years later. Harness's search for answers revolved around her need to ascertain why she was the target of racist remarks and why she seemed always to be on the outside looking in. New questions followed her through college and into her twenties when she started her own family. Meeting her biological family in her early thirties generated even more questions. In her forties Harness decided to get serious about finding answers when, conducting oral histories, she talked with other transracial adoptees. In her fifties she realized that the concept of "home" she had attributed to the reservation existed only in her imagination. Making sense of her family, the American Indian history of assimilation, and the very real--but culturally constructed--concept of race helped Harness answer the often puzzling questions of stereotypes, a sense of nonbelonging, the meaning of family, and the importance of forgiveness and self-acceptance. In the process Bitterroot also provides a deep and rich context in which to experience life.