Horror Movie a Day


Book Description

For over six years, Brian Collins watched and reviewed a different horror movie every single day. Most of them stunk. With over 2500 reviews on the Horror Movie A Day website, finding the worthwhile ones can be a chore, so Collins has curated a selection of choice films - 365 of them in fact, one for every day of the year. Each month has a different theme and offers a variety of films within that theme for your viewing enjoyment. And they're not the ones you've seen already - most of the book's selections are obscure, indie, or foreign titles that a casual horror fan hasn't seen yet. Every movie is someone's favorite movie - perhaps this book will introduce you to yours.




How to Survive a Horror Movie


Book Description

The screenwriter and producer behind Stephen King’s It shares a hilarious, tongue-in-cheek survival guide that celebrates iconic horror movies both past and present! THE PERFECT GIFT FOR HORROR MOVIE LOVERS: Features spooky illustrations, a list of 100 must-see horror films, and an introduction by Nightmare on Elm Street’s Wes Craven. Are you reading this in a cornfield, at a summer camp, or in an abandoned mental institution? Have you noticed that everything is poorly lit, or that music surges every time you open a door? If the answer is yes, you’re probably trapped in a horror movie. But don’t freak out—just read this book! With it you will learn how to overcome every obstacle found in scary films, including: • How to determine what type of horror film you’re trapped in • The five types of slashers and how to defeat them • How to handle killer dolls, murderous automobiles, and other haunted objects • How to deal with alien invasions, zombie apocalypses, and other global threats • What to do if you did something last summer, if your corn has children in it, or if you suspect you’re already dead So don't be afraid: no vampire, zombie horde, cannibal hillbilly, Japanese vengeance ghost, or other horror movie monster can hurt you—as long as you have this book.




Happy Death Day & Happy Death Day 2U


Book Description

The official novelization of the #1 smash hit film Happy Death Day and its sequel Happy Death Day 2U, from Blumhouse (Split, Get Out, The Purge franchise) and Universal Pictures. In Happy Death Day, Teresa "Tree" Gelbman's birthday is the worst day of her life, starting when she wakes up in a stranger's bed. It's also the last day of her life, ending when she's killed by a psychotic killer with a knife. She's dead. And then she wakes up in a stranger's bed, it's September 18, and she has to live it all over again . . . until she's hunted down and wakes up, again, and again. It's a Groundhog Day situation, only with murder, guns, and mean girls, and Tree's only shot at living to see the next day is to relive the day of her murder, over and over, until she discovers her killer's identity. Happy Death Day 2U picks up the story without missing a beat. Tree Gelbman thought she'd finally lived to see a brand-new day. But when she wakes up on her same birthday and an all-new psychopath in a mask is out to kill her and her friends, she's going to find out that all the rules have changed. Death makes a killer comeback.




My Favorite Horror Movie


Book Description

My Favorite Horror Movie is a ghoulish celebration of how a singular horror film can inspire someone to find their identity and artistic spirit.Featuring legends of horror with some of the most prolific and unique new voices in the genre such as Felissa Rose, Cerina Vincent, Tony Timpone, Jeffrey Reddick, Dave Parker, Rolfe Kanefsky, Ryan Lambert and Michael Gingold, My Favorite Horror Movie is an intimate glimpse into the development of their horror-obsessed minds.




True Indie


Book Description

From Don Coscarelli, the celebrated filmmaker behind many cherished cult classics comes a memoir that's both revealing autobiography and indie film crash course. Best known for his horror/sci-fi/fantasy films including Phantasm, The Beastmaster, Bubba Ho-tep and John Dies at the End, now Don Coscarelli’s taking you on a white-knuckle ride through the rough and tumble world of indie film. Join Coscarelli as he sells his first feature film to Universal Pictures and gets his own office on the studio lot while still in his teens. Travel with him as he chaperones three out-of-control child actors as they barnstorm Japan, almost drowns actress Catherine Keener in her first film role, and transforms a short story about Elvis Presley battling a four thousand year-old Egyptian mummy into a beloved cult classic film. Witness the incredible cast of characters he meets along the way from heavy metal god Ronnie James Dio to first-time filmmakers Quentin Tarantino and Roger Avary. Learn how breaking bread with genre icons Tobe Hooper, John Carpenter and Guillermo Del Toro leads to a major cable series and watch as he and zombie king George A. Romero together take over an unprepared national network television show with their tales of blood and horror. This memoir fits an entire film school education into a single book. It’s loaded with behind-the-scenes stories: like setting his face on fire during the making of Phantasm, hearing Bruce Campbell’s most important question before agreeing to star in Bubba Ho-tep, and crafting a horror thriller into a franchise phenomenon spanning four decades. Find out how Coscarelli managed to retain creative and financial control of his artistic works in an industry ruled by power-hungry predators, and all without going insane or bankrupt. True Indie will prove indispensable for fans of Coscarelli’s movies, aspiring filmmakers, and anyone who loves a story of an underdog who prevails while not betraying what he believes.




Fright Night on Channel 9


Book Description

From 1973 to 1987, Fright Night was a fixture of the late Saturday evening schedule on independent New York television station WOR-TV. A genre fan's nightmare come true, the modestly produced showcase featured horror films both classic and obscure, from Universal's Frankenstein series to such lesser-known delights as Beast of Blood and The Living Coffin. Fright Night suffered no delusions of grandeur and never claimed to be anything more than what it was: great entertainment on a Saturday night. This thorough if affectionate tribute to Fright Night's glory days includes a complete listing of all films shown on the series, as well as discussion of WOR-TV's other horror movie programs from the 1970s and 1980s. Also featured are interviews with the major surviving players, including Fright Night creator Lawrence P. Casey.




The Moth Diaries


Book Description

Lucy and Ernessa have become inseparable. Ernessa’s taken her over. She’s consuming her. What I saw wasn’t real. And I know it wasn’t a dream. Ernessa is a vampire. At an exclusive girls’ boarding school, a sixteen-year-old girl records her most intimate thoughts in a diary. The object of her growing obsession is her roommate, Lucy Blake, and Lucy’s friendship with their new and disturbing classmate. Ernessa is an enigmatic, moody presence with pale skin and hypnotic eyes. Around her swirl dark rumors, suspicions, and secrets as well as a series of ominous disasters. As fear spreads through the school and Lucy isn’t Lucy anymore, fantasy and reality mingle until what is true and what is dreamed bleed together into a waking nightmare that evokes with gothic menace the anxieties, lusts, and fears of adolescence. And at the center of the diary is the question that haunts all who read it: Is Ernessa really a vampire? Or has the narrator trapped herself in the fevered world of her own imagining?




Fear and Nature


Book Description

Ecohorror represents human fears about the natural world—killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman. Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. As such, ecohorror is a genre uniquely situated to address life, art, and the dangers of scientific knowledge in the Anthropocene. Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro. This range highlights the significance of ecohorror as a mode. In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily “other.” A foundational text, this volume will appeal to specialists in horror studies, Gothic studies, the environmental humanities, and ecocriticism. In addition to the editors, the contributors include Kristen Angierski, Bridgitte Barclay, Marisol Cortez, Chelsea Davis, Joseph K. Heumann, Dawn Keetley, Ashley Kniss, Robin L. Murray, Brittany R. Roberts, Sharon Sharp, and Keri Stevenson.




The Six Day Horror Movie


Book Description

When someone offered Michael DiPaolo $5,000 to help make a Digital Video horror film, he jumped at the chance to test a theory: an ultra-low budget feature, shot in less than a week, with a paid cast and crew, could be successful if meticulously planned. Using one computer and one camcorder, he produced and edited Daddy, which had its theatrical premier in New York City in 2004. This book breaks down the production through a detailed daily diary, emphasizing that the most important aspects of successful producing are careful planning and camaraderie in the group. The work covers many points important for the low-budget filmmaker, including selecting a story; budgeting; scheduling; picking cast and crew; scouting locations; finding wardrobe, food, and transportation; and what to do if you run out of time or money. Postproduction is also covered (editing, computer work, and sound design), as is the result of all this hard work: screenings, festivals, and distributors. One chapter covers the primacy of cinematic point-of-view, and another profiles some role models for the aspiring low-budget filmmaker: Edgar Ulmer, Val Lewton, Roger Corman, John Cassavetes, Ed Wood, Jr., and Jean-Luc Godard. Later chapters explain strategy and tactics of guerrilla filmmaking and show the budding filmmaker how to recognize both his limitations and his strengths.




Video Night


Book Description

Who better to repel a body-snatching alien invasion than a group of teenage horror nerds? Billy and Tom are best friends, but each knows that at the end of the school year they'll be moving in different directions. But why not go out with a bang and throw one last video night? They can invite some girls over, order a pizza, then maybe try and fight the alien infection that's taken hold over their suburban town. It's The Breakfast Club meets The Night of the Creeps in this slime-drenched '80s horror romp. "Hit that first chapter. It'll hook you, and the next time you look up, you'll have swallowed the book. It'll be nesting inside you like a seed, like an egg, like an invasion." -Stephen Graham Jones, author of Mongrels "The momentum keeps building. The stakes keep escalating. The monsters just keep getting worse and worse, the catastrophic mayhem more juicy and hopeless. Best of all, the writing moves like a greased torpedo, compulsively readable as it rockets through your brain." -Fangoria "If you put together the gore, action, monsters, and sense of excitement that made '80s horror movies so great, you'll only have about half of what makes Video Night a must-read tome for horror fans." -Horrortalk