Hotel of Madness


Book Description

A Necromancer. A careless Wizard. The Book of the Dead. All Arthur wanted was a vacation. But when the Necronomicon he crafted to make a little dough falls into the wrong hands, Arthur finds himself having to save the world - again. As zombies assault the Hotel Gaylord in Washington D.C., Arthur and a ragtag group of survivors face ancient evils and Old Gods in an attempt to salvage earth from the onslaught of the zombie horde? and worse. Can Arthur and newly minted Hero Susan save the day? Or is Washington slated to become the next Lost City of Atlantis?




The Swank Hotel


Book Description

A stunningly ambitious, prescient novel about madness, generational trauma, and cultural breakdown At the outset of the 2008 financial crisis, Em has a dependable, dull marketing job generating reports of vague utility while she anxiously waits to hear news of her sister, Ad, who has gone missing—again. Em’s days pass drifting back and forth between her respectably cute starter house (bought with a “responsible, salary-backed, fixed-rate mortgage”) and her dreary office. Then something unthinkable, something impossible, happens and she begins to see how madness permeates everything around her while the mundane spaces she inhabits are transformed, through Lucy Corin’s idiosyncratic magic, into shimmering sites of the uncanny. The story that swirls around Em moves through several perspectives and voices. There is Frank, the tart-tongued, failing manager at her office; Jack, the man with whom Frank has had a love affair for decades; Em and Ad’s eccentric parents, who live in a house that is perpetually being built; and Tasio, the young man from Chiapas who works for them and falls in love with Ad. Through them Corin portrays porousness and breakdown in individuals and families, in economies and political systems, in architecture, technology, and even in language itself. The Swank Hotel is an acrobatic, unforgettable, surreal, and unexpectedly comic novel that interrogates the illusory dream of stability that pervaded early twenty-first-century America.




At the Mountains of Madness


Book Description

"Originally serialized in the February, March, and April 1936 issues of Astounding stories"--Copyright page.




Hotel Splendide


Book Description

“Truly a great book—unique, invaluable and unapproachable as the gold standard of the genre… Bemelmans got there first, more frequently, and better.” —Anthony Bourdain Acerbic, colorful, and spirited stories from a bygone era: behind the scenes in a grand NY hotel, from the author of the Madeline books Picture David Sedaris writing Kitchen Confidential about the Ritz in New York in the 1920s, which had the style and charm of The Grand Budapest Hotel… In this charming and uproariously funny hotel memoir, Ludwig Bemelmans uncovers the fabulous world of the Hotel Splendide—the thinly disguised stand-in for the Ritz—a luxury New York hotel where he worked as a waiter in the 1920s. With equal parts affection and barbed wit, he uncovers the everyday chaos that reigns behind the smooth facades of the gilded dining room and banquet halls. In hilarious detail, Bemelmans sketches the hierarchy of hotel life and its strange and fascinating inhabitants: from the ruthlessly authoritarian maître d'hôtel Monsieur Victor to the kindly waiter Mespoulets to Frizl the homesick busboy. Illustrated with his own charming line drawings, Bemelmans' tales of a bygone era of extravagance are as charming as they are riotously entertaining. “[Bemelmans] was the original bad boy of the NY hotel/restaurant subculture, a waiter, busboy, and restaurateur who “told all” in a series of funny and true (or very near true) autobiographical accounts of backstairs folly, excess, borderline criminality, and madness in the grande Hotel Splendide… If you like stories about old New York as I do, this classic will have you laughing out loud.” –Anthony Bourdain




Hotel Bolivia: The Culture of Memory in a Refuge from Nazism


Book Description

Desperate to escape the increasingly vehement persecution in their homelands, thousands of refugees from Nazi-dominated Central Europe, the majority of them Jews, found refuge in Latin America in the 1930s. Bolivia became a principal recipient of this influx — one of the few remaining places in the entire world to accept Jewish refugees after the German Anschluss of Austria in 1938. Some 20,000 refugees arrived in Bolivia, more than in Canada, Australia, New Zealand, South Africa — the leading British Commonwealth countries — combined. In Bolivia, the refugees began to reconstruct a version of the world that they had been forced to abandon. Their own origins and social situations had been diverse in Central Europe, ranging across generational, class, educational, and political differences, and incorporating various professional, craft, and artistic backgrounds. But it was Austro/German Jewish bourgeois society that provided them with a model for emulation and a common locus for identification in their place of refuge. Indeed, at the very time when that dynamic social and cultural amalgam was being ruthlessly and systematically destroyed by the Nazis, the Jewish refugees in Bolivia attempted to recall and revive a version of it in a land thousands of miles from their home: in a country that offered them a haven, but in which many of them felt themselves as mere sojourners. Hotel Bolivia explores an important, but generally neglected, aspect of the experience of group displacement — the relationship between memory and cultural survival during an era of persecution and genocide. Employing oral histories, family photographs, artistic and documentary portrayals, it considers the Third Reich background for the emigration, the refugees’ perceptions of past and future, and the role of images and stereotypes in shaping refugee and Bolivian cross-cultural communication and acceptance. It examines how the immigrants remembered, recalled and reshaped the European world they had been forced to abandon in the institutions, culture, and community they created in Bolivia. In documenting life stories and reclaiming the memories and discourses of ordinary persons who might otherwise remain hidden from history, Hotel Bolivia contributes to a major objective of contemporary historical studies. But it is also directly concerned with theoretical issues, increasingly evident in historical writing, focusing on the contextualization of memory and the interdependence – and tension – between memory and history. In reflecting on remembered experience, over time and between people, the ultimate objective of this book is to contribute to the historical study of memory itself. “A curiously inspiring corner of Holocaust history: the story is of how culture and memory survive, and change, in the shock of new surroundings.” — Adam Hochschild, author of King Leopold’s Ghost “A form of doing history that offers fresh intellectual insights while touching the heart.” — Ruth Behar, University of Michigan, author of The Vulnerable Observer andTranslated Women “It is rare that a scholarly book reads like a novel. Leo Spitzer’s compelling Hotel Bolivia not only is beautifully written but changes the way we think about history... This groundbreaking book will become required reading in numerous fields, including Latin American studies, Jewish studies, diaspora studies, immigration studies, and ethnic studies.” — Jeffrey Lesser, Brown University, author of Welcoming the Undesirables: Brazil and the Jewish Question “Evocative, thoughtful, and otherwise impressive... Vividly introduces readers to a little-known aspect of refugee history during the Holocaust.” — Kirkus “A searing account of the Jewish refugees’ checkered experience... Part memoir, part oral history, Spitzer’s eye-opening study uses interviews with surviving refugees (now widely dispersed around the world), plus letters, photographs, family albums and archival documents to explore the trauma of displacement.” — Publishers Weekly




The Grand Hotel


Book Description

Welcome to the hotel where nobody checks out. When a desk clerk welcomes a group of tourists into his mysterious and crumbling hotel, the last thing he expects is that a lone girl on his tour may hold the power to unravel the hidden mystery that has lain for untold centuries within the structure’s walls. The Grand Hotel is a horror novel by esteemed bestselling author Scott Kenemore (Zombie, Ohio) that takes the reader on a thrilling ride through an interconnected series of stories narrated by the desk clerk and the residents of the hotel itself. And while it is not known whether or not the desk clerk is actually the devil incarnate, it is strange that so many visitors who come for a tour of the hotel have a way of never leaving. As the narrator takes you deeper and deeper into the heart of the hotel, secrets that have been hiding for aeons begin to show themselves. Although he is quite prepared for this experience, there is some question as to whether or not the rest of the world shares this readiness. Kenemore’s incredible style and originality carry The Grand Hotel to places most people only see in their nightmares. And while we don’t know all of the secrets that lie within the Grand Hotel, we know that the person who does hold that knowledge puts fear into the narrator himself—a thought that ought to terrify everyone. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.




Be Afraid


Book Description

You would usually imagine blood-sucking vampires and crucifix-holding priests in a fight to the death, but professional "holy man" Reverend Joe Haward believes horror can show us how to truly live. Could it be that horror, combined with faith, has the power to transform the world for the better? In this controversial book you are invited to discover how flesh-eating zombies, ghosts, and Jesus have the potential to turn the world upside down and create beautiful communities of peace. From Hannibal Lecter showing us the power of forgiveness, to Stephen King's IT revealing why authentic speech might change your life forever, this book will take you into the heart of terror, and lead you into a brave new world. Be afraid, because you might never be the same again.




Hotel Detective


Book Description

Novice hotelier Am Caulfield, left happily in charge of a luxurious southern California resort, is underprepared for the ensuing mayhem, which includes a grisly double murder that must be solved before his boss's return.




Lost Grand Hotels of Cleveland


Book Description

During Cleveland's heyday, the world's most influential businessmen, politicians and entertainers flocked to America's sixth-largest city, enjoying the full hospitality of splendid hotels befitting a first-rate metropolis. Marked by architectural splendor, sumptuous design, technical innovation and world-class service, these grand palaces rose and fell with Cleveland's fortunes. From Teddy Roosevelt dining under the ornate chandeliers of the Hotel Hollenden's famed Crystal Ballroom to Bob Hope and Jack Benny cracking wise at the Alcazar's bar, Michael DeAloia adds atmosphere to seven of the most elegant and inviting Cleveland hotels to emerge in the early twentieth century. Only one of these legendary establishments hosts guests today. This revealing chronicle recaptures the golden age of Cleveland's power and prestige.




The Paradox Hotel


Book Description

“Time travel, murder, corruption, restless baby dinosaurs, and a snarky robot named Ruby collide in this excellent, noir-inflected, humor-infused, science-fiction thriller.”—The Boston Globe An impossible crime. A detective on the edge of madness. The future of time travel at stake. From the author of The Warehouse . . . ONE OF THE BEST BOOKS OF THE YEAR: NPR, Kirkus Reviews January Cole’s job just got a whole lot harder. Not that running security at the Paradox was ever really easy. Nothing’s simple at a hotel where the ultra-wealthy tourists arrive costumed for a dozen different time periods, all eagerly waiting to catch their “flights” to the past. Or where proximity to the timeport makes the clocks run backward on occasion—and, rumor has it, allows ghosts to stroll the halls. None of that compares to the corpse in room 526. The one that seems to be both there and not there. The one that somehow only January can see. On top of that, some very important new guests have just checked in. Because the U.S. government is about to privatize time-travel technology—and the world’s most powerful people are on hand to stake their claims. January is sure the timing isn’t a coincidence. Neither are those “accidents” that start stalking their bidders. There’s a reason January can glimpse what others can’t. A reason why she’s the only one who can catch a killer who’s operating invisibly and in plain sight, all at once. But her ability is also destroying her grip on reality—and as her past, present, and future collide, she finds herself confronting not just the hotel’s dark secrets but her own. At once a dazzlingly time-twisting murder mystery and a story about grief, memory, and what it means to—literally—come face-to-face with our ghosts, The Paradox Hotel is another unforgettable speculative thrill ride from acclaimed author Rob Hart.