How Prints are Made
Author : Atherton Curtis
Publisher :
Page : 36 pages
File Size : 19,76 MB
Release : 1915
Category : Prints
ISBN :
Author : Atherton Curtis
Publisher :
Page : 36 pages
File Size : 19,76 MB
Release : 1915
Category : Prints
ISBN :
Author : Alpheus Hyatt Mayor
Publisher : Metropolitan Museum of Art
Page : 497 pages
File Size : 30,11 MB
Release : 1971
Category : Art and society
ISBN : 0870991086
Discusses the significance and history of printmaking and evaluates 700 prints.
Author : Irene Luxbacher
Publisher :
Page : 32 pages
File Size : 43,49 MB
Release : 2008-02
Category : Juvenile Nonfiction
ISBN :
This book in the Starting Art series provides an introduction to all the materials kids need to collage. They'll learn collage techniques, such as cut-paper and torn-paper, decoupages, found objects, patterns and weaving. The seven dazzling sea-creature projects include a flying fish, an octopus and a starfish family. Budding artists will proudly say, "I can make prints!"
Author : Vincent van Gogh
Publisher : Metropolitan Museum of Art
Page : 394 pages
File Size : 24,63 MB
Release : 2005
Category : Art
ISBN : 1588391655
Presents a collection of the drawings of Vincent Van Gogh, providing images of his works in charcoal, chalk, ink, graphite, and watercolor, and including essays the place each drawing in its historical context, explaining its significance.
Author : Phil Sanders
Publisher :
Page : 0 pages
File Size : 31,89 MB
Release : 2021
Category : ART
ISBN : 9781616898182
"An exploration of historical and contemporary fine art printmaking, with an emphasis on the roles and processes of the artist, master printer, and publisher"--
Author : David Morrish
Publisher : CRC Press
Page : 224 pages
File Size : 49,27 MB
Release : 2003-04-03
Category : Photography
ISBN : 1136092544
Copper Plate Photogravure describes in comprehensive detail the technique of traditional copper plate photogravure as would be practiced by visual artists using normally available facilities and materials. Attention is paid to step-by-step guidance through the many stages of the process. A detailed manual of technique, Copper Plate Photogravure also offers the history of the medium and reference to past alternative methods of practice. Copper Plate Photogravure: Demystifying the Process is part of the current revitalization of one of the most satisfyingly beautiful image-making processes. The range of ink color and paper quality possibilities is endless. The potential for handwork and alteration of the copper plate provides yet another realm of expressive variation. The subject matter and the treatment are as variable and broad as photography itself. This book's purpose is to demystify and clarify what is a complex but altogether "do-able" photomechanical process using currently available materials. With Copper Plate Photogravure, you will learn how to: · produce a full-scale film positive from a photographic negative · sensitize the gravure tissue to prepare it for exposure to the positive · prepare the plate and develop the gelatin resist prior to etching · prepare the various strengths of etching solutions and etch the plate to achieve a full tonal scale · rework the plate using printmaking tools to correct flaws or to adjust the image for aesthetic reasons · use the appropriate printing inks, ink additives, quality papers, and printshop equipment to produce a high quality print A historical survey and appendices of detailed technical information, charts, and tables are included, as well as a list of suppliers and sources for the materials required, some of which are highly specialized. A comprehensive glossary introduces the non-photographer or non-printmaker to many of the terms particular to those fields and associated with this process.
Author : Mario Carpo
Publisher : MIT Press
Page : 255 pages
File Size : 43,6 MB
Release : 2017-02-10
Category : Architecture
ISBN : 0262534096
A history of the influence of communication technologies on Western architectural theory. The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this book Mario Carpo discusses the communications media used by Western architects, from classical antiquity to modern classicism, showing how each medium related to specific forms of architectural thinking. Carpo highlights the significance of the invention of movable type and mechanically reproduced images. He argues that Renaissance architectural theory, particularly the system of the five architectural orders, was consciously developed in response to the formats and potential of the new printed media. Carpo contrasts architecture in the age of printing with what preceded it: Vitruvian theory and the manuscript format, oral transmission in the Middle Ages, and the fifteenth-century transition from script to print. He also suggests that the basic principles of "typographic" architecture thrived in the Western world as long as print remained our main information technology. The shift from printed to digital representations, he points out, will again alter the course of architecture.
Author : Constance McCabe
Publisher :
Page : 504 pages
File Size : 18,10 MB
Release : 2017-02-15
Category : Photographs
ISBN : 9780997867909
The volume presents the results of a four-year inter-institutional, interdisciplinary research initiative led and organized by the National Gallery of Art. Contributions by 47 leading photograph conservators, scientists, and historians provide detailed examinations of the chemical, material, and aesthetic qualities of this important class of rare, beautiful, and technically complex photographs. The volume will help those who care for photograph collections gain a thorough appreciation of the technical and aesthetic characteristics of platinum and palladium prints and scientific basis for their preservation.
Author : Fiona Robinson
Publisher : Abrams
Page : 40 pages
File Size : 35,63 MB
Release : 2019-02-12
Category : Juvenile Nonfiction
ISBN : 1683352890
A gorgeous picture book biography of botanist and photographer Anna Atkins--the first person to ever publish a book of photography After losing her mother very early in life, Anna Atkins (1799–1871) was raised by her loving father. He gave her a scientific education, which was highly unusual for women and girls in the early 19th century. Fascinated with the plant life around her, Anna became a botanist. She recorded all her findings in detailed illustrations and engravings, until the invention of cyanotype photography in 1842. Anna used this new technology in order to catalogue plant specimens—a true marriage of science and art. In 1843, Anna published the book Photographs of British Algae: Cyanotype Impressions with handwritten text and cyanotype photographs. It is considered the first book of photographs ever published. Weaving together histories of women, science, and art, The Bluest of Blues will inspire young readers to embark on their own journeys of discovery and creativity.
Author : Bill Fick
Publisher : Laurence King Publishing
Page : 0 pages
File Size : 13,30 MB
Release : 2015-08-25
Category : Art
ISBN : 9781780671949
Printmaking is a practical and comprehensive guide to printmaking techniques with clear step–by–step illustrations. This fully updated second edition contains new images throughout, including improved process shots and examples of the latest work from contemporary printmakers. There are expanded chapters on digital and mixed media processes, as well as a brand new 'Print & Make' chapter, which explores the opportunities for creative expression within the many processes available to print makers. For example, this edition includes a new, detailed section on Japanese moku hanga woodblock printing while the more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed. The addition of new images showing a broader range of subject matter, include more contemporary prints and international artists. Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up–to–date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike. Special attention is given to safe practices, addressing the important concern for health and safety. Step–by–step illustrations provide an enhanced visual reference – either photographic or diagrams for clarity – and the authors have supplied more information on safer and more sustainable practices. Since nontoxic alternatives are a rapidly growing and ever–evolving landscape, Printmaking 2nd Edition presents products and practices that are accessible worldwide. Praise for Printmaking 2nd Edition 'A lavishly illustrated large–format volume that constitutes a veritable printmaker's bible.' – The West Australia News