How to Get Into Television Radio and New Media


Book Description

*One-stop guide to everything one needs to know to break into Television, Radio, and Newmedia This book is a one stop resource for anyone aiming for the highly sought after jobs in television and radio. It explains exactly what a prospective employee needs to know: how the media industries work, what range of jobs is available and what each job entails, and what one needs to do to land the job of your choice. *Also available: How to Get Into Marketing and PR




Big Podcast – Grow Your Podcast Audience, Build Listener Loyalty, and Get Everybody Talking About Your Show


Book Description

Is it worth doing a podcast if nobody listens? You started your podcast because you want to: - Spread an important message - Share your passion - Make money But your podcast hasn’t quite taken off like you thought it would. What happened? This book is for podcasters who can’t quite figure out what they’re doing wrong (and are ready to do things right). You’ll learn: - Why your “natural personality” may be repelling to people and how to make it attract listeners to your podcast like a magnet (See p198) - What to do when a company tries to “lowball” you on advertising fees (do nothing, except send them the email on p424) - It’s easy to screw up an interview. To be sure you don’t run into any problems, use my “guest contract” on p311. - A six-word “trick” (learned from a 20-year radio veteran) that will instantly make you a better host (it’s on p210) - 9 reasons to kill an interview before it happens – ignore these “red flags” and you’ll be sorry (p299) - What Victoria’s Secret models know about podcasting (even though you never hear them talk) – this lesson starts on p208! - Nervous on the mic? You have lots of company – 75% of podcasters to be exact. I give you a 5-step way to cure your “stage fright” on p229. - If you’re scared of getting bad reviews, don’t worry – I have three simple ways to handle critics on p236 (two of which can turn critics into fans) - Why copying top podcasters may be killing your podcast (I share the story on p116) and how to develop a podcasting style that works for you (and will attract more listeners) - My 3-step “episode teaser” formula – it’s boring, but it works (get it on p110) - Thinking of doing a “daily” podcast? You must read p103 before you start. - Want to impress a guest? See the chapter starting on p321 for my 3-step followup “ritual” that will make being on your podcast unforgettable (and encourage guests to promote your episodes) And that’s just the start … This book contains my complete system on how to attract listeners, deliver your message effectively, and build a big podcast. You can't build a big podcast on "hope." But you can build a big podcast. And if you’re ready to do just that, read this book.




Career Opportunities in Radio


Book Description

Offers career information in radio. Profiles include news, sports, sales, management, publicrelations, traffic, engineering, and programming.




How to Get a Break as a Writer


Book Description

How to Get a Break as a Writer deals with an area of writing for a living that remains virtually untouched by most other titles. This is a book about getting breaks, making your own luck and getting hopeful writers to the stage of being taken seriously. It is not a book that tells you how to write your novel, but instead focusses on the range of paid writing opportunities that exist for budding writers. Honest, insightful and challenging, How To Get a Break as a Writer tells it like it is, pulls no punches and delivers a series of chapters setting out the problems faced by aspiring writers. Packed with examples of success and failure, How to Get a Break as a Writer could be your ticket to a new dimension in your writing life.




How to Become a Radio DJ


Book Description




How I Broke Into the Movies - And How You Can Too!


Book Description

“How I Broke into the Movies – and How You Can Too!” is a must-read for anyone who wants to act in film, as well as for fans of the silver screen who want to know what goes on behind the scenes. This straight-from-the-shoulder account written by an eighteen year veteran of the business, pulls no punches. Entertaining and informative, “How I Broke into the Movies – and How You Can Too!” is an easy-going, tell-it-like-it-is book that takes the reader along on the movie adventure Leona Toppel has been experiencing since 1983 (and she doesn’t live anywhere near Hollywood). Aspiring actors will find tips about how to register with agents, what kind of pictures they’ll need, wardrobe, safety (yes safety), what to do on the set – and what not to do, auditions, résumés and a myriad of other information. Cameos about some of filmdom’s brightest stars as told by those who were there are included. There’s a “Who’s Who and What’s What” section which explains many of the terms used in the movie business. Readers can’t help but smile at, and have compassion for, the ups and downs of the background actors who give movies that real look. Each chapter has its specific purpose: 1. Sex and Debauchery or Now That I Have Your Attention, Here’s How I Fell in Love with the Movies (O.K., so there’s not one bit of sex and debauchery anywhere in this book but this chapter will give you an idea of why movies have been important to me for as long as I can remember.) 2. How Would You Like to Be a Mother? The Day Fate Became My Agent. (You just never know when or how an important aspect of your life may change.) 3. A “Typical Day “ on the Set? FUHGEDABOUDIT! (Actually, there is no such thing as a typical day – and that’s just one of the aspects I love about the business. In this chapter you’ll find out how “exciting” a day can be.) 4. I Was Told to Pat Paul Newman on the Shoulder: Little Pleasures, Big Breaks.and Bad Hair Days (Here are some experiences movie fans dream about – with a few nightmares thrown in.) 5. Short Takes on Big Stars (You may be surprised when you read first-hand accounts about some of your favorite stars.) 6. You Meet Some of the Nicest People - and Some Others Who Are – Don’t Ask – I’ll Tell You (You’re sure to recognize some of these characters – whether you work in the movies or in an office.) 7. Did I Get It or Did She Get It? (Auditions are part of the movie/TV business, so deal with it.) 8. Safety First! (You’ve Got to Watch Out for Lots of Dangerous Things in This Business) (Try not to trip over your own feet – or put your foot in your mouth.) 9. Sparky and Friends (The best picture of an extra’s life can be gleaned through sharing their ups and downs.) 10. Show Biz Kidz (Got youngsters you’d like to get into the business? Think long and hard before you take that first step.) 11. A Wrap? No! Just the Beginning! (Here are detailed instructions for getting started in the business.) Each chapter adds another piece to the puzzle which, when completed, gives the reader the BIG PICTURE. Aspiring actor or movie fan, this is the book for you. After reading “How I Broke into the Movies – and How You Can Too!” you may find yourself on the way to a new career – or just on the way to see the latest flick. Either way, you’ll never look at movies the same way again.










Code Breaking in the Pacific


Book Description

This book reveals the historical context and the evolution of the technically complex Allied Signals Intelligence (Sigint) activity against Japan from 1920 to 1945. It traces the all-important genesis and development of the cryptanalytic techniques used to break the main Japanese Navy code (JN-25) and the Japanese Army’s Water Transport Code during WWII. This is the first book to describe, explain and analyze the code breaking techniques developed and used to provide this intelligence, thus closing the sole remaining gap in the published accounts of the Pacific War. The authors also explore the organization of cryptographic teams and issues of security, censorship, and leaks. Correcting gaps in previous research, this book illustrates how Sigint remained crucial to Allied planning throughout the war. It helped direct the advance to the Philippines from New Guinea, the sea battles and the submarine onslaught on merchant shipping. Written by well-known authorities on the history of cryptography and mathematics, Code Breaking in the Pacific is designed for cryptologists, mathematicians and researchers working in communications security. Advanced-level students interested in cryptology, the history of the Pacific War, mathematics or the history of computing will also find this book a valuable resource.




Breaks in the Air


Book Description

In Breaks in the Air John Klaess tells the story of rap’s emergence on New York City’s airwaves by examining how artists and broadcasters adapted hip hop’s performance culture to radio. Initially, artists and DJs brought their live practice to radio by buying time on low-bandwidth community stations and building new communities around their shows. Later, stations owned by New York’s African American elite, such as WBLS, reluctantly began airing rap even as they pursued a sound rooted in respectability, urban sophistication, and polish. At the same time, large commercial stations like WRKS programmed rap once it became clear that the music attracted a demographic that was valuable to advertisers. Moving between intimate portraits of single radio shows and broader examinations of the legal, financial, cultural, and political forces that indelibly shaped the sound of rap radio, Klaess shows how early rap radio provides a lens through which to better understand the development of rap music as well as the intertwined histories of sounds, institutions, communities, and legal formations that converged in the post-Civil Rights era.