How To Make Love To Foreigners: A Novel


Book Description

“There were live measurements of reactor temperatures. Three other buildings that hadn’t exploded. It was like a movie. Will they catch fire? Blow up? Melt down? Or won’t they…?” Readers who enjoyed Youth in Revolt and Bridget Jones's Diary won't want to miss this tale of a pale-skinned foreigner navigating life in Japan. How To Make Love to Foreigners is the diary of Randy Campbell, whose life, after moving to Japan, has taken him places he never expected. Fresh off the plane, he faces the challenges of learning Japanese, navigating the Tokyo train system, and compiling a list of women he's quick to bed, but terrified of committing to. With all this going on around him, Randy has to deal with threats from yakuza while filming a documentary, the racist comments of a girl who is in love with him, and feelings of helplessness when, on March 11, 2011, an earthquake strikes eastern Japan, unleashing a deadly tsunami that envelops a nearby coastline. With a radioactive wind drifting towards Tokyo from the crippled Fukushima nuclear plant, Randy discovers the terror and absurdities that arise during a devastating catastrophe. Inviting us in on the feelings you go through when everything—your career, the place you live, perhaps... even your life—seems about to be wiped away forever. From inside the book… “These buildings were important to national security. There were FBI, secret service, and CIA offices in some of these buildings. They needed guarantees that if another bombing took place, no one could just walk in and peruse their files.” “Uh-huh, but if I was the owner, why would I destroy my own buildings?” “These buildings were a terrorist target. They were the tallest buildings in New York. After the first bombing there were meetings about structural integrity, potential casualties, financial losses. But never in all these discussions did anyone imagine that somebody would try to fly a plane into these buildings. Or if they did, it would be something small, not a commercial airliner. “You have to think about this not from our point of view, but from the perspective of 1994. They really believed that someone was, at some point, going to drive another truck into the basement. Finish what they’d tried to do in ’93. This became a real panic after that Timothy McVeigh thing in Oklahoma City.” “Oh, yeah, that’s right. That was ’95.” “Yeah. The guy parked a fertilizer truck next to the building, and the whole thing came down. So the consensus at the time was that someone might try to blow up the buildings again. From the street level. Or the basement. Hell, even the subway was identified as a possible route. What no one wanted to talk about was that if you blew up the building from the basement, the entire structure might topple over. Like a domino. Anything in a thousand foot radius could be destroyed, including the other tower.” I took a sip of my drink. “That seems highly unlikely.” “I’m sure the engineers who designed Chernobyl said the same thing. Anyway, they came up with a plan that would prevent the building from toppling over.” “A controlled demolition.” “Exactly. A completely vertical collapse. So the building wouldn’t kill as many people. I mean, nowadays there are residential apartments in that area.” I looked at Dewey. I was interested, but unconvinced. How many others bought into the same crazy theories?




Love and Other Foreign Words


Book Description

Can anyone be truly herself - or truly in love - in a language that's not her own? Sixteen-year-old Josie knows a lot of languages- she speaks High School, College, Friends, Boyfriends, Break-ups, and even the language of Beautiful Girls. But none of these is her native tongue - the only people who speak that are her best friend Stu and her sister, Kate. So when Kate gets engaged to an insufferable guy, how can Josie see it as anything but the mistake of a lifetime? As battles are waged over secrets and semantics, Josie is forced to examine her feelings for the boy who says he loves her, the sister she loves but doesn't always like, and the best friend who hasn't said a word - at least not in a language Josie understands. 'A true-blue lovable weirdo, Josie is the type of character I really enjoy seeing . . . authentically herself, even when being herself gets her into trouble.' Hellogiggles




How to Make Love to a Despot: An Alternative Foreign Policy for the Twenty-First Century


Book Description

After generations of foreign policy failures, the United States can finally try to make the world safer—not by relying on utopian goals but by working pragmatically with nondemocracies. Since the end of the Second World War, the United States has sunk hundreds of billions of dollars into foreign economies in the hope that its investments would help remake the world in its own image—or, at the very least, make the world “safe for democracy.” So far, the returns have been disappointing, to say the least. Pushing for fair and free elections in undemocratic countries has added to the casualty count, rather than taken away from it, and trying to eliminate corruption entirely has precluded the elimination of some of the worst forms of corruption. In the Middle East, for example, post-9/11 interventionist campaigns in Afghanistan and Iraq have proved to be long, costly, and, worst of all, ineffective. Witnessing the failure of the utopian vision of a world full of market-oriented democracies, many observers, both on the right and the left, have begun to embrace a dystopian vision in which the United States can do nothing and save no one. Accordingly, calls to halt all assistance in undemocratic countries have grown louder. But, as Stephen D. Krasner explains, this cannot be an option: weak and poorly governed states pose a threat to our stability. In the era of nuclear weapons and biological warfare, ignoring troubled countries puts millions of American lives at risk. “The greatest challenge for the United States now,” Krasner writes, “is to identify a set of policies that lie between the utopian vision that all countries can be like the United States . . . and the dystopian view that nothing can be done.” He prescribes a pragmatic new course of policy. Drawing on decades of research, he makes the case for “good enough governance”—governance that aims for better security, better health, limited economic growth, and some protection of human rights. To this end, Krasner proposes working with despots to promote growth. In a world where a single terrorist can kill thousands or even hundreds of thousands of people, the United States does not have the luxury of idealistically ignoring the rest of the world. But it cannot remake the world in its own image either. Instead, it must learn how to make love to despots.




Love, Sex and Other Foreign Policy Goals


Book Description

"First published in the United Kingdom in 2015 by Jonathan Cape, an imprint of Vintage Publishing."




Foreign Tongue


Book Description

Sexy, sophisticated, and infused with the sights and sounds of Paris, this enchanting debut novel is a humorous, poignant look at one woman trying to understand who she is in two countries.




I Will Die in a Foreign Land


Book Description

* 2022 Young Lions Fiction Award, Winner. * A BookBrowse "20 Best Books of 2022" * VCU Cabell First Novelist Award, Longlist. * An ABA "Indie Next List" pick for November 2021. * "A Best Book of 2021" —New York Public Library, Cosmopolitan, Independent Book Review * "October 2021 Must-Reads" —Debutiful, The Chicago Review of Books, The Millions In 1913, a Russian ballet incited a riot in Paris at the new Théâtre de Champs-Elysées. “Only a Russian could do that," says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.” A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians. I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is an Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent, who climbs atop a burned-out police bus at Independence Square and plays the piano. As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history. While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy. "Kalani Pickhart's timely debut novel, I Will Die In a Foreign Land, is about the 2014 Ukrainian revolution which provided a pretense for Russia to annex Crimea. The story follows the experiences of several characters whose lives intersect as the country's political situation deteriorates. There's a Ukrainian-American doctor, an old KGB spy, a former mine worker, and others, and these episodes are interspersed with folk songs, news reports and historical notes. The effect—kaleidoscopic but never confusing—provides an intimate sense of a country convulsing, mourning, and somehow surviving." —CBS News, "The Book Report: Recommendations from Washington Post critic Ron Charles" (Watch the full video on CBS News, February 6, 2022).




In the Distance


Book Description

FINALIST FOR THE PULITZER PRIZE FINALIST FOR THE PEN/FAULKNER AWARD WINNER OF THE WHITING AWARD WINNER OF THE SAROYAN INTERNATIONAL PRIZE FOR WRITING WINNTER OF THE VCU CABELL FIRST NOVELIST AWARD WINNER OF THE NEW AMERICAN VOICES AWARD A PUBLISHERS WEEKLY TOP 10 BOOK OF THE YEAR The first novel by the Pulitzer Prize–winning author of Trust, an exquisite and blisteringly intelligent story of a young Swedish boy, separated from his brother, who becomes a legend and an outlaw A young Swedish immigrant finds himself penniless and alone in California. The boy travels east in search of his brother, moving on foot against the great current of emigrants pushing west. Driven back again and again, he meets criminals, naturalists, religious fanatics, swindlers, American Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.




I Now Pronounce You Someone Else


Book Description

The teen-girl fascination with weddings comes to fiction in this hilarious debut, as 17-year-old Bronwen Oliver plots her escape from her family . . . by marrying into someone else's. Here Comes the Bride -- If She Can Pass Chemistry.Seventeen-yaer-old Bronwen Oliver has a secret: She's really Phoebe, the lost daughter of the loving Lilywhite family. That's the only way to explain her cold, manipulative mother, distant stepfather, and good-for-nothing brother: Bronwen must have been switched at birth, and she can't wait to get back to her real family.Then she meets Jared. He's sweet, funny, everything she wants - and he has the family Bronwen has always wanted too. When he proposes fourth months after they meet, she says yes. But as the wedding day approaches, Bronwen begins to wonder if Jared is truly what she needs. And if he's not, she has to ask: What would Phoebe Lilywhite do?




Notes on a Foreign Country


Book Description

Winner of the Overseas Press Club of America's Cornelius Ryan Award • Finalist for the Pulitzer Prize in Nonfiction A New York Times Book Review Notable Book • Named a Best Book of the Year by New York Magazine and The Progressive "A deeply honest and brave portrait of of an individual sensibility reckoning with her country's violent role in the world." —Hisham Matar, The New York Times Book Review In the wake of the September 11 attacks and the U.S.-led invasion of Iraq, Suzy Hansen, who grew up in an insular conservative town in New Jersey, was enjoying early success as a journalist for a high-profile New York newspaper. Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul. Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country—and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, “a broken heart . . . A one-hundred-year-old relationship.” Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation—a profound reckoning with what it means to be American in a moment of grave national and global turmoil.




The Foreign Student


Book Description

A young Korean man scarred by war finds unlikely love in the American South in the National Book Award–winning author’s acclaimed debut novel. Tennessee, 1955. When Chuck Ahn arrives in Sewanee to begin his studies at the University of the South, he is shy and speaks English haltingly. On the subject of his earlier life in Korea, he will not speak at all. Then he meets Katherine Monroe, a beautiful and solitary young woman who, like Chuck, is haunted by some dark episode in her past. Without quite knowing why, these two outsiders are drawn together, each sensing in the other the possibility of salvation. Moving between the American South and South Korea, between an adolescent girl’s sexual awakening and a young man’s nightmarish memories of war, The Foreign Student is a powerful and emotionally gripping work of fiction. “An auspicious debut.” —The New Yorker