How to Play Hymns and Gospel Songs in Evangelistic Style


Book Description

HOW TO PLAY HYMNS AND GOSPEL SONGS IN EVANGELISTIC STYLES, is presented in three sections. The first section presents how to play hymns in Basic Chorale Style. The second section presents how to play hymns in Full Chorale and Accompaniment Styles. The third section is a collection of well-loved standard Gospel hymns, already arranged for you, using the three Styles taught in sections one and two. HOW TO PLAY HYMNS AND GOSPEL SONGS IN EVANGELISTIC STYLES, is not for the beginner. For the beginner there are books in the DAVID CARR GLOVER Sacred Music Library, Primer and Levels I-VI.




How to Play Hymns and Gospel Songs in Evangelistic Style


Book Description

How to Play Hymns and Gospel Songs in Evangelistic Styles, is presented in three sections. The first section presents how to play hymns in Basic Chorale Style. The second section presents how to play hymns in Full Chorale and Accompaniment Styles. The third section is a collection of well-loved standard Gospel hymns, already arranged for you, using the three Styles taught in sections one and two.










Hymns for Classical Guitar (Songbook)


Book Description

(Guitar Solo). 25 songs of worship for solo guitar in standard notation and tablature, including: Amazing Grace * Be Thou My Vision * Come, Thou Fount of Every Blessing * For the Beauty of the Earth * Joyful, Joyful, We Adore Thee * My Faith Looks up to Thee * Rock of Ages * What a Friend We Have in Jesus * and more.




In Christ Alone


Book Description

(Glory Sound Simply Sacred). The increasing treasury of modern hymns and sacred songs by Keith and Kristyn Getty and collaborator Stuart Townend are explored in this new resource designed for choirs of any level. Many of this writing team's biggest successes are included, all lovingly adapted by some of our most gifted arrangers. Music for the entire church year is contained in this collection. Transcending stylistic boundaries, the music and message are home in both contemporary-styled worship venues and traditional programs. Creative instrumental adornments offer additional options for performance while sensitive arranging make this compilation accessible to choirs of any size. Available separately: SAB, Listening CD, Preview Pack (Book/CD Combo), 10-Pack Listening CDs, Instrumental CD-ROM (Score & parts for flute, penny whistle, oboe, acoustic guitar, electric bass, drum set, percussion, violin 1 & 2, viola, cello *Note, instrumentation varies on each song), StudioTrax CD (Accompaniment Only), SplitTrax CD.




Just as I Am, Without One Plea


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Hymn Playing


Book Description

Sixteen lessons that introduce you to the basics of congregational hymn playing. Lays the proper foundation for your future growth.




Christian Service Songs


Book Description

Additional Editors Are Y. P. Rodeheaver, J. N. Rodeheaver, And C. Austin Miles.




The Concise Garland Encyclopedia of World Music: Africa ; South America, Mexico, Central America, and the Caribbean ; The United States and Canada ; Europe ; Oceania


Book Description

The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.