Howling Moon


Book Description

He's a wolf... She's a jaguar... Raphael is a former agent of the shape shifter secret police, forced into retirement after a very public scandal. Now he's assigned to help the victim of a hideous crime -- a woman who has been attacked by a serial killer, and accidentally turned into a were-jaguar. Worse yet, Catherine turns out to be Raphael's fated mate. But the serial killer is still on her trail, and perhaps even worse, Raphael's pack wants her dead. Caught between destiny and duty... Raphael must make his choice -- and, in doing so, perhaps lose his pack -- in this tale of obsession, revenge, lust, pack politics, and true love. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.




Of Wolves and Men


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Supreme Court


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Otherwise, Revolution!


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Leslie Marmon Silko's 1991 novel Almanac of the Dead is a profound and challenging analysis of late capitalist society in America and more widely, and the ways in which powerful minority elites ensure that their power is never challenged nor shared, through the complicit discourses of imperialism, patriarchy, religion, medicine, science and technology. Almanac's exploration of multiple forms of dispossession and resistance is most fully embodied in the two Armies of Justice, who are devoted to overturning oppression in all forms and to the restoration of social and economic justice. Reading Almanac in the light of the global economic recession of 2008, this study assesses the ways in which Almanac's vision of oppressive capitalism continues to have absolute relevance. Perhaps most importantly, this study provides a groundbreaking reading of Almanac for the 21st century, comparing Silko's activist armies with recent international popular social justice activism such as the Arab Spring, the international Occupy movement, and the Indigenous Idle No More movement.




Howling Mad


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Moanin' at Midnight


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Howlin’ Wolf was a musical giant in every way. He stood six foot three, weighed almost three hundred pounds, wore size sixteen shoes, and poured out his darkest sorrows onstage in a voice like a raging chainsaw. Half a century after his first hits, his sound still terrifies and inspires. Born Chester Burnett in 1910, the Wolf survived a grim childhood and hardscrabble youth as a sharecropper in Mississippi. He began his career playing and singing with the first Delta blues stars for two decades in perilous juke joints. He was present at the birth of rock ’n’ roll in Memphis, where Sam Phillips–who also discovered Elvis Presley, Johnny Cash, and Jerry Lee Lewis–called Wolf his “greatest discovery.” He helped develop the sound of electric blues and vied with rival Muddy Waters for the title of king of Chicago blues. He ended his career performing and recording with the world’s most famous rock stars. His passion for music kept him performing–despite devastating physical problems–right up to his death in 1976. There’s never been a comprehensive biography of the Wolf until now. Moanin’ at Midnight is full of startling information about his mysterious early years, surprising and entertaining stories about his decades at the top, and never-before-seen photographs. It strips away all the myths to reveal–at long last–the real-life triumphs and tragedies of this blues titan.




Gale Researcher Guide for: Leslie Marmon Silko and the Novel as Testimony


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Gale Researcher Guide for: Leslie Marmon Silko and the Novel as Testimony is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.




Punch


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The Chickenshit Club


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Winner of the 2018 Excellence in Financial Journalism Award From Pulitzer Prize–winning journalist Jesse Eisinger, “a fast moving, fly-on-the-wall, disheartening look at the deterioration of the Justice Department and the Securities and Exchange Commission…It is a book of superheroes” (San Francisco Review of Books). Why were no bankers put in prison after the financial crisis of 2008? Why do CEOs seem to commit wrongdoing with impunity? The problem goes beyond banks deemed “Too Big to Fail” to almost every large corporation in America—to pharmaceutical companies and auto manufacturers and beyond. The Chickenshit Club—an inside reference to prosecutors too scared of failure and too daunted by legal impediments to do their jobs—explains why in “an absorbing financial history, a monumental work of journalism…a first-rate study of the federal bureaucracy” (Bloomberg Businessweek). Jesse Eisinger begins the story in the 1970s, when the government pioneered the notion that top corporate executives, not just seedy crooks, could commit heinous crimes and go to prison. He brings us to trading desks on Wall Street, to corporate boardrooms and the offices of prosecutors and FBI agents. These revealing looks provide context for the evolution of the Justice Department’s approach to pursuing corporate criminals through the early 2000s and into the Justice Department of today, including the prosecutorial fiascos, corporate lobbying, trial losses, and culture shifts that have stripped the government of the will and ability to prosecute top corporate executives. “Brave and elegant…a fearless reporter…Eisinger’s important and profound book takes no prisoners” (The Washington Post). Exposing one of the most important scandals of our time, The Chickenshit Club provides a clear, detailed explanation as to how our Justice Department has come to avoid, bungle, and mismanage the fight to bring these alleged criminals to justice. “This book is a wakeup call…a chilling read, and a needed one” (NPR.org).




The White Dress


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The third in Nathalie Léger’s acclaimed genre-defying triptych of books about the struggles and obsessions of women artists. The White Dress is the third in Nathalie Léger's award-winning triptych of books about women who “through their oeuvre, transform their lives into a mystery” (ELLE). In Exposition, Léger wrote about the Countess of Castiglione, the most photographed woman of the nineteenth century; in Suite for Barbara Loden she took up the actress and filmmaker Barbara Loden; here, Léger grapples with the tragic 2008 death of Italian performance artist Pippa Bacca, who was raped and murdered while hiking from Italy to the Middle East in a wedding dress to promote world peace. A harrowing meditation on the risks women encounter, in life and in art, The White Dress also brings to a haunting conclusion Léger's personal interrogation—sustained across all three books—of her relationship with her mother and the desire for justice in our lives.