Hymnal and Liturgies of the Moravian Church (Unitas Fratrum)


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Hymnal and Liturgies


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Hymnal and Liturgies of the Moravian Church (Unitas Fratrum) (Classic Reprint)


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Excerpt from Hymnal and Liturgies of the Moravian Church (Unitas Fratrum) This Hymnal and Liturgies is presented to the Congregations of the Moravian Church in America, in accordance with a series of enactments of the Synods of 1913 and 1920, of the Northern Province of the Moravian Church in America. A committee, constituted of nine representatives of the Northern Province and two of the Southern Province, was appointed to revise the Hymnal; a committee of five was also appointed to revise the Liturgy. To the former was committed the task of assembling all parts of the work, determining details of arrangement and of publication. Both committees aimed steadfastly to bring the new Hymn Book up to the standards of modern hymnological and liturgical practice, without impairing its Moravian character. This latest addition to Moravian Hymnals has behind it a long and noble ancestry. It is the lineal descendant of the earliest collection of its kind. The Unitas F ratrum, or Moravian Church, was the first among Protestant churches to publish a hymn-book. It appeared in the Bohemian language, at Prague, in 1501. It contained versions of old Latin Hymns, together with many original compositions, mostly by John Hus and Bishop Luke of Prague. Subsequent issues followed up to the year 1569, some of them appearing in the Polish and German languages. The tunes, printed at the head of each hymn, were partly Gregorian, partly folk-song melodies adapted to the uses of the sanctuary, and partly original compositions. The hymns of these collections were a power in the Church, in Bohemia, Moravia and the regions beyond. They gave life to public worship, they were sung in the homes of noble and peasant, they set forth the pure Gospel in strains that captivated thousands of hearts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







The Music of the Moravian Church in America


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The Moravians, or Bohemian Brethren, early Protestants who settled in Pennsylvania and North Carolina in the eighteenth century, brought a musical repertoire that included hymns, sacred vocal works accompanied by chamber orchestra, and instrumental music by the best-known European composers of the day. Moravian composers -- mostly pastors and teachers trained in the styles and genres of the Haydn-Mozart era -- crafted thousands of compositions for worship, and copied and collected thousands of instrumental works for recreation and instruction. The book's chapters examine sacred and secular works, both for instruments -- including piano solo -- and for voices. The Music of the Moravian Church demonstrates the varied roles that music played in one of America's most distinctive ethno-cultural populations, and presents many distinctive pieces that performers and audiences continue to find rewarding. Contributors: Alice M. Caldwell, C. Daniel Crews, Lou Carol Fix, Pauline M. Fox, Albert H. Frank, Nola Reed Knouse, Laurence Libin, Paul M. Peucker, and Jewel A. Smith. Nola Reed Knouse, director of the Moravian Music Foundation since 1994, is active as a flautist, composer, and arranger. She is the editor of The Collected Wind Music of David Moritz Michael.




Hymnal and Liturgies of the Moravian Church (Unitas Fratrum) - Scholar's Choice Edition


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







The Liturgy and the Offices of Worship and Hymns of the American Province of the Unitas Fratrum, Or the Moravian Church (Classic Reprint)


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Excerpt from The Liturgy and the Offices of Worship and Hymns of the American Province of the Unitas Fratrum, or the Moravian Church In 1835 the Provincial Synod of the British Province of the Unitas Fratrum unanimously requested J ames Montgomery - a member of the Church - to subject the Hymn-book to a still further and more thorough revision. This he consented to do, and the result of his labors was laid before the Provincial Synod of 1847. That body appointed a committee to prepare a new edition, and this committee received full liberty from Montgomery to adopt, reject, or modify any of his emenda tions, and, at the same time, to make free use of his own compositions. Under such auspices appeared, in 1849, the Liturgy and Hymns for the use of the Protestant Church of the United Brethren. Or Unitas Fratrum, which work is still used in Great Britain. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Hymns and Hymnody: Historical and Theological Introductions, Volume 2


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Hymns and the music the church sings in worship are tangible means of expressing worship. And while worship is one of, if not the central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a sixty-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers who have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing--yet important--in accessible formats for the current literature.




Hymns and Hymnody, Volume 2


Book Description

While worship is one of the central functions of the church (along with mission, service, education, justice, and compassion) and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is an introductory textbook in three volumes describing the most influential hymnists, liturgists, and musical movements of the church. This academically-grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Each chapter contains five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The missions of Hymns and Hymnody are to provide biographical data on influential hymn writers for students and interested laypeople, and to provide a theological analysis of what the cited composers have communicated in the theology of their hymns. It is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect is missing in accessible formats for the current literature.