I Am Arachne


Book Description

Spinning, I can't stop spinning, so stay a minute, and I, Arachne, will spin a story for you . . . In this singular collection, the heroes and heroines of fifteen Greek and Roman tales give their own dramatic accounts of events. From the magnificent spinner Arachne, who learns that a mortal should never challenge a god, to the god Pan, who prefers Earth to Mount Olympus, to the beautiful, self-indulgent Pandora and the gold-stricken Midas—the reader becomes a confidant to the tellers of these sometimes humorous, sometimes sad, always engaging tales of wonder, woe, romantic love, and jealousy. Mordicai Gerstein's energetic, whimsical illustrations combine with Elizabeth Spires's playful renditions for a totally fresh take on familiar and not-so-familiar myths.




Toxicon & Arachne


Book Description

'The power of McSweeney's work cannot be separated from its association with forms of oracle and soothsaying, and so it is uncanny that it should arrive in the middle of a global pandemic... Frightening and brilliant' Dan Chiasson, New Yorker How does the body gestate grief? How does toxicity birth catastrophe? In the months leading up to her daughter Arachne's birth, US poet Joyelle McSweeney set out to write a quiver of poems like a quiver of poison arrows: formally and sonically virtuosic, laced with the poet's obsessive concerns with contamination, decay and the sublime, featuring a crown of 'toxic sonnets' for the tuberculosis bacterium that killed Keats. But when Arachne was born with an unexpected birth defect, lived briefly and died, the poet was visited by a second welter of poems, odes of love, grief, perplexity and rage. These two books, Toxicon & Arachne, form a double collection of poems weighing love, grief, art and survival in increasingly toxic days. Toxicon & Arachne is the culmination of eight years of engagement with lyric under a regime of global and personal catastrophes.




Why Spiders Spin


Book Description

Because she boasts that she weaves better than anyone, Arachne is turned into a spider.




Tracing Arachne's Web


Book Description

"I am particularly impressed with Bloomberg's insights about the ways in which women writers' urge to harness the power of women's myths has to some extent been aroused by historical forces. . . . She explains that women's desire to reinvent their identities requires that women writers take over the narrative tools (such as mythic allusions) provided them by male writers and use those tools to build their own textual 'house.'"--Mary Lowe-Evans, University of West Florida Tracing Arachne's Web examines the use of myth in works by American women novelists of the late 19th and early 20th centuries, showing how both classical allusions and ethnic folk myth liberated these writers and enabled them to understand and experience their social and economic worlds. Using the metaphor of Demeter and Persephone as her framework, Kristin Mapel Bloomberg identifies a cycle in women's fiction that moves from the utopian world of Demeter's garden in the late 19th century to the experience of isolated women in the patriarchal underworld of literary modernism. Examining the works of Sarah Orne Jewett, Emma D. Kelley-Hawkins, Onoto Watanna (aka Winnifred Eaton), Alice Dunbar-Nelson, Edith Wharton, and Djuna Barnes, she develops a model of women's writing that ties these writers' fascination with the occult and Greek mythology to T. S. Eliot's notion of the "mythical method." Drawing from history and popular culture, she demonstrates how women of color responded to many of the same cultural currents as white writers. She does this, moreover, by analyzing the coded strategies followed by women of color to get their books into print, without collapsing race into gender issues. Invariably provocative, Bloomberg's writing creates a picture of female power in turn-of-the-century American fiction in which women writers turned to alternative spiritual ideologies and occult philosophies to investigate tensions between racism, sexism, and classicism. This book will appeal to scholars in American studies, literary criticism, women's studies, and cultural studies. Kristin M. Mapel Bloomberg, associate professor of English and women's studies at Hamline University in St. Paul, Minnesota, holds the Hamline University Chair in the Humanities and is also Director of the Women's Studies Program.




Old Greek Stories


Book Description




The Story of Arachne


Book Description

Because she boasts that she weaves better than anyone, Arachne is turned into a spider.




Wake, Siren


Book Description

In fierce, textured voices, the women of Ovid's Metamorphoses claim their stories and challenge the power of myth I am the home of this story. After thousands of years of other people’s tellings, of all these different bridges, of words gotten wrong, I’ll tell it myself. Seductresses and she-monsters, nymphs and demi-goddesses, populate the famous myths of Ovid's Metamorphoses. But what happens when the story of the chase comes in the voice of the woman fleeing her rape? When the beloved coolly returns the seducer's gaze? When tales of monstrous transfiguration are sung by those transformed? In voices both mythic and modern, Wake, Siren revisits each account of love, loss, rape, revenge, and change. It lays bare the violence that undergirds and lurks in the heart of Ovid’s narratives, stories that helped build and perpetuate the distorted portrayal of women across centuries of art and literature. Drawing on the rhythms of epic poetry and alt rock, of everyday speech and folk song, of fireside whisperings and therapy sessions, Nina MacLaughlin, the acclaimed author of Hammer Head, recovers what is lost when the stories of women are told and translated by men. She breathes new life into these fraught and well-loved myths.




Menelaus in the Archaic Period


Book Description

While there have been many studies devoted to the major heroes and heroines of Homeric epic, among them Achilles, Odysseus, and Helen, the figure of Menelaus has remained notably overlooked in this strand of scholarship. Menelaus in the Archaic Period is the first book-length study of the Homeric character, taking a multidisciplinary approach to his depiction in archaic Greek poetry, art, and cult through detailed analysis of ancient literary, visual, and material evidence. The volume is divided into two parts, the first of which examines the portrayal of Menelaus in the Homeric poems as a unique 'personality' with an integral role to play in each narrative, as depicted through typical patterns of speech and action and through intertextual allusion. The second part explores his representation both in other poetry of the archaic period - including lyric poetry and Simonides' 'Plataea elegy ' - and also archaic art and local Sparta cult, drawing on the literary, archaeological, and inscriptional evidence for the cult of Menelaus with Helen at Therapne. The depiction of Menelaus in archaic art is a particular focal point: Chapter 4 provides a methodology for the interpretation of heroic narrative on archaic Greek vases through iconography and inscriptions and establishes his conventional visual 'identity' on black figure Athenian vases, while an annotated catalogue of images details those that fall outside the 'norm'. Menelaus emerges from this comprehensive study as a unique and likeable character whose relationship with Helen was a popular theme in both epic poetry and vase painting, but one whose portrayal evinced a significant narrative range, with an array of continuities and differences in how he was represented by the Greeks, not only within the archaic period but also in comparison to classical Athens.




The Battle of the Olympians and the Titans


Book Description

Cronus, a giant Titan, is obsessed with power, and he goes to great lengths to preserve it. However his own sons may be his downfall when an epic battle between the Olypians and Titans explodes. Will Cronus lose his precious power?




Greek Myth Plays


Book Description

Students build fluency and gain confidence as readers with this collection of Greek myth plays