I Am Not My Struggles Poems


Book Description

With an unflinching eye, an extraordinary ear, and a story as timely as any on the nightly news, poet Randell Adjei brings us I AM NOT MY STRUGGLES, a collection of poetry so honest and beautiful you won't want to put it down. Randell Adjei's is a story of a reckless youth, early incarceration and the lessons learned, and, above all, resilience. Randell Adjei writes to know himself and to redeem himself, as well as to honor his mother, her homeland, and all the young people who come after him. The energy in I AM NOT MY STRUGGLES in infectious; once you begin the first poem you?ll find yourself rapt until the very last word of the book. I AM NOT MY STRUGGLES is an urgent and necessary poetry collection, arriving at just the moment we need it most.




Father's Day


Book Description

"As seen in the The New York Times Book Review ""In characteristically short lines and pithy, slippery language like predictive text from a lucid dream, Zapruder’s fifth collection grapples with fatherhood as well as larger questions of influence and inheritance and obligation."" —The New York Times “[Zapruder] presents powerfully nuanced and vivid verse about the limitations of poetry to enact meaningful change in a world spiraling into callousness; yet despite poetry’s supposed constraints, Zapruder’s verse offers solace and an invaluable blueprint for empathy.” ―Publishers Weekly, starred review “Zapruder’s new book, Father’s Day, is firmly situated in its (and our) political moment, and is anchored by a compelling gravity and urgency.” ―The Washington Post The poems in Matthew Zapruder’s fifth collection ask, how can one be a good father, partner, and citizen in the early twenty-first century? Zapruder deftly improvises upon language and lyricism as he passionately engages with these questions during turbulent, uncertain times. Whether interrogating the personalities of the Supreme Court, watching a child grow off into a distance, or tweaking poetry critics and hipsters alike, Zapruder maintains a deeply generous sense of humor alongside a rich vein of love and moral urgency. The poems in Father’s Day harbor a radical belief in the power of wonder and awe to sustain the human project while guiding it forward. "




Why Poetry


Book Description

An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.




Running Out of Words for Afterwards


Book Description

Lush and allusive, tuned to a background in translating Nepal Bhasa poetry, RUNNING OUT OF WORDS FOR AFTERWARDS gives voice to cycles of desire, loss, and renewal. Like the many rivers that flow through this book, David Hargreaves' poems, in various turns, can be urgent, expansive, unpredictable, or calm, conveying the reader through landscapes both mystical and mundane, through illusions of selfhood, and the struggles of language to accept its own limitations. Poetry. Asian & Asian American Studies.




The Hatred of Poetry


Book Description

"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--




YOU DA ONE


Book Description

Poetry. This new edition includes interruptions that focus on dismantling rape culture. "By turns violent, political, romantic, incestual, cerebral, bodily, and personal, this second full-length from Tamayo (RED MISSED ACHES) bears the formal markings of the hypermodern in its deployment of digital, pop, and intertextual elements. Written after her first trip back to her native Colombia in 25 years, the book is indebted to Rihanna, Barthes, and Aim� C�saire, whose texts she mines voraciously. Those influences, as well as the spectres of Alfred Molina and the author's father, haunt the page, intermixed with screen captures, cheap internet advertising, deliberate misspellings, and pun-ridden Spanglish."--Publishers Weekly




When My Brother Was an Aztec


Book Description

"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it— He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.




The Woman I Kept to Myself


Book Description

75 Poems by the Author of How the García Girls Lost Their Accents and In the Time of the Butterflies The works of this award-winning poet and novelist are rich with the language and influences of two cultures: those of the Dominican Republic of her childhood and the America of her youth and adulthood. They have shaped her writing just as they have shaped her life. In these seventy-five autobiographical poems, Alvarez’s clear voice sings out in every line. Here, in the middle of her life, she looks back as a way of understanding and celebrating the woman she has become. Don't miss Alvarez’s new novel, The Cemetery of Untold Stories, available now!




Killing the Black Dog


Book Description

Killing the Black Dog is Les Murray's courageous account of his struggle with depression, accompanied by poems specially selected by the author. Since the first edition appeared in 1997, hosts of readers have drawn insight from his account of the disease, its social effects and its origins in his family's history. As Murray writes in this revise...




My Mother Was a Freedom Fighter


Book Description

I am 27 and have never killed a man but I know the face of death as if heirloom my country memorizes murder as lullaby —from “For Fahd” Textured with the sights and sounds of growing up in East New York in the nineties, to school on the South Side of Chicago, all the way to the olive groves of Palestine, My Mother Is a Freedom Fighter is Aja Monet’s ode to mothers, daughters, and sisters—the tiny gods who fight to change the world. Complemented by striking cover art from Carrie Mae Weems, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy. Praise for Aja Monet: ““[Monet] is the true definition of an artist.” —Harry Belafonte ““In Paris, she walked out onto the stage, opened her mouth and spoke. At the first utterance I heard that rare something that said this is special and knew immediately that Aja Monet was one of the Ones who will mark the sound of the ages. She brings depth of voice to the voiceless, and through her we sing a powerful song.” —Carrie Mae Weems Of Cuban-Jamaican descent, Aja Monet is an internationally established poet, performer, singer, songwriter, educator, and human rights advocate. Monet is also the youngest person to win the legendary Nuyorican Poet’s Café Grand Slam title.