Renaissance & Mannerism


Book Description

From the 15th to the 16th centuries, Western European culture flourished thanks in part to the astonishing achievements of such Renaissance artists as da Vinci, Donatello, Raphael, Botticelli, and Michelangelo, and Mannerist painters including El Greco, Pontormo, and Tintoretto. In Florence, the cradle of the Renaissance, artists pursued ancient classical ideals of harmony and naturalism, and in architecture, forms of perfection and grandeur. Mannerists, in the early 16th century, valued exaggeration, elongated figures, unnatural lighting, and vivid (even lurid) colors, to create more tension and emotion in their work. This stunning volume follows these two key movements in art history, providing authoritative background from a top scholar, rich cultural context, and a wealth of exquisite reproductions of period paintings, sculptures, churches, and palazzos.




Renaissance Self-portraiture


Book Description

An exploration of the genesis and early development of the genre of self-portraiture in Italy in the 15th and 16th centuries. The author examines a series of self-portraits in Renaissance Italy, arguing that they represented the aspirations of their creators to change their social standing.




Making Copies in European Art 1400-1600


Book Description

Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.




Michelangelo on Parnassus


Book Description

This book presents an original investigation of the relationship of a variety of authors (Varchi, Aretino, Foscolo, Wordsworth, Stendhal, Mann, Montale, Morante and others) with Buonarroti’s verse. Through close analysis of the texts, it shows why Michelangelo should hold a more noble position on Parnassus than that which historiography has hitherto granted him.




Dialogos Em Roma (1538)


Book Description




Leonardo


Book Description

Artist and scientist, draughtsman and inventor, these were the varied occupations of Leonardo. Carlo Pedretti concentrates on the paintings and drawings and tackles the problem of their complexity by tracing chronologically a number of the themes that run through Leonardo's work.--[book jacket].




Building Library Collections


Book Description

A classic. Topics include resource-sharing networks, the importance of nonbook formats, the greater complexity of censorship challenges, and the expansion of the library's informational role.




Painting in Italy, 1500-1600


Book Description

'Art', declared Vasari in Lives of the Artists, has been reborn and reached perfection in our time'. Indeed the roster of great names in painting of the Cinquecento, which only begins with those of Leonardo, Michelangelo, and Raphael, appears to justify this grand claim. Professor Freedberg here discusses the individual painters and analyses the hallmarks of their work. He traces the classical style of the High Renaissance, the Mannerism that succeeded it, and the events, in North Italy especially, that resist stylistic categories. He has given order to this diversity, but at the same time has preserved the intense individuality of the works of art.




The Sack of Rome, 1527


Book Description

From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century Rome In this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Pope Clement VII and the city after it was looted by the troops of Emperor Charles V in 1527. Chastel illuminates the cultural repercussions of the humiliation of Rome, emphasizing the spread or “Europeanization” of the Mannerist style by artists who fled the city—including Parmigianino, Rosso, Polidoro, Peruzzi, and Perino del Vaga. At the same time, Clement’s critics used the new media of printing and engraving to win over the people with caricatures and satirical writings, while Rome responded with monumental works affirming the legitimacy of the pope’s temporal power. Chastel explores both the world that was lost by the sack and the great works of art created during Rome’s recovery.




Beyond the Inquisition


Book Description

In Beyond the Inquisition, originally published in an Italian edition in 2007, Giorgio Caravale offers a fresh perspective on sixteenth-century Italian religious history and the religious crisis that swept across Europe during that period. Through an intellectual biography of Ambrogio Catarino Politi (1484–1553), Caravale rethinks the problems resulting from the diffusion of Protestant doctrines in Renaissance Italy and the Catholic opposition to their advance. At the same time, Caravale calls for a new conception of the Counter-Reformation, demonstrating that during the first half of the sixteenth century there were many alternatives to the inquisitorial model that ultimately prevailed. Lancellotto Politi, the jurist from Siena who entered the Dominican order in 1517 under the name of Ambrogio Catarino, started his career as an anti-Lutheran controversialist, shared friendships with the Italian Spirituals, and was frequently in conflict with his own order. The main stages of his career are all illustrated with a rich array of previously published and unpublished documentation. Caravale's thorough analysis of Politi's works, actions, and relationships significantly alters the traditional image of an intransigent heretic hunter and an author of fierce anti-Lutheran tirades. In the same way, the reconstruction of his role as a papal theologian and as a bishop in the first phase of the Council and the reinterpretation of his battle against the Spanish theologian Domingo de Soto and scholasticism reestablish the image of a Counter-Reformation that was different from the one that triumphed in Trent, the image of an alternative that was viable but never came close to being implemented.