I Am An Artist


Book Description

Meet the boy who can't stop creating art! He loves colours, shapes, textures and EVERYTHING inspires him: his socks, the contents of the fridge, even his cat gets a new coat (of paint!). But there's just one problem: his mum isn't quite so enthusiastic. In fact, she seems a little cross! But this boy has a plan to make his mum smile. He's about to create his finest piece yet and on a very grand scale . . . Funny, irreverent and perfect for creative children and adults, I Am An Artist by Marta Altés is a sharp, silly, fabulous book which shows that art is EVERYWHERE!




Invisible Ink


Book Description

Underground and Zippy the Pinhead cartoonist Bill Griffith uncovers his mother’s hidden past in his first graphic memoir. This is the renowned cartoonist's first long-form graphic work ― a 200-page memoir that poignantly recounts his mother’s secret life, which included an affair with a cartoonist and crime novelist in the 1950s and ’60s. Invisible Ink unfolds like a detective story, alternating between past and present, as Griffith recreates the quotidian habits of suburban Levittown and the professional and cultural life of mid-century Manhattan in the 1950s and ’60s as seen through his mother’s and his own then-teenage eyes. Griffith puts the pieces together and reveals a mother he never knew.




Cartoon Marriage


Book Description

A pair of married New Yorker cartoonists expose the hilarious complexities and eccentricities of love and matrimony in a collection of more than two hundred cartoons and original graphic narratives that explore such topics as "I Do," "Play with Me," "Gifting and Getting," Ex-Whatevers," "Come Hither," "Is It Worth It," and "In Bed." 30,000 first printing.




Displays of Affection


Book Description

Cartoons provide a humorous view of love, courtship, marriage, infidelity, and friendship




My Life as a Cartoonist


Book Description

From his high school days as an up-and-coming cartoonist to his first job through the creation of MAD magazine, Kurtzman tells the story of his career and creations.




Scenes from Isolation


Book Description

Isolation commiserations from the creator of the iconic “Cathy” comic strip, Cathy Guisewite! We’re all in this together…but it helps to see someone else with her face planted in the bowl of mashed potatoes. In the same way that Cathy was a relatable friend during the comic strip years, she’s returned to offer some happy relief, support, and a much-needed AACK from isolation. This little book is a compassionate companion for right now and, long after the pandemic is over, will be a treasured scrapbook of what we survived—the fear of droplets, the work-from-refrigerator wear, the revenge retail therapy of online shopping, the frustration of trying to teach Grandma to Zoom from 3,000 miles away, the little shreds of hope mixed in with the sourdough bread dough. From the introduction: I’ve worn the same pair of sweatpants for fourteen months. I’ve binge watched, binge eaten, binge shopped, binge prayed. I’ve Zoomed. Streamed. Screamed. Googled how to get hot fudge out of a duvet cover. Googled how to chop my insulting blue jeans into face masks. Googled how to permanently delete my Google search history. I’ve meditated, looked within and asked the big questions: “If no one’s allowed in my house for months, what’s the point of vacuuming?”




The Art of Controversy


Book Description

A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.




Kramers Ergot 10


Book Description

The latest installment of the most significant comics anthology of the 21st century includes comics by R. Crumb, as well as many other masters of the form. Eighteen of the very best cartoonists in the world are contributing new pieces to this oversized volume, including Anna Haifich, Noel Frieberg, Adam Buttrick, Archer Prewitt, Lale Westvind, Will Sweeney, Dash Shaw, James Turek, Rick Altergott, CF, Aisha Franz, Kim Deitch, Ron Regé Jr., and John Pham. There's a contribution from editor Sammy Harkham, as well.




What's So Funny?


Book Description

From a longtime New Yorker staff cartoonist, an evocative family memoir, a love letter to New York City, and a delightful exploration of the origins of creativity—richly interleaved with the author’s witty, beloved cartoons A wry and brilliantly observed portrait of the budding young cartoonist and his Upper West Side Jewish family in the age of JFK and Sputnik. Sipress, a dreamer and obsessive drawer, goes hazy when it comes to the ceaselessly imparted lessons-on-life from his father, the meticulous, upwardly mobile proprietor of Revere Jewelers, and in the face of the angsty expectations of his migraine-prone mother. With self-deprecation, wit, and artistry, Sipress paints his hapless place in his indelibly dysfunctional family, from the time he was tricked by his unreliable older sister into rocketing his pet turtle out his twelfth-floor bedroom window, to the moment he walks away from a Harvard PhD program in Russian history to begin his journey as a professional cartoonist. In What’s So Funny?—reminiscent of the masterly, humane recall of Roger Angell and the brainy humor of Roz Chast—Sipress's cartoons appear with spot-on precision, inducing delightful Aha moments in answer to the perennial question aimed at cartoonists: Where do you get your ideas?




Jackie Ormes


Book Description

In the United States at mid-century, in an era when there were few opportunities for women in general and even fewer for African American women, Jackie Ormes blazed a trail as a popular artist with the major black newspapers of the day. Jackie Ormes chronicles the life of this multiply talented, fascinating woman who became a successful commercial artist and cartoonist. Ormes's cartoon characters (including Torchy Brown, Candy, and Patty-Jo 'n' Ginger) delighted readers of newspapers such as the Pittsburgh Courier and Chicago Defender, and spawned other products, including fashionable paper dolls in the Sunday papers and a black doll with her own extensive and stylish wardrobe. Ormes was a member of Chicago's Black elite in the postwar era, and her social circle included the leading political figures and entertainers of the day. Her politics, which fell decidedly to the left and were apparent to even a casual reader of her cartoons and comic strips, eventually led to her investigation by the FBI. The book includes a generous selection of Ormes's cartoons and comic strips, which provide an invaluable glimpse into U.S. culture and history of the 1937-56 era as interpreted by Ormes. Her topics include racial segregation, cold war politics, educational equality, the atom bomb, and environmental pollution, among other pressing issues of the times. "I am so delighted to see an entire book about the great Jackie Ormes! This is a book that will appeal to multiple audiences: comics scholars, feminists, African Americans, and doll collectors. . . ." ---Trina Robbins, author of A Century of Women Cartoonists and The Great Women Cartoonists Nancy Goldstein became fascinated in the story of Jackie Ormes while doing research on the Patty-Jo Doll. She has published a number of articles on the history of dolls in the United States and is an avid collector.