I Loved Her in the Movies


Book Description

Film and television actor and New York Times bestselling author Robert Wagner’s memoir of the great women movie stars he has known. In a career that has spanned more than sixty years Robert Wagner has witnessed the twilight of the Golden Age of Hollywood and the rise of television, becoming a beloved star in both media. During that time he became acquainted, both professionally and socially, with the remarkable women who were the greatest screen personalities of their day. I Loved Her in the Movies is his intimate and revealing account of the charisma of these women on film, why they became stars, and how their specific emotional and dramatic chemistries affected the choices they made as actresses as well as the choices they made as women. Among Wagner’s subjects are Joan Crawford, Bette Davis, Marilyn Monroe, Gloria Swanson, Norma Shearer, Loretta Young, Joan Blondell, Irene Dunne, Rosalind Russell, Dorothy Lamour, Debra Paget, Jean Peters, Linda Darnell, Betty Hutton, Raquel Welch, Glenn Close, and the two actresses whom he ultimately married, Natalie Wood and Jill St. John. In addition to offering perceptive commentary on these women, Wagner also examines topics such as the strange alchemy of the camera—how it can transform the attractive into the stunning, and vice versa—and how the introduction of color brought a new erotic charge to movies, one that enabled these actresses to become aggressively sexual beings in a way that that black and white films had only hinted at. Like Wagner’s two previous bestsellers, I Loved Her in the Movies is a privileged look behind the scenes at some of the most well-known women in show business as well as an insightful look at the sexual and romantic attraction that created their magic.




Jean Arthur


Book Description

She is probably best remembered for her wistful-husky voice which, as Pauline Kael wrote, "was one of the best sounds in the romantic comedies of the 30s and 40s". But Jean Arthur's screen career began in silent films and spanned more than a quarter of a century. She worked with great directors of Hollywood's Golden Age: John Ford, Frank Capra, Cecil B. DeMille, Howard Hawks, George Stevens and Billy Wilder; and she shared star billing with the likes of Gary Cooper, James Stewart, Cary Grant, Alan Ladd, Charles Boyer and John Wayne. Her most enduring films include Mr. Deeds Goes to Town, You Can't Take It With You, Mr. Smith Goes to Washington, The More the Merrier, The Whole Town's Talking, A Foreign Affair and, in her last screen appearance, Shane. She was, in fact, one of the most popular and beloved movie stars of her time. Jean Arthur's popularity sprang from her talent, her charm and her quiet beauty, not from her offscreen exploits. Independent, indifferent to most of Hollywood's rules if not defiant of them, treasuring her privacy above all else, she chose to become an enigma - and so she has remained until now. In this, the first biography of Jean Arthur, John Oller, after years of research among the actress's closest friends, relatives and co-workers, has uncovered the life she tried so hard to shroud: a bruising, rootless childhood that left her with a crushing sense of insecurity, but also a steely determination to stand up for herself and what she believed in; a romance with David O. Selznick that ended unhappily, a childless marriage to film executive Frank Ross that descended into bitterness and recrimination, and rumors of lesbianism that continue to this day; legal battles fought over the roles she was offered as well as in defense of animals and the environment; repeated, aborted attempts to conquer Broadway that yielded but one theatrical triumph - as Peter Pan, a character she loved because, like herself, he refused to deal with the world on its terms. This is an engrossing, humane biography that strikes a fitting balance between the acting career and the personal life of an unforgettable star, and does full justice to both.




Shriek: An Afterword


Book Description

From the author of Borne and Annihilation comes the paperback reissue of his cult classic Shriek: An Afterword. An epic yet personal look at several decades of life, love, and death in the imaginary city of Ambergris—previously chronicled in Jeff VanderMeer’s acclaimed City of Saints and Madmen—Shriek: An Afterword relates the scandalous, heartbreaking, and horrifying secret history of two squabbling siblings and their confidantes, protectors, and enemies. Narrated with flamboyant intensity and under increasingly urgent conditions by the ex-society figure Janice Shriek, this afterword presents a vivid gallery of characters and events, emphasizing the adventures of Janice’s brother Duncan, a historian obsessed with a doomed love affair and a secret that may kill or transform him; a war between rival publishing houses that will change Ambergris forever; and the gray caps, a marginalized people armed with advanced fungal technologies, who have been waiting underground for their chance to mold the future of the city. After reading this introduction to the Family Shriek—part academic treatise, part tell-all biography—you’ll never look at history in quite the same way.




Fried Green Tomatoes at the Whistle Stop Cafe


Book Description

Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is a now-classic novel about two women: Evelyn, who’s in the sad slump of middle age, and gray-headed Mrs. Threadgoode, who’s telling her life story. Her tale includes two more women—the irrepressibly daredevilish tomboy Idgie and her friend Ruth—who back in the thirties ran a little place in Whistle Stop, Alabama, offering good coffee, southern barbecue, and all kinds of love and laughter—even an occasional murder. And as the past unfolds, the present will never be quite the same again. Praise for Fried Green Tomatoes at the Whistle Stop Cafe “A real novel and a good one [from] the busy brain of a born storyteller.”—The New York Times “Happily for us, Fannie Flagg has preserved [the Threadgoodes] in a richly comic, poignant narrative that records the exuberance of their lives, the sadness of their departure.”—Harper Lee “This whole literary enterprise shines with honesty, gallantry, and love of perfect details that might otherwise be forgotten.”—Los Angeles Times “Funny and macabre.”—The Washington Post “Courageous and wise.”—Houston Chronicle




I'm Over All That


Book Description

“IN THIS THIRD ACT OF MY LIFE, MUCH HAS BECOME CLEARER. SO MUCH IS OVER, AND I AM OVER SO MUCH . . .” At a certain time in life, we all come to realize what is truly important to us and what just doesn’t matter. For Shirley MacLaine, that time is now. In this wise, witty, and fearless collection of small observations and big-picture questions, she shares with readers all those things that she is over dealing with in life, in love, at home, and in the larger world . . . as well as the things she will never get over, no matter how long she lives. Among the things that Shirley is over: people who repeat themselves (“when you didn’t care what they said the first time”); conservatives and liberals; ill-mannered young people; the poison of celebrity (“Why do so many people want to be famous when they see how it can destroy your life?”); being polite to boring people (“If they won’t stop talking, I go into a trance and meditate”); getting older in Hollywood (“How peaceful it is not to have to look particularly pretty anymore or to wear a size 6”). In the opposite camp, there are some things Shirley will never get over: good lighting (“Marlene Dietrich taught me how to light myself”); gorgeous costars (“The vanity of male actors is an impossible wall to scale”); performing live (“Yes, it is better than sex”); and above all, brave people with curious minds (“Fear is the most powerful weapon of mass destruction”). Along the way, she recalls stories of some of the true greats she has known—Alfred Hitchcock, Elizabeth Taylor, Frank Sinatra, the two Jacks (Lemmon and Nicholson)—and ruminates on the state of Hollywood past and present. She recollects her relationships and romances with politicians (including two prime ministers), scientists, journalists, and costars. An unabashed seeker of truth and unrepentant free spirit, Shirley looks squarely at a world that can irritate, confuse, and provoke her, but that can also delight her with its beauty, humor, and future promise. Reading I’m Over All That will make you feel you have been reunited with an old friend who tells it like it is but never takes herself too seriously. Shirley MacLaine may be over all that, but this irresistible book ensures that we will never get over her.




Jo & Laurie


Book Description

Bestselling authors Margaret Stohl and Melissa de la Cruz bring us a romantic retelling of Little Women starring Jo March and her best friend, the boy next door, Theodore "Laurie" Laurence. 1869, Concord, Massachusetts: After the publication of her first novel, Jo March is shocked to discover her book of scribbles has become a bestseller, and her publisher and fans demand a sequel. While pressured into coming up with a story, she goes to New York with her dear friend Laurie for a week of inspiration--museums, operas, and even a once-in-a-lifetime reading by Charles Dickens himself! But Laurie has romance on his mind, and despite her growing feelings, Jo's desire to remain independent leads her to turn down his heartfelt marriage proposal and sends the poor boy off to college heartbroken. When Laurie returns to Concord with a sophisticated new girlfriend, will Jo finally communicate her true heart's desire or lose the love of her life forever?




I'll Have What She's Having


Book Description

A backstage look at the making of Nora Ephron's revered trilogy--When Harry Met Sally, You've Got Mail, and Sleepless in Seattle--which brought romantic comedies back to the fore, and an intimate portrait of the beloved writer/director who inspired a generation of Hollywood women, from Mindy Kaling to Lena Dunham. In I'll Have What She's Having entertainment journalist Erin Carlson tells the story of the real Nora Ephron and how she reinvented the romcom through her trio of instant classics. With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat to romance and Ephron--who always knew what she wanted and how she wanted it--ruled the set with an attention to detail that made her actors feel safe but sometimes exasperated crew members. Along the way, Carlson examines how Ephron explored in the cinema answers to the questions that plagued her own romantic life and how she regained faith in love after one broken engagement and two failed marriages. Carlson also explores countless other questions Ephron's fans have wondered about: What sparked Reiner to snap out of his bachelor blues during the making of When Harry Met Sally? Why was Ryan, a gifted comedian trapped in the body of a fairytale princess, not the first choice for the role? After she and Hanks each separatel balked at playing Mail's Kathleen Kelly and Sleepless' Sam Baldwin, what changed their minds? And perhaps most importantly: What was Dave Chappelle doing ... in a turtleneck? An intimate portrait of a one of America's most iconic filmmakers and a look behind the scenes of her crowning achievements, I'll Have What She's Having is a vivid account of the days and nights when Ephron, along with assorted cynical collaborators, learned to show her heart on the screen.




Making Movies


Book Description

Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio honchos happy? From the first rehearsal to the final screening, Making Movies is a master’s take, delivered with clarity, candor, and a wealth of anecdote. For in this book, Sidney Lumet, one of our most consistently acclaimed directors, gives us both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on forty years of experience on movies that range from Long Day’s Journey into Night to Network and The Verdict—and with such stars as Katharine Hepburn, Paul Newman, Marlon Brando, and Al Pacino—Lumet explains how painstaking labor and inspired split-second decisions can result in two hours of screen magic.




To All the Boys I've Loved Before


Book Description

Series title and numbering from publisher's website.