I, Me And Salman – 95% Fiction


Book Description

Radha has an imaginary Friend-in-Mind. Salman Khan. Err, yes. THE Salman Khan. THE Superstar Salman Khan. If Calvin can have an imaginary playmate Hobbes, what’s stopping Radha from having Salman Khan as her imaginary Friend-in-Mind? So what if he’s the heartthrob of millions? So what if he’s beyond her wildest reach despite living in Mumbai? So Radha leads her ordinary life, sharing her journey with her Friend-in-Mind Salman, through 20 years of a break-up bhari Zindagani. Life becomes very filmy for Radha, when she falls in love with the Friendly Neighborhood RJ. Yes, if she can have Salman Khan as her imaginary friend, she could do something equally filmy, such as falling in love with the voice of a RJ. Will Mr. RJ reciprocate? He’s reluctant, what else? But Radha has already found his favour. Unwittingly, being his favorite listener, Radha has now won a contest, and the prize is… A Date with Salman Khan. Oops! Now what?




Salman Rushdie in the Cultural Marketplace


Book Description

Taking up the roles that Salman Rushdie himself has assumed as a cultural broker, gatekeeper, and mediator in various spheres of public production, Ana Cristina Mendes situates his work in terms of the contemporary production, circulation, and consumption of postcolonial texts within the workings of the cultural industries. Mendes pays particular attention to Rushdie as a public performer across various creative platforms, not only as a novelist and short story writer, but also as a public intellectual, reviewer, and film critic. Mendes argues that how a postcolonial author becomes personally and professionally enmeshed in the dealings of the cultural industries is of particular relevance at a time when the market is strictly regulated by a few multinational corporations. She contends that marginality should not be construed exclusively as a basis for understanding Rushdie’s work, since a critical grounding in marginality will predictably involve a reproduction of the traditional postcolonial binaries of oppressor/oppressed and colonizer/colonized that the writer subverts. Rather, she seeks to expand existing interpretations of Rushdie’s work, itineraries, and frameworks in order to take into account the actual conditions of postcolonial cultural production and circulation within a marketplace that is global in both orientation and effects.




Re-Shaping Culture and Identity in Postcolonial Fiction: Salman Rushdie and Abdulrazak Gurnah


Book Description

One of the most fascinating, rapidly developing, and difficult areas of literary and cultural studies today is postcolonialism. Focused on postcolonialism and designed especially for those studying postcolonial studies, Re-Shaping Culture and Identity in postcolonial Fiction: Salman Rushdie and Abdulrazak Gurnah introduces key subject areas of concern such as culture and identity in a clear accessible and organised fashion. It provides an overview of the development of postcolonialism as a discipline and takes a close look at its important authors, Salman Rushdie and Abdulrazak Gurnah, and their selected oeuvres, Fury, Midnight’s Children, By the Sea and Memory of Departure. With a palimpsestic analysis of culture and identity as crucial features of postcolonial texts, Re-Shaping Culture and Identity in postcolonial Fiction: Salman Rushdie and Abdulrazak Gurnah argues how postcolonialism functions in allowing the formation of a new perspective on the contemporary world. Besides, it offers an alternative perspective on their works, one that promotes the importance of the issue of postcolonial agency. This book will prove invaluable to anyone studying English Language and Literature, Migration Studies, and Cultural Studies. Contents Introduction: the borders of culture and identity A critical approach to culture and identity under the light of postcolonial theory The contributons of Abdulrazak Gurnah and Salman Rushdie to postcolonial literature Non- homes in postcolonial culture (Un)belonging postcolonial identity Conclusion: towards a new understanding of culture and identity Bibliography




The Science Fiction Dimensions of Salman Rushdie


Book Description

This book focuses on the science fictional dimensions of Rushdie's later novels, Fury, The Ground Beneath Her Feet, Shalimar the Clown and Luka and the Fire of Life, and Rushdie's first unpublished novel, The Antagonist, to show how the author's oeuvre moves towards a more consistent engagement with science fiction as a generic form and an ideological investment. The author demonstrates how Rushdie recreates personal and national histories in a science fictional setting and mode, and contends that the failure of his first novel Grimus may have led Rushdie away from SF for some time, although he returns to it with a much firmer conviction and a much stronger voice in his later novels, showing his commitment to this imaginative form which he describes in Fury as providing "the best popular vehicle ever devised for the novel of ideas and metaphysics."The science fictional mode is the most appropriate vehicle for expressing these thematic and ideological concerns and the organizing feature of Rushdie's oeuvre. The author rereads the later novels in light of recent critical engagement with SF as a vehicle for reimagining national histories and as a potentially subversive tool for social and political engagement in a fictional realm.




Exploring Magic Realism in Salman Rushdie's Fiction


Book Description

Kluwick breaks new ground in this book, moving away from Rushdie studies that focus on his status as postcolonial or postmodern, and instead considering the significance of magic realism in his fiction. Rushdie’s magic realism, in fact, lies at the heart of his engagement with the post/colonial. In a departure from conventional descriptions of magic realism—based primarily on the Latin-American tradition—Kluwick here proposes an alternative definition, allowing for a more accurate description of the form. She argues that it is disharmony, rather than harmony, that is decisive: that the incompatibility of the realist and the supernatural needs to be recognized as a driving force in Rushdie’s fiction. In its rigorous analysis of this Rushdian magic realism, this book considers the entire corpus—Midnight’s Children, Shame, The Satanic Verses, The Moor’s Last Sigh, The Ground Beneath Her Feet, Shalimar the Clown, and The Enchantress of Florence. This study is the first of its kind to do so.







Offspring Fictions


Book Description

The first book-length study that examines families and especially the parent-child relationship in Rushdie's core works. The book provides a sustained examination of how the parents and children that people Rushdie's fictions reflect the larger issues his work is concerned with: nationalism, religion, history and authorship.




Salman Rushdie the Believer


Book Description

This books critical approach offers an interpretation that seeks to illuminate Salman Rushdies own struggle with religious identity. The focus on Rushdies The Satanic Verses as a display of personal struggle transcends the post publications controversy surrounding the novel. It also suggests a possible reconciliation between Islam and Rushdie himself. This work portrays Rushdie as a struggling individual confronting an investigation of his given religion, Islam. This study demonstrates how Rushdie rewrites the Islamic history and distorts some of its stories in the name of searching for a deeper truth. It further deciphers Rushdies Verses guiding readers through this colossal project and emphasizing the effect of the authors experimentation. Finally, it reveals the complex relationship between Rushdie and his work on the one hand and Rushdie and Islam on the other. Written in MLA Style




Fiction after the Fatwa


Book Description

Fiction after the Fatwa: Salman Rushdie and the Charm of Catastrophe proposes for the first time an examination of what Rushdie has achieved as a writer since the fourteenth of February 1989, the date of the fatwa. This study argues that his constant questioning of fictional form and the language used to articulate it have opened up new opportunities and further possibilities for writing in the late twentieth and early twenty-first centuries. Through close readings and intensive textual analysis, arranged chronologically, Fiction after the Fatwa provides a thought-provoking reflection on the writer’s achievements over the last thirteen years. Aimed principally at academics and students, but also of interest to the general reader, it engages with the specific nature of the post-fatwa fiction as it moves from the fairy-tale world of Haroun and the Sea of Stories to the heartbreaking post-realism of Fury.




Haroun and the Sea of Stories


Book Description

It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brönte's Jane Eyre, and a 'C' for Willa Cather's My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves. R is for Rushdie. Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Salman Rushdie’s classic children’s novel Haroun and the Sea of Stories inhabits the same imaginative space as Gulliver’s Travels, Alice in Wonderland, and The Wizard of Oz. Haroun, a 12-year-old boy sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.