I, Iago


Book Description

“Nicole Galland is exceptionally well versed in the fine nuances of storytelling.” —St. Petersburg Times “Galland has an exceptional gift.” —Neal Stephenson The critically acclaimed author of The Fool's Tale, Nicole Galland now approaches William Shakespeare's classic drama of jealousy, betrayal, and murder from the opposite side. I, Iago is an ingenious, brilliantly crafted novel that allows one of literature's greatest villains--the deceitful schemer Iago, from the Bard's immortal tragedy, Othello--to take center stage in order to reveal his "true" motivations. This is Iago as you've never known him, his past and influences breathtakingly illuminated, in a fictional reexamination that explores the eternal question: is true evil the result of nature versus nurture...or something even more complicated?




The Apologetics of Evil


Book Description

The concept of Iago -- Apologia for Iago.




Iago


Book Description

From one of the greatest Shakespeare scholars of our time, Harold Bloom presents Othello’s Iago, perhaps the Bard’s most compelling villain—the fourth in a series of five short books about the great playwright’s most significant personalities. Few antagonists in all of literature have displayed the ruthless cunning and deceit of Iago. Denied the promotion he believes he deserves, Iago takes vengeance on Othello and destroys him. One of William Shakespeare’s most provocative and culturally relevant plays, Othello is widely studied for its complex and enduring themes of race and racism, love, trust, betrayal, and repentance. It remains widely performed across professional and community theatre alike and has been the source for many film and literary adaptations. Now award-winning writer and beloved professor Harold Bloom investigates Iago’s motives and unthinkable actions with razor-sharp insight, agility, and compassion. Why and how does Iago use lies and deception—the fake news of the 15th century—to destroy Othello and several other characters in his path? What can Othello tell us about racism? Bloom is mesmerizing in the classroom, treating Shakespeare’s characters like people he has known all his life. He delivers exhilarating intimacy and clarity in these pages, writing about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that Iago also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. “There are few readers more astute than Bloom” (Publishers Weekly), and his Iago is a provocative study for our time.




Iago's Penumbra


Book Description

An inspiring story that helps readers to confront the more challenging truths of existence with confidence by offering hope and solutions in these desperate times Written for spiritual seekers interested in stories that satisfy the soul while stretching the mind The themes, plotlines, characters, and motifs are all based on the works of William Shakespeare in some way and enhance one's understanding of the playwright




Iago


Book Description

An unforgettable adventure beginning where Shakespeare's Othello leaves off Wounded in love, tormented by his past, Shakespeare's most complex villain is brought magnificently to life in this tale of two adversaries—one an accused killer; the other, one of the most powerful men in Venice. Having escaped from Cyprus, accused of the murders of the governor, known as the Moor, and his lovely young wife, Iago is now locked in battle with Annibale Malipiero, known as Il Terribile, the chief inquisitor of Italy's greatest city. Malipiero is repelled by the more brutal tasks of the interrogante. His obsession is with the very nature of evil. What makes a man into a murderer, he longs to know? Is Iago a lone psychopath, or does he lie at the heart of a more widespread Ottoman conspiracy? Malipiero knows that torture will not provide him with the answers he seeks. But there is, perhaps, a more audacious and unusual route to the truth . . . Exuberantly inventive, thrillingly complex, and richly entertaining, Iago will captivate fans already familiar with Shakespeare and appeal to anyone who loves a rich historical novel. Iago marks the emergence of a remarkable new literary voice.




Othello


Book Description




From Chaucer's Pardoner to Shakespeare's Iago


Book Description

In The Western Canon: The Books and School of the Ages the American critic Harold Bloom claims that Shakespeare drew on Chaucer's Pardoner when creating the villain Iago for his Othello. This book turns Bloom's observation of influences within the canon of Western literature into a more complex intermedial analysis of dramatic and literary traditions at the waning of the Middle Ages and the dawn of the Renaissance. The discussion of verbal and non-verbal codes in Chaucer's presentation of the Pardoner and Shakespeare's depiction of Iago sheds light on the various strands of the Vice's development, and shows that Chaucer's pilgrim, who descends obliquely from the stage Vices, stands at the very beginning of the Vice tradition, while Iago is a late development of him, who adapts his role to new dramatic challenges.




Homosexual Desire in Shakespeare's England


Book Description

In the most comprehensive study yet of homosexuality in the English Renaissance, Bruce R. Smith examines and rejects the assessments of homosexual acts in moral philosophy, laws, and medical books in favor of a poetics of homosexual desire. Smith isolates six different "myths" from classical literature and discusses each in relation to a particular Renaissance literary genre and to a particular part of the social structure of early modern England. Smith's new Preface places his work in the context of the continuing controversies in gay, lesbian, and bisexual studies. "The best single analysis of the homoerotic element in Renaissance English literature."—Keith Thomas, New York Review of Books "Smith's lucid and subtle book offer[s] a poetics of homosexual desire. . . . Its scholarship, impressively broad and deftly deployed, aims to further a serious social purpose: the redemptive location of homosexual desire in history and the recuperation for our own time, through an understanding of its discursive embodiments, of that desire's changing imperatives and parameters."—Terence Hawkes, Times Literary Supplement "The great strength of Bruce Smith's book is that it does not sidestep the complex challenge of engaging in the sexual politics of the present while attending to the resistant discourses and practices of Renaissance England. Homosexual Desire in Shakespeare's England demonstrates how a commitment to the present opens up our understanding of the past."—Peter Stallybrass, Shakespeare Quarterly "A major contribution to the understanding of homosexuality in Renaissance England and by far the best and most comprehensive account yet offered of the homoeroticism that suffuses Renaissance literature."—Claude J. Summers, Journal of Homosexuality




Shakespeare's Sense of Character


Book Description

Making a unique intervention in an incipient but powerful resurgence of academic interest in character-based approaches to Shakespeare, this book brings scholars and theatre practitioners together to rethink why and how character continues to matter. Contributors seek in particular to expand our notions of what Shakespearean character is, and to extend the range of critical vocabularies in which character criticism can work. The return to character thus involves incorporating as well as contesting postmodern ideas that have radically revised our conceptions of subjectivity and selfhood. At the same time, by engaging theatre practitioners, this book promotes the kind of comprehensive dialogue that is necessary for the common endeavor of sustaining the vitality of Shakespeare's characters.