Iban Ritual Textiles


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Textiles from Borneo


Book Description

The textile art from northern Borneo, made by the Iban, Kantu, Ketungau, and Mualang tribes, is highly distinctive and extraordinarily rich. In this remarkable book, more than 150 full-page brilliant color photographs of textiles from one of the world’s outstanding private collections shed new light on this timeless tradition. The works are ceremonial textiles used in rites of passage—birth, marriage, death—dyed with natural colors and woven in traditional ikat techniques; many have never been published before. Clothing worn during those ceremonies is also represented. As unmistakable as it is colorful, this Southeast Asian textile tradition remains influential for contemporary textile artists and designers.




Ties that Bind


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The Women's Warpath


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Ikat Textiles of the Indonesian Archipelago


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What knowledge is conserved about ikat textiles and their use in the Indonesian archipelago consists primarily of the records of missionary and scientific fieldwork, predominantly compiled by non-Indonesians. The coverage is thin-many weaving regions are covered by only one or two sources, and several regions have never been studied in detail. Much traditional knowledge is being lost, especially in the more remote island regions in the Indonesian archipelago, which require a concerted effort if any trace of their culture is to survive. UMAG hopes to contribute to the broader project by means of this publication, which shows ikat culture through a close reading of examples from over fifty weaving regions-several covered for the first time-and an introduction to the conditions, beliefs and customs of the various peoples who have created and used them. The book was enriched by the collaboration of twelve region-specific experts who gave critical feedback on chapters or provided details on techniques and motifs that only they could have provided. - Verlagsangaben.




Textiles for this World and Beyond


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This sumptuous book presents a fascinating overview of the use of cloth, its function in society and the messages contained within colour, pattern and technique.




Iban Art


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"The author describes the ikat, sungkit, pilih, and other forms of Iban weaving, the sculptures, the tattooing, metal forging, and other art of the Iban in the context of their oral sagas, stories, poetry, and love songs. He shows how art was used as a pre-literate scholastic aptitude test to ensure intelligent Iban married other intelligent Iban to increase the likelihood that their children were intelligent and were more likely to prosper. Women also chose men on the basis of their prowess at war to ensure the household, physically, was secure. That meant heads and headhunting. The book shows how weaving and headhunting came to be ritualized, the one encouraging the other, so that sexual selection was bound into the Iban's holy trinity of taking heads, growing rice, and birth or regeneration." --Publisher.




Handwoven Textiles of South-East Asia


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This beautifully illustrated, pioneering work surveys the history and techniques of textile production past and present in South-East Asia, offering important insights into the economic, social, and religious life of the people.




Thread and Fire


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- Features rare island artefacts- Covers both Indonesian and Timorese textiles and jewelryThread and Fire is a fascinating journey through the centuries-old trade networks that developed across a group of archipelagos along the equator. Of the 18,000 islands, more than 900 are permanently settled by over 360 ethnic groups, speaking 700 languages and dialects. For centuries this vast and rich environment favored local and regional exchanges, and it was only later that people visited from afar. New connections integrated these archipelagoes with the distant civilizations of continental Asia: first India, later China and from the 13th century onwards, the Islamic world. Finally, with the arrival of Europeans in the early 16th century, global trade and connections grew rapidly. Spices and forest & sea products were the focus of foreign interests, and textiles were the currency for their acquisition. These imported textiles, complemented with ornaments and jewelry, soon became part of the region's social fabric, indispensable items of gift and exchange, essential markers for the indictment of ceremonies, rights of passage and signifiers of rank and prestige. Thread and Fire explores and illustrates those ancient connections and traditions through Indonesian and Timorese textiles, regalia and jewelry from the Francisco Capelo collection, assembled over a 20-year period and now part of the permanent collection of Casa Asia-Colecao Francisco Capelo in Lisbon.




Building on Batik


Book Description

The word ’batik’ is possibly of Malay origin from the word ’tik’ meaning ’to drip’ or ’to drop.’ The term is applied to a resist dye technique invented independently in locations as diverse as Ancient Egypt, Japan and Turkestan. Batik is a remarkably flexible textile technique and is suited to small-scale methods of production, but demand from the fashion and tourism industries is increasing. This volume brings together the experiences and concerns of the international community of batik producers. It gives voice to their suggestions for ensuring that the producers of this traditional craft are integrated into its increasingly global production rather than excluded from it. Building on the work of batik designers and producers the book discusses the emergence of a global craft consciousness. Batik producers report on innovative measures taken both individually and collectively to hold their market position while commercial producers frequently annex and mass-produce traditional batik design. The book concludes with a discussion of marketing and production innovations and tourism which enable the producers of batik to maintain the integrity of their designs whilst harnessing the benefits of new commercial forms.