Iberian Swordplay


Book Description

In 1599, during the period when the Portuguese crown was united to the crowns of Castile and Aragon, a Portuguese master-at-arms called Domingo Luis Godinho wrote a manuscript in Spanish entitled Arte de Esgrima (The Art of Fencing). Although Godinho's live is largely a mystery and his text was never published, today his manuscript of utmost relevance in the study of Renaissance Iberian fencing, since it is the only complete treatise discovered so far describing the "e;Common"e; or "e;Vulgar"e; style of Iberian fencing, first documented in the 15th century, but by Godinho's day, displaced by the new system of La Verdadera Destreza.The work includes instructions for the single sword, a long-bladed, cut & thrust weapon taught alone and with the use of the shield, buckler, dagger, and cape, as well as paired with a second sword. Godinho's instructions also includes the longest known text on the use of the montante, or two-handed sword, a devastating weapon that was used by soldiers and body-guards, in duels and battlefields, in crowded streets and aboard galleys. Translator Tim Rivera provides a detailed introduction that explains Godinho's relationship to earlier masters of the "e;Common School"e; of swordsmanship, and a short primer on the various weapons, guards, parries, footwork and terminology of the tradition.




Iberian Swordplay


Book Description

In 1599, during the period when the Portuguese crown was united to the crowns of Castile and Aragon, a Portuguese master-at-arms called Domingo Luis Godinho wrote a manuscript in Spanish entitled Arte de Esgrima (The Art of Fencing). Although Godinho's life is largely a mystery and his text was never published, today his manuscript of utmost relevance in the study of Renaissance Iberian fencing, since it is the only complete treatise discovered so far describing the "Common" or "Vulgar" style of Iberian fencing, first documented in the 15th century, but by Godinho's day, displaced by the new system of La Verdadera Destreza. The work includes instructions for the single sword, a long-bladed, cut & thrust weapon taught alone and with the use of the shield, buckler, dagger, and cape, as well as paired with a second sword. Godinho's instructions also includes the longest known text on the use of the montante, or two-handed sword, a devastating weapon that was used by soldiers and body-guards, in duels and battlefields, in crowded streets and aboard galleys. Translator Tim Rivera provides a detailed introduction that explains Godinho's relationship to earlier masters of the "Common School" of swordsmanship, and a short primer on the various weapons, guards, parries, footwork and terminology of the tradition.




From Medieval Manuscript to Modern Practice


Book Description

In From Medieval Manuscript to Modern Practice, renowned historical swordsman Guy Windsor demystifies one of the greatest martial arts books of all time, Fiore dei Liberi's Il Fior di Battaglia (The Flower of Battle). In the late 14th century dei Liberi, an Italian knightly combat master, wrote Il Fior di Battaglia (The Flower of Battle). This magnificent, illustrated manuscript described how to fight on foot and on horseback, in armour and without, with sword, spear, pollax, dagger, or with no weapon at all. Windsor spent the last twenty years studying Fiore's work and creating a modern practice of historical swordsmanship from it. In this book, Windsor takes you through all of Fiore's longsword techniques on foot without armour. Each technique (or “play”) is shown with the drawing from the treatise, Windsor's transcription and translation of the text, his commentary on how it fits into the system and works in practice, and a link to a video of the technique in action. The book also contains a detailed introduction describing Fiore's life and times, and extensive discussion of the contexts in which Fiore's art belongs. From Medieval Manuscript to Modern Practice is essential reading for all martial artists and historians of the medieval and early Renaissance.




The Use of Medieval Weaponry


Book Description

From fantasy novels and cosplay to Renaissance festivals and roleplaying games, the love for medieval weapons runs deep. But how were they actually used? In The Use of Medieval Weaponry, historical fencing instructor and competitive fighter, Eric Lowe brings together the words of over a dozen medieval masters, as well as the practical experience of contemporary historical European martial artists, to answer this deceptively simple question. For the first time, learn to see weapons from the perspective, not of ancient generals or modern museum curators, but the people holding the sword. Compare weapons in combat, consider the pros and cons of different types and styles, and discover how medieval warriors adapted their art to their favorite tools. Whether you are an armchair enthusiast or a fighter ready to step up your game, Lowe takes you inside the world of medieval martial arts as no one else can.




The Knights of Modernism


Book Description

According to the customary literary-historical and theoretical notion, the fact that the first modern novel represents a parody or travesty of the chivalric ideal merits no particular attention. Failing to become attuned to the real role of the chivalric ideal at the beginning of the era of the modern novel, commentators missed the chance to adequately review the role of chivalry at the end of that period. The modern novel did not only begin, but also ended with a travesty of the chivalric ideal. The deep need of a significant number of modernist writers to measure their own time according to the ideals of the high and late Middle Ages cannot, therefore, be explained by a set of literary-historical, spiritual-historical or social circumstances. The predilection of a range of twentieth century novelists for a distant feudal past suggests that there exists a fundamental poetic connection between the modern (or at least the modernist) novel and the ideals of chivalry.




The Academy of the Sword


Book Description

The most detailed and comprehensive treatise on swordsmanship ever written, Gerard Thibault's Academy of the Sword offers an extraordinary glimpse into a forgotten landscape of ideas, in which Pythagorean sacred geometry illuminated the lethal realities of rapier combat to create one of the Western world's only thoroughly documented esoteric martial arts. Translated by the widely respected occultist and scholar John Michael Greer, this stunningly illustrated and precisely detailed manual of Renaissance swordsmanship is a triumphant document of Renaissance culture-as well as a practical manual of a martial art that can still be studied and practiced today.




The Red Garnet Sky


Book Description

A Carthaginian named Hannibal Barca lived between about 247 and 183 BC, the product of a military father and a mother of completely unknown qualities other than what can be imputed through her son. Before he died, presumably by suicide in Roman/Carthaginian enforced exile, he brought Rome to her knees in a virtually one man crusade started by his father. Rome got off her knees largely because this man—without timely support from his own country, and under probably unparalleled assault by adversities of fate—had exhausted his strength. The unassailable facts of Hannibal’s life are few. He is said to have been handsome, of the Hellenistic prince mode, a great general by the standards of any age, and he could turn this competence toward peaceful arenas when Carthage called him again. Perhaps his deadly enemies, the Romans, gave him the ultimate compliment. The emperor Septimus Severus is said to have erected a large monument to him at Libyssa, the little town near Marmara’s water where the Lady Barca’s oldest boy decided to make his last summation. This historical fiction is dedicated to understanding a citizen of Carthage who came very close to moving his world.




In the Service of Mars


Book Description

Martial Arts are literally "The Arts of Mars," the Roman god of war. For over two and a half millennia, the combat arts of Europe served the hoplite, gladiator, legionnaire, knight, duelist, boxer and wrestler on the battlefield, in the duel, as street defense and in the ring. Interest in these traditions has grown dramatically over the last twenty years, bringing together a unique combination of fighters and scholars in the quest to resurrect and preserve this proud heritage of fighting lore. The Western Martial Arts Workshop (WMAW) was founded in 1999 as a way for the students of these martial arts to meet, train, exchange research, and lay the foundation for an enduring Western martial arts community. In the Service of Mars, Volume Two is both a compilation of some of the most popular and detailed lectures and class notes from WMAW's first decade, and a record of the growth of the Western martial arts community in depth and breadth over the same time. From longsword to sword and buckler fencing; deadly knife-fighting to mounted combat, the martial traditions of England, Germany, Italy and Spain are all amply represented and combined with detailed, practical instruction. Not only a "best-of" anthology, most of the inclusions here are substantially different from the form in which they first appeared in the WMAW event guides. The contributions in this book have been substantially revised, expanded, and photo-illustrated, coming as close to recreating an actual class in the subject as the written word can ever replicate a physical discipline.




The Complete Renaissance Swordsman


Book Description

Dating from the 1520's, Bolognese swordsmaster's Antonio Manciolino's Opera Nova is the earliest surviving printed book on Italian martial arts. This seminal and eclectic Renaissance work contains clear and systematic instruction on the use of the sword and small buckler, sword and large buckler, sword and targa, sword and dagger, sword and cape, two swords, sword alone, and sword and rotella, plus a fascinating compendium on the use of polearms. Clearly and elegantly written, Manciolino's text is one of the best and clearest presentations of the martial skills required of the ideal Renaissance man. For the first time since its original publishing, this book has been translated into English by experienced historical fencing instructor Tom Leoni. Also included is a valuable and extensive technical introduction, complete with illustrations from both original sources and modern photographs, making it easy to follow Manciolino's instructions, sword-in-hand, even by beginners, while providing years of training for veteran martial artists.




Theory and Practice of La Verdadera Destreza


Book Description

Learn the fundamentals of La Verdadera Destreza! The fencing method of the Spanish Masters, updated with new information, in a compiled and legible edition, with techniques and concepts accompanied by photographs with the author's explanations. Jeronimo de Carranza wrote his treatise "The Philosophy of Arms". This is a humanistic dialogue dedicated to the presentation of a new art of fencing, called La Verdadera Destreza. This new form of fencing, elevating the activity into an art and a science, revolutionized the spanish fencing school. After him, it was Luis Pacheco de Narváez, which expanded upon Carranza's concepts. Alberto Bomprezzi has been investigating and practicing Verdadera Destreza since 2002. Part of his reseach is in this introductory text, aimed to novice and seasoned Destreza students. Presenting the foundations of La Verdadera Destreza from a practical point of view, honest and effective.