If Only Words Could Breathe


Book Description

Have you ever felt something so deep that it scared you? Have you ever felt so drowned in emotion that it drained you? Have you ever faced something so real that it forever changed you? This book is a collection of those moments, thoughts, poetry, musings and observations that are woven into an unconscious, yet hugely familiar narrative. In these words, you will find your moments of fear, expressions of joy, teardrops of truth, questions of curiosity and reflections on love. If only words could breathe, they would have this to say.




No Breathing in Class


Book Description

Collection of poems about school. Suggested level: primary.




Breathe and Be


Book Description

I breathe slowly in, I breathe slowly out. My breath is a river of peace. I am here in the world. Each moment I can breathe and be. Hear thunder crash, feel your toes touch sand, and watch leaves drift softly away on a quiet stream. The simple poems in Breathe and Be help children learn mindfulness as they connect to the beauty of the natural world. Mindfulness teaches us how to stay calm, soothe our emotions, and appreciate the world around us. Whether we’re watching tiny colored fish darting in the water or exploring the leaves, branches, and roots of a towering tree, the thoughtful words and the lovely art of Breathe and Be remind us how much joy we can find by simply living with awareness and inner peace. Ages 4–8




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Book Description




If the Body Politic Could Breathe in the Age of the Refugee


Book Description

This book posits that the ‘refugee crisis’ may actually be a crisis of identity in a rapidly changing world. It argues that Western conceptions of the individual ‘Self’ shape metaphors of political homes, and thus the geopolitics of belonging and exclusion. Metzger-Traber creatively re-conceives political belonging by perceiving the interconnection of each ‘Self’ through its most immediate home – the breathing body. On an experimental literary journey through her own past and that of Germany, she puts political philosophy in conversation with somatic and spiritual insight to expand notions of ‘Self’ and 'Home'. Then she asks: What ethical imperatives arise? What kinds of homes and homelands would we create if we no longer thought we ended at our skin?




The Poet X


Book Description

Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award! Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent. “Crackles with energy and snaps with authenticity and voice.” —Justina Ireland, author of Dread Nation “An incredibly potent debut.” —Jason Reynolds, author of the National Book Award Finalist Ghost “Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.” —Ibi Zoboi, author of American Street This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8. Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!




The Poetry of Thomas Gray


Book Description

Thomas Gray was born on 26 December 1716 in Cornhill in London. His father was a scrivener and his mother a milliner. He was the fifth of twelve children and the only one to survive. With his father becoming mentally unwell and abusing his wife she left with Thomas in tow for a safer life. Thomas was sent to Eton, where two of his uncles worked, and although he was a delicate and scholarly child with an aversion to sports he found it suited him. Whilst there he made three close friends; Horace Walpole, son of the Prime Minister Robert Walpole; Thomas Ashton, and Richard West. The four prided themselves on their style, humour, and appreciation of beauty. They were called the "quadruple alliance." In 1734 Gray went up to Peterhouse, Cambridge. Although his family wished him to study law he spent most of his time reading classical and modern literature, and playing Vivaldi and Scarlatti on the harpsichord for relaxation. In 1738 he accompanied his old school-friend Walpole on his Grand Tour of Europe. It was Walpole who later helped publish Gray's poetry. Gray began to seriously write poems in 1742, mainly after his close friend Richard West died. He moved to Cambridge and began a programme of literary study. Gray was a brilliant bookworm, a quiet, abstracted, dreaming scholar. He became a Fellow first of Peterhouse, and later of Pembroke College where he had moved after the students at Peterhouse played a prank on him. It is thought that Gray began writing his masterpiece, the Elegy Written in a Country Churchyard, in the graveyard of St Giles parish church in Stoke Poges, Buckinghamshire, in 1742. After several years of leaving it unfinished, he completed it in 1750. When Gray sent it to Walpole, Walpole sent off the poem as a manuscript and it appeared in many magazines. Gray then published the poem himself and received the credit he was due. The poem was a literary sensation. Its reflective, calm and stoic tone was greatly admired, and despite the piracy it was imitated, quoted and translated into Latin and Greek. Gray spent most of his life as a scholar in Cambridge, and only travelled again later in life. Although he wrote little he is regarded by some as the foremost English-language poet of the mid-18th century. In 1757, he was offered the post of Poet Laureate, which he refused. Gray was extremely self-critical and feared failure. He once wrote that he feared his collected works would be "mistaken for the works of a flea." Gray came to be known as one of the "Graveyard poets" of the late 18th century, along with Oliver Goldsmith, William Cowper, and Christopher Smart. Gray perhaps knew these men, sharing ideas about death, mortality, and the finality of death. In 1768, after the death of Lawrence Brockett the Regius chair of Modern History at Cambridge, a sinecure which carried a salary of 400, fell vacant and Gray secured the position. Thomas Gray died on 30 July 1771 in Cambridge, and was buried beside his mother in the churchyard of Stoke Poges, the setting for his famous Elegy.




The Birth of All Things


Book Description

"Masculinity doesn't have to be toxic, but some men choose to put poison on their tongue ..." The Birth Of All Things is an eclectic mix of poems from Marcus Amaker, the first Poet Laureate of Charleston, SC.This personal collection delivers poems about a wide range of topics: life as a new dad, racism in America, Bjork, anxiety, Star Wars, masculinity, pandemics, black music, history, and more. Amaker is an award-winning graphic designer, musician, and performance poet. The Birth Of All Things is the sum of all of his talents.The book features an original illustration from Florida artist Nick Davis.




Breathe


Book Description

“Richly composed and sweetly appealing—just right for baby storytimes as well as one-to-one sharing.” —Kirkus Reviews (starred review) “Perfectly suitable as a read-aloud.” —School Library Journal Take a deep breath and dive into a day in the life of a baby whale, told with luminous illustrations and spare text, with a fresh twist on a timeless message. Swim! Play all day. Breathe. This simply told story follows a young whale on a journey of discovery as he experiences his first day at sea on his own! He swims, explores, and makes friends in his marine habitat. After a day of independence, this little whale delights in returning home to his mother. Young readers will be drawn to Scott Magoon’s reassuring story of adventure.




We Can't Breathe


Book Description

A Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay Insightful and searing essays that celebrate the vibrancy and strength of black history and culture in America by critically acclaimed writer Jabari Asim "A fantastic essay collection...Blending personal reflection with historical analysis and cultural and literary criticism, these essays are a sharp, illuminating response to the nation’s continuing racial conflicts."—Ron Charles, The Washington Post In We Can’t Breathe, Jabari Asim disrupts what Toni Morrison has exposed as the “Master Narrative” and replaces it with a story of black survival and persistence through art and community in the face of centuries of racism. In eight wide-ranging and penetrating essays, he explores such topics as the twisted legacy of jokes and falsehoods in black life; the importance of black fathers and community; the significance of black writers and stories; and the beauty and pain of the black body. What emerges is a rich portrait of a community and culture that has resisted, survived, and flourished despite centuries of racism, violence, and trauma. These thought-provoking essays present a different side of American history, one that doesn’t depend on a narrative steeped in oppression but rather reveals black voices telling their own stories.