Country Matters


Book Description

For more than a decade, Jo Northrop wrote the "Simple Country Pleasures" column in Country Living magazine. This delightful volume collects Northrops thoughtful observations of contemporary life in the country.




Country Matters


Book Description

When Clare Leighton moved to the countryside in the 1930s, she tuned her exceptional creativity to the Chiltern landscape around her. Already considered one of the finest engravers of her time, she immediately began a series of portraits, in words and engravings, which explored the nature and rhythms of rural life. With subjects as varied as picking primroses, the village witch and smithy, harvest festival, chair bodgers, the local pub, felling trees and country cramps, Leighton documents the idiosyncrasies and nuances of rural culture, leaving us with a valuable and beautiful record of a way of life that has now vanished. Illustrated with her own bold and elegant engravings, here is an affectionate, unsentimental portrait of the English countryside. Book jacket.




Illustrated Book of Country Matters


Book Description

The portion of a woman that appeals to Man's depravity Is fashioned with considerable care, And what, at first, appears to be a simple little cavity Is really an elaborate affair. If he wrote the above verse, and the indications are that he did, A P Herbert never said a truer word. So who better to thoroughly investigate this 'elaborate affair' than one whose credentials in matters of anatomy and art history are equally impeccable - Oliver Maitland? In broad cultural terms, a gynaecological vision of the female parts is perfectly legitimate. Their name, however, is unutterable - hence the Shakespearean euphemism 'country matters' for the title of this book. Maitland discusses the female pudendum and why it has been airbrushed out of art history. He examines taste: 'a light, quite lemony Hollandaise sauce, adorning some foodstuff which I haven't yet quite defined'; anatomy: '[the clitoris is] the only organ in the solar system which has no other function than to give pleasure'; recreation: 'vaginal fisting is not every woman's cup of tea'; scientific theory: 'for the adept... stimulation of the G-spot... produces orgasms far more intense than those produced by clitoral stimulation alone' or 'female ejaculation... its advocates gush over it with unaffected enthusiasm'; and finally, mythology: 'the vagina dentata... an unattainable item on the shopping list of dominatrixes'. 'From the earliest times, art and literature were not the places to find enlightenment about the female parts, or even a subjective angle, ' writes Maitland, grasping this nettle of a subject with a confidence and skill that go far to redress this unfortunate cultural imbalance.




Home Is Not a Country


Book Description

LONGLISTED FOR THE NATIONAL BOOK AWARD “Nothing short of magic.” —Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa’s “30 Under 30” list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flower its sweetness garlands made for pretty girls i imagine her yasmeen bright & alive & i ache to have been born her instead Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen—the name her parents meant to give her at birth—Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.




Going Up the Country


Book Description

Going Up the Country is part oral history, part nostalgia-tinged narrative, and part clear-eyed analysis of the multifaceted phenomena collectively referred to as the counterculture movement in Vermont. This is the story of how young migrants, largely from the cities and suburbs of New York and Massachusetts, turned their backs on the establishment of the 1950s and moved to the backwoods of rural Vermont, spawning a revolution in lifestyle, politics, sexuality, and business practices that would have a profound impact on both the state and the nation. The movement brought hippies, back-to-the-landers, political radicals, sexual libertines, and utopians to a previously conservative state and led us to today's farm to table way of life, environmental consciousness, and progressive politics as championed by Bernie Sanders.




The Great Historians of the Ancient World (illustrated) In 3 vol. Vol. I


Book Description

Most of what is known of the ancient world comes from the accounts of antiquity's own historians. Ancient history is the aggregate of past events from the beginning of writing and recorded human history and extending as far as post-classical history. Historians have two major ways of understanding the ancient world: archaeology and the study of source texts. Primary sources are those sources closest to the origin of the information or idea under study. Some of the more notable ancient writers include Herodotus, Thucydides, Arrian, Plutarch, Polybius, Livy, Josephus, Suetonius, and Tacitus. This three-volume edition presents exactly such primary sources of classical antiquity historians. This volume contents: 1. Thucydides: The History of the Peloponnesian War 2. Herodotus: The Histories by Herodotus 3. Xenophon: Anabasis 4. Xenophon: The Polity of the Athenians and the Lacedaemonians 5. Polybius: The Histories of Polybius, in 2 vol. 6. Plutarch: Lives of the noble Grecians and Romans by Plutarch Lives: A.H. Clough 7. Strabo: The Geography of Strabo, in 3 vol.




All Because You Matter (An All Because You Matter Book)


Book Description

A lyrical, heart-lifting love letter to black and brown children everywhere: reminding them how much they matter, that they have always mattered, and they always will, from powerhouse rising star author Tami Charles and esteemed, award-winning illustrator Bryan Collier. Discover this poignant, timely, and emotionally stirring picture book, an ode to black and brown children everywhere that is full of hope, assurance, and love.Tami Charles pens a poetic, lyrical text that is part love letter, part anthem, assuring readers that they always have, and always will, matter. This powerful, rhythmic lullaby reassures readers that their matter and their worth is never diminished, no matter the circumstance: through the joy and wonder of their first steps and first laughter, through the hardship of adolescent struggles and the pain and heartbreak of current events, they always have, and always will, matter. Accompanied by illustrations by renowned artist Bryan Collier, a four-time Caldecott Honor recipient and a nine-time Coretta Scott King Award winner or honoree, All Because You Matter empowers readers with pride, joy, and comfort, reminding them of their roots and strengthening them for the days to come.Lyrical, personal, and full of love, All Because You Matter is for the picture book audience what The Hate U Give was for YA and Ghost Boys was for middle grade: a conversation starter, a community touchstone, and a deep affirmation of worth for the young readers who need it most.




Academy and Literature


Book Description




The Art of the Reprint


Book Description

The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.